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Reports of a Nikon D750 Emerge as Photokina 2014 Draws Closer

Chris Gampat
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08/19/2014
2 Mins read

Chris Gampat The Phoblographer Nikon 35mm product images (3 of 6)ISO 4001-50 sec at f - 3.5

The cries and pleas of Nikon fanboys everywhere may finally be answered. According to Nikon Rumors, the company will be releasing another full frame DSLR coined the Nikon D750. It will sit below the D810 and above the Nikon D610. And for many that stated that the D800 and D810 weren’t true successors to the D700, the D750 will feature a more modest 24.3MP full frame sensor according to reports.

More analysis is after the jump.

Also check out our Nikon D810 review.

According to another post on Nikon Rumors, the specs will be

 

  • 24MP full frame sensor
  • Tilting LCD screen
  • Wi-Fi support
  • Expeed 4 imaging processor
  • Very light body (probably similar to the D610 and Df, maybe even lighter)
  • Priced around $2,500 (the current Nikon FX camera price points are – D610: $1,896.95, Df: $2,746.95, D810: $3,296.95, D4s: $6,496.95)
  • Potential announcement at the end of August or early September
  • No idea on the model name – it could be D620, D750 or something completely different
  • The probability rating on this rumor is currently at 70% – I am pretty confident that this camera is coming, I am just not sure about the detailed specifications (if you have any more details, you can contact me anonymously here)

The camera is supposed to much more action oriented–which is what Nikon is really missing in their full frame lineup right now. The D610 is positioned at the entry level crowd while the D810 is for the studio and pros with the Df being for the old school pros. But they don’t have something that it truly like the D4s or their other top of the line cameras.

Years ago when Nikon released the D700, it was a baby version of the Nikon D3–which back then was at the top of the hill and couldn’t be outdone until Nikon released the D3s and the D3x.

With Photokina 2014 drawing closer, we’re just going to have to see what comes our way.

 

camera nikon nikon d610 Nikon D750 Nikon D810 photokina 2014
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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