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Enter the EyeTime Photo Competition

Chris Gampat
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10/02/2015
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Last Updated on 10/02/2015 by Chris Gampat

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This year, Managing Editor Julius Motal and I will be judges for a special contest of really amazing photography. Put on by Morpholio and Resource Magazine, The EyeTime Photo competition highlights the work of students, enthusiasts and budding professionals for a chance to add to the list of awards associated with your name. The competition is known for showcasing very prestigious work of up and coming talent. Eyetime 2014 was assembled by photographers, professors and students as a means to publically promote the research, exploration and investigation currently happening amongst today’s emerging photographers.

You have until October 19th to submit; and considering many of the emails we receive with lots of incredible photography to showcase, we suggest you head on over and check out the competition rules.

Take a look at what some of the winners delivered last year after the jump.

To see more of the work, check out this link.

2014 EyeTime Competition Winners


Emerging Talent Jury Winner
Binh Duong
Street Barber
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Emerging Talent Jury Winner
Javier Corso
H-WASTE
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Emerging Talent Jury Winner
Javier Corso
Under Fire
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Emerging Talent Jury Winner
rongguo gao
Mother and Child
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Future Voices Jury Winner
Ben Tynegate
Architecture in Limbo
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Future Voices Jury Winner
felicia simion
Different shades of the same grey
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Future Voices Jury Winner
Turjoy Chowdhury
Flowers of City Slums
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Future Voices Jury Winner
tiberio ventura
Left Behind
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Emerging Talent Public Winner
Christopher Lucka
Lovers
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Future Voices Public Winner
Rainer Weston
The Artist Must Be Visible
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Morpholio Special Recognition
Nicholai Go
Causality
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Morpholio Special Recognition
Dery K
Worlds Within Us
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Jessica Lum Award
Turjoy Chowdhury
Fleeing for Life : Syrian Refugees in Istanbul
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Jessica Lum Award
Alessandro Falco
#riotdejaneiro
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.