Every photographer romanticizes in one way or another years on down the line about a camera they’ve used and loved. For many of us, it’s their first camera. When photographers speak about said camera, they’re describing the equivalent of a sensory experience of sorts. In many ways, when you talk to the photographer about the experience, it’s often a poetic wax of some sort to a more nostalgic time in their lives. For some photographers, that camera is and will be the Ricoh GR II.
All images by Omri Shomer. Used with permission.
When you look at the street photographs of Omri Shomer, you start to see work that’s typical of many photographers though in a different way involving the use of specific lighting, color, and urban geometry. Indeed, Omri’s work is pretty fantastic from an artistic standpoint. The 34 year old Israel-based photographer started taking photos at the age of 13. His early influences are rooted in using an 8mm video camera which then branched out into using a 35mm pocket camera.
How My Approach to Street Photography Has Changed After More Than a Decade of Photographing New York
All images by text by James Maher.
The time-honored approach to improving one’s photography has always been time spent out there taking pictures. Education, gallery shows, and reading photography books can do wonders for a person’s development, but there is nothing that comes close to the importance of just going out there constantly for a long period of time.
After photographing diligently for 14 years, I have noticed some profound changes in how I see the city and how I photograph it. Not only have my technical skills improved, but I have learned a lot more about what I like to shoot and how I want to portray the city. Here are some of the changes that have occurred.
For a really long time in digital photography’s history, you needed to drop major cash on a Canon or Nikon DSLR for the best autofocus. Simply put, smaller and more affordable cameras just couldn’t keep up. Then more and more mid-range cameras started getting decent AF, which was great from an affordability standpoint, but still left a lot to be desired for those who wanted to have fast AF and not have to carry around a brick.
Well, times have continued to advance and now even small low profile cameras are starting to have some really impressive and accurate AF performance, to the point that one can actually use one of these camera and not feel like the AF is holding them back at all.
So today we are taking a look at the various low-profile options out there with fast AF. Enjoy! Continue reading…
All images by Blupace. Used with permission.
We’ve featured Blu & Pace before on this website, and they’re a couple who continue to astound me with the quality of their black and white photography. The duo specialize in portrait, fashion, and documentary photography–with a new series called Faces of Shanghai being at the fore of their new work.
All images by Jett Inong. Used with permission. Editor’s Note: In a previous version of this article, we misspelled Jett’s last name. We apologize for this mistake.
“Photography to me is a very complex form that consists of vast amount of visual language,” explains Jett Inong. “It is more eloquent than verbal language itself. When we look into a manual to build or fix something, we are most likely reliant to the photographs rather than the typed words for instructions.” In fact, Jett has a great point. No one likes to read a manual; and so it indeed is a type of language–one that’s easily conveyed in his series, ANXIETY.
Jett explains how that’s why he got into photography in the first place–the infinite capability to articulate one’s most visceral thoughts with just a click of a button, as he describes it.
All images by Daniel Valledor. Used with permission.
If you were to liken any sort of photography genre to cinema, it would be tough to do so with street photography–but Daniel Valledor is sort of putting that claim to rest. You see, Dan is a photographer and DP based in Madrid. During the day, he’s a Telecom Engineer but he’s worked in advertising and commercial photography. To his extra credit, he’s shot a number of award winning short films and has won over 50 awards and 100 selections in international film festivals.
So when you take a cinematographer and blend his work with street photography you get something with a classic, beautiful feel.
This Sunday, we’ve got a special portrait photography workshop that we’re teaching involving how to use Fujifilm Instax Wide in the studio. Plus we’ve got more just for street photographers. Check out our upcoming curriculum.