Samyang, the South Korean company whose lenses are sold under the Rokinon brand name in the US, have recently teased a new product announcement for April 28th. Thanks to a video report from the Photo & Imaging Show that has been held in Seoul over Easter, we now have a pretty good idea of what is going to be announced that day.
Besides two new cine lenses, Samyang will very likely announce a new 35mm f1.4 for Canon EF-mount which, for the first time, will sport electronic contacts that allow the use of auto-exposure modes such as program and shutter priority mode. The two other lenses that Samyang is said to announce are a cine version of the 7.5mm f3.5 fisheye lens for Micro Four Thirds, sporting a T3.8 speed rating, as well as a cine version of the recently announced 12mm f2 lens for APS-C mirrorless systems.
Unfortunately, despite many customers asking for it, Samyang will not introduce any autofocus lenses soon, according to an interview with the website DicaHub. This is mainly due to licensing issues, but also the amount of information available on each camera system’s AF. Our guess is that the major player such as Canon and Nikon won’t just give away for free all the secrets of how their respective AF systems work.
Considering the lenses mentioned above have been shown off at the P&I show recently, it is safe to assume that they’ll be officially announced soon. Whether or not one or all of these will be announced next Monday, April the 28th, remains to be seen. Stay tuned!
Via Canon Watch
Some people think that when there’s a Leica badge on a lens or camera, it must be good. Others claim that anything carrying the famous red dot is really just overpriced technology from yesterday. The truth is somewhere in the middle. On one hand, Leica does invest a lot into the development of its lenses. On the other hand, its rebranded Panasonic cameras really aren’t worth the premium price by a long shot. But what about the Leica branded Micro Four Thirds lenses?
Those as well are made by Panasonic, but are officially sanctioned by Leica to bear their name. While the DG Elmarit 45mm f2.8 macro didn’t get a lot of people excited, the DG Summilux 25mm f1.4 was an instant hit. Reviewers all over the web praised for its great image quality. Just recently, DxOMark tested the new DG Summilux 15mm f1.7, and it turned out to be a rather mediocre lens despite the Leica badge.
But now they also tested the new DG Nocticron 42.5mm f1.2, and here it seems we finally have another lens deserving of the Leica branding. The Nocticron showed one of the best performances of all Micro Four Thirds lenses ever tested by DxOMark, and is seconded only by the brilliant M.Zuiko 75mm f1.8. With an initial aperture of f1.2, the Nocticron is a super-fast portrait lens, and one that begs to be shot wide open.
DxOMark’s sharpness test does indeed confirm that the Nocticron performs very well even at its widest aperture, which is what you’d expect from a lens that costs over one and a half grand. But it also fares very well in terms of distortion and vignetting, and only in chromatic aberration it is slightly behind the M.Zuiko 45mm f1.8. We would’ve loved to see how the lens holds up to the Voigtländer Nokton 42.5mm f0.95 in DxOMark’s comparison, but unfortunately they didn’t test that lens.
So, if you were eyeing this lens for portaiture work, don’t worry. From what it appears, you won’t regret the purchase. That is, provided you can afford the lens in the first place, without selling your family into slavery …
DxOMark continues to rate the sensors in current camera models, and their latest victim was the Canon G1 X Mk II. The successor to the original G1 X again comes with a fixed lens and a sensor larger than the (Micro) Four Thirds format, but still smaller than the APS-C format. Sporting a resolution of 15 megapixels, one is bound to assume that it would outperform the Micro Four Thirds crowd at least by a small margin–but actually, the opposite seems to be the case.
With an overall score of 58 points, the PowerShot G1 X Mk II is ranked even lower than its predecessor, wich managed to score 60 points. Compared to current Micro Four Thirds models, however, the G1 X Mk II is way behind: the Olympus OM-D E-M10′s sensor has received 72 points in DxOMark’s test, and even the tiny Panasonic GM1 scores a solid 64 points. But here’s the most interesting part: even Canon’s own PowerShot S120 with its tiny 1/1.7″ sensor scores almost as high as the G1 X Mk II, though of course it doesn’t hold up when it comes to dynamic range and high ISO noise.
This isn’t the first time that we see Canon sensors receiving bad ratings by DxOMark, though. Just recently, their lab tested the EOS Rebel T5, and it, too, was rated way lower than its immediate competition. But despite the mediocre ratings, Canon DSLRs still enjoy a huge popularity especially on western markets, and even the EOS M mirrorless system is very popular over in Japan. When it comes to pure image quality, though, it seems that you’re better of with almost any other brand.
DxOMark have just finished testing the Panasonic GH4 (or rather, its sensor,) and their results are hardly surprising. As it turns out, the GH4 is the best Micro Four Thirds camera currently available when it comes to pure sensor performance. With a total score of 74, it is three points ahead of its predecessor, the GH3, and even outperforms the acclaimed Olympus OM-D E-M1 by one point.
Further analysis is after the jump.
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Everyone wants a piece of the 4K cake at this year’s NAB show in Las Vegas, it seems. Yesterday, we saw the amazing new Sony A7S, which is not only 4K-capable but also sports an interesting sensor that might just become the new king of low light. Then we heard of a new 4K Micro Four Thirds camera from JVC, and now even more news started trickling in. So we though it was time for a little NAB 4K roundup.
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We wonder if the new 4K Micro Four Thirds camcorder from JVC will look anyting like this.
Good news for the video world! JVC Kenwood has recently joined the Micro Four Thirds standard, and is currently developing a new 4K camcorder with a Micro Four Thirds mount at NAB 2014. However, what will set the this camcorder off from all other Micro Four Thirds cameras is its sensor, which will sport the lager Super 35mm form factor. As a reminder, Super 35mm is similar in size to APS-C, which means it is considerably larger than the Four Thirds format.
This is a very interesting development. For one, it brings some extra competition for the Panasonic GH4, which is currently the only Micro Four Thirds camera capable of 4K video recording. Also, this seems to be the first attempt to put a larger sensor into a camera with a Micro Four Thirds mount. It will be interesting to see how this works out, and whether native Micro Four Thirds lenses that were designed for the smaller sensor will work on the camera.
At this time, there are no technical specifications or pictures of the prototype camera available, except that the device will sport a a “large” LCD monitor. It also appears as though the camcorder itself will be separate from the recording device, which reminds us of the Sony A7S. It is uncertain from the machine translated press release whether the prototype device will be shown at NAB in Las Vegas. For those attending the show, shoot us an email if you run across it!
Via Four Thirds User and DC Watch