web analytics

sigma

Sony 35mm f1.4 photos

Sony has been working on responding to the criticism that they don’t have enough lenses for their full frame E mount system in a similar way that Fujifilm did when coming out later on the scene: by cranking them out. But the Sony Zeiss 35mm f1.4 doesn’t feel rushed at all. In fact, it feels very timeless and beautiful. This lens has a very unique design with its aperture ring–it’s the first Sony lens to have one and is designed for videographers who want easier control over their lenses. Rather than fully building a cinema lens, Sony solved the problem by giving it autofocus abilities that also work well for still shooting.

With a metal exterior, weather resistance, and solid focusing abilities for its size and weight, there is very little for us to not like about this lens.

[click to continue…]

Model: Erica Lourde

Model: Erica Lourde

Portrait lenses are an interesting topic due to the balance that’s needed with them. They need to be sharp, but if they’re too sharp, they can make skin look too detailed and not soft. Sure, this can be fixed in post-production but it’s often long and arduous work, and needs to be very exacting so that the images don’t look overdone or unnatural.

For that reason, we aren’t at all saying that sharp lenses aren’t good. In fact, they’re great! Many of them have won our Editor’s Choice awards. Instead, we’re saying that these lenses find a good balance between being very detailed with great image quality but not so detailed to the point where you’ll see way too much of the pores. When used in conjunction with modern image sensors, these lenses will make portrait shooting much easier.

[click to continue…]

Chris Gampat The Phoblographer Langly Alpha Pro Camera Bag review photos (2 of 9)ISO 4001-1700 sec at f - 1.4

“Hold up guys, I need to change my lenses.”

Rewind to 2007 when I was still in college and my photojournalism teacher and mentor taught me to never be this guy. Fast forward to 2008 during my first internship at PC Mag (then PC Magazine) and the journalists that I interned under would say the same thing. Why? Well, that guy slows everyone else down in the group.

This is one of the primary reasons why I don’t use backpacks for my photo gear, but when it comes to packing loads and loads of stuff on you in a comfortable yet low profile and fashionable way, it’s very tough to beat the Langly Alpha Pro backpack. Sure, backpacks don’t give you the quick, on the go access that a messenger or tote bag do, but it makes up for it in being able to carry lots of stuff on a daily excursion.

Made of canvas and leather, Langly camera bags join ONA, zKin, Artisan and Artist  and others amongst the lineup of beautiful camera bags designed to also be very functional as a camera bag.

So how does it do? To be honest, Langly may have everyone else beat when it comes to the adventure photographer.

[click to continue…]

We’ve added more sample photos to our Sigma 150-600mm f5-6.3 DG OS HSM Sport Lens first impressions post. So far though, we tested it more for portraiture than sports, but we’re going to do so! With a flash, this lens shows off nothing else but pure sharpness, and even without a flash in good lighting. The image stabilization is proving to be quite effective, but man is this thing heavy.

Chris Gampat The Phoblographer Sigma 24mm f1.4 first impressions (2 of 5)ISO 1001-25 sec at f - 1.4

Very recently, we had the chance to play with the Sigma 24mm f1.4 lens that was recently announced. As the latest addition to the Art series of lenses, this is Sigma’s third full frame prime lens that is part of their Global Vision initiative. The lens has a minimum focusing distance of 9.8 inches. Additionally, the 24mm incorporates both “F” Low Dispersion (FLD) glass and Special Low Dispersion (SLD) glass, has an optical formula 15 elements in 11 groups which the company claims to help to minimize chromatic aberration of magnification especially in the edge of the image field, and has aspherical elements placed near the rear of the lens. Finally, the lens has manual focus override even when the autofocus is activated.

We played with a pre-production copy, and what we saw got us more excited than any other lens that we’ve seen so far.

[click to continue…]

OLYMPUS DIGITAL CAMERA

Today, Profoto is announcing their brand new B2 monolights–a compact set that in some ways bridges the gap between speedlights and monolights. Incorporating full TTL control if the photographer wishes, the lights are very traditional heads with all battery power and control coming from the battery pack. This pack can easily mount onto your shoulder, over your chest, or even on the ground as the heads can go a fair distance away onto a light stand or even by using a flash bracket that can mount onto your camera–if you’re that type of photographer.

At 280 watt seconds of power, the B2 lights offer more output than your standard hot shoe flash but less than most monolights. In fact, we’re partial to calling them the perfect in-between solution.

[click to continue…]