Sigma has announced pricing and availability for its 85mm F/1.4 EX DG HSM lens. The bright portrait lens will be available with a suggested retail price of $1,400 and an approximate street price of $899. On an APS-C camera, the lens has the equivalent focal length of 127.5mm, making its F/1.4 aperture quite an impressive feat. For APS-C cameras, the lens comes with a hood extension to reduce outside light.
Today, for some odd reason, the Nikon P1000 point and shoot camera is being announced. Odd, you ask? The fact that it is a point and shoot isn’t such a big issue at all; but the fact that it’s a superzoom camera being marketed as one with a 125x optical zoom is what’s insane. Kudos to Nikon for being able to do something like this; but then you read the fine print (or in this case, print that’s not even in the press release) and see the bait and switch–this Nikkor lens is having its potential wasted by being placed in front of a 1/2.3 inch sensor.
We’re clearing up some misinformation we’re seeing in Facebook groups, comments, on Instagram, etc. about the Canon EOS R5. We’ve been seeing a lot of really stupid and wrong comments about the Canon EOS R5 across various platforms. All of it is in regard to overheating. Lots of YouTubers have been discovering the heating issues …
The Fujifilm XT3 (or as they call it, the Fujifilm X-T3) is the company’s latest evolution to their SLR style camera body designed to be a workhorse for many photographers. Despite a whole lot of great and absolutely fantastic things built into the camera, I personally am wondering what Fujifilm’s goal is here with the idea of the X Trans sensor and Film Simulations. One of the reasons why I was so smitten with the X Pro 1 was the fact that it delivered images that really looked like well shot and developed film. To some extent, the Fujifilm XT2 did too but only really with Acros. With the latest iteration, the Fujifilm X-T3, the company is delivering a new 26.2MP X Trans Sensor that delivers the most beautiful colors of any APS-C sensor that we’ve seen. But at the same time, the film simulations just don’t feel right.
