With the review of the Sigma DP2s complete, it can go head to head with another camera. The camera I chose to pit it against was my own Olympus E-510
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professional
The reviews of the Sigma DP2s and Canon G11 are now complete, and the cameras can go head to head in ThePhoblographer’s first battle of the compacts. Please note that the Leica D-LUX 4/Panasonic LX-3 have been counted out of the battle as the successor has already been announced. But while you’re at it, you may want to check out this posting on small cameras for professionals. So let’s get to it!
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A comment came into the blog recently asking about using the EPL-1 as a backup to a Canon 40D. What’s so interesting about this is that no professionals have ever asked me advice on using the camera as a backup of any sort. So with that, let’s explore some small cameras for professional photographers.
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Today’s reader question comes from an old high school friend of mine named Johnny in regards to getting a starter DSLR and breaking into the business of photography. Those of you that are beginners or trying to break into it more yourself should check this out.
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Today for CES 2010, Sony brought out Taylor where she let us know that she will be touring in Australia soon. Soon afterwards, she let the audience of journalists and web viewers know that she will be documenting it all with Sony products. Swift said that she believe her audience is really cutting edge and that it will all be done in 3D.
This was done after Sony showed off some of Jimmy Hendrix’s stuff remastered in 3D.
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Many photographers dream and aspire to work for the professional agencies. Having a name like Magnum, Getty, Zooma, Associated Press etc. sure means that you’re good and at the top of your game. Most photographers though don’t know what these agencies call for. From my time working for Magnum Photos, Spotlight Press and talking to Brad Elterman of Buzzfoto, I learned quite a bit that shocked and amazed me and even colleagues of mine. Some of those tips after the jump.
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