The Phoblographer

Photography: Think Simpler

Archive for the ‘micro four thirds’ tag

Olympus Announces EM5 (OMD): We Fondle

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Yes, the rumors have been true for the most part. Olympus has finally decided to let the cat out of the bag with the new OMD (or OM-D) modernly coined the EM5 (or EM-5). Pitched to me as their new professional Micro Four Thirds camera, the reps stated that the system is now complete with both consumer products and professional products. Additionally, new lenses and accessories were also announced.

We got some fondling time with the camera; and our thoughts aren’t everything you might think they would be.

Update: B&H Photo and Amazon has it available for Pre-Order

Black (body only)

Power Battery Holder

FL-600R flash

EM-5 with kit lens (Amazon is body only in silver and Black with kit lens)

EM-5 in silver with 12-50mm

Weatherproof Four Thirds lens adapter

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Written by Chris Gampat

February 7th, 2012 at 9:00 pm

Posted in Cameras

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Voigtländer Announces New 17.5mm f/0.95 Lens For Micro Four Thirds (35mm Equivalent)

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Have you ever sat there and literally drooled over an announcement? Well according to 43Rumors, Voigtlander just announced a 17.5mm f0.95; which equates to 35mm f0.95. The company already makes the very highly regarded 25mm f0.95 lens, and this is the one that I’m personally lusting after. I’m married to my Canon 35mm f1.4 L, and as my favorite focal length this has got to have Micro Four Thirds users excited everywhere. Complete with clickless aperture (excellent for video), it will also have a 58mm filter thread size. That’s about the size of the front end of a Canon 50mm f1.4. In reality, that may mean that this lens may actually be kind of big on a Micro Four Thirds camera body.

If you convert the Euros over to American, it will run you around $1704.93.

You can read more over at 43Rumors.

Written by Chris Gampat

February 6th, 2012 at 8:27 pm

How to Create Videos That Look Like They Were Shot with Kodak Tri-X With Your Olympus Micro Four Thirds Camera

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Andrew Reed over at EOSHD loves the Panasonic GH2; he well should due to the fact that he is a professional videographer. He also has used the camera at super high ISOs in black and white while still achieving a film-like quality to the video. Because I dabble in street photography and have a video background, I have a love for Kodak Tri-X and the smaller Micro Four Thirds bodies like the venerable Olympus EP2: still considered by me to have some of the best image quality of all the models made. But even though the old camera doesn’t have the video capabilities of the newer GH2, it can still look quite nice providing that you use it correctly.

Here’s how to make your videos look like they were shot with Kodak Tri-X video film.

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Written by Chris Gampat

February 4th, 2012 at 12:49 am

Review: Yasuhara Nanohax5 5x Macro Lens (Micro Four Thirds)

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Yasuhara sent us their latest 5x Macro lens for review. We previously had a hands-on experience with it and after lots of use, this lens that turns your camera into a microscope is bound to have some very interesting applications. The company used to produce screw mount rangefinder cameras with TTL metering amongst other film using cameras.

So in the end, will this become your next fun accessory to keep in your camera bag?

Editor’s Note: Because I know everyone will ask, the strap is from the Olympus Pen Premium Case.

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Written by Chris Gampat

January 26th, 2012 at 12:37 am

Review: Rokinon D900AFZ-OP Flash (Four Thirds/Micro Four Thirds)

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The Rokinon D900AFZ-OP is a TTL flash designed for budget level users that don’t want the hassle of having to figure out calculations in terms of flash output, exposure, etc. The one I tested was designed for Four Thirds cameras, but the TTL algorithms translate right over the Micro Four Thirds language (and therefore, both Panasonic and Olympus.)

Read one to see why this flash was recently chosen in our best budget flash post.

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Written by Chris Gampat

January 25th, 2012 at 12:21 am

The Best Budget Off-Camera Flashes and Constant Lights

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Many people are already intimidated enough by off-camera lighting that isn’t ambient or natural. But the truth of the matter is that you really don’t have to be if you’re willing to experiment a bit, analyze your mistakes and then re-evaluate your approach. In no time, you can actually learn to master the flash quite well. Then there is the issue of cost: which can be settled quite easily.

Here is a list of some of the best flashes, monolights and constant lights from a guy that has experimented and own three different camera systems and has played with lots of different lighting units. Note that all units named in this round up have been tested by me.

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Written by Chris Gampat

January 20th, 2012 at 12:26 am