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The Phoblographer Answers: How Does Depth of Field Work?

Chris Gampat
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10/28/2016
2 Mins read
Chris Gampat The Phoblographer Panasonic 7-14mm f4 sample images (38 of 44)ISO 2001-250 sec at f - 4.0

When you’re first getting into photography, it can be a bit tough to truly understand how depth of field works. There are a number of factors that go into it and a number of things that also will determine how the photos look in the end. It isn’t just about bokeh; but it’s also about ensuring that your subject is always in focus.

Here’s a reader’s question on just this issue.

Question:

This question was sent in to us from Russ.

If aperture changes depth of field and focus, why does my camera sometimes automatically use a low aperture (e.g. 3.5) for landscape shots, and how is everything still in focus with such a low aperture?

Answer:

Chris Gampat The Phoblographer Sony A99 Aquarium photos and landscapes edited (8 of 15)ISO 100

Well Russ, it’s pretty interesting overall. A number of factors affect your camera and lens’s depth of field:

Focusing Distance: Obviously, how far away you’re focusing. The further out you focus on any given lens, the more will be in focus. The closer in you focus, the less will be in focus and clearly visible at any given aperture or focal length.

Aperture: The more you stop your lens down, the more will be in focus. It’s possible to stop down to f11, focus closely on a subject and still get some sort of bokeh. Just think about macro lenses!

Focal Length: The wider of a focal length you’re at, the easier it is to get a subject in focus. At 24mm and f1.4, you’ll have more of a subject in focus when focusing three feet away vs with an 85mm f1.4 at the same aperture.

Sensor size: The size of your camera’s sensor determines just how much will be in focus.

Chris Gampat The Phoblographer Sony A99 Aquarium photos and landscapes edited (4 of 15)ISO 100

I’m assuming you’re using your kit lens Russ, and so at the wider end of it you’ll be at 18mm most likely. At 18mm, you’ll have a whole lot of a scene in focus at f3.5 and focused far away. This is because of a number of reasons:

  • You’ve got a wide focal length.
  • You’re focusing further out (most likely at infinity).
  • Your aperture, at f3.5 and at 18mm, is more than stopped down enough to get an entire scene in focus. You can get something even sharper at f5.6 or f8.
  • If you’re shooting with an APS-C or Four Thirds sensor, more will be in focus at a given aperture than with a medium format camera or a 35mm full frame camera sensor.

This is just how depth of field works and the factors that go into it. To ensure that you’ve got an entire scene in focus, you can stop down to f22.

aperture depth of field focus
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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