We have all been interestingly awaiting word from Kodak on their renewed interest in keeping film alive and even expanding upon their currently available film stocks. One legendary film we have been watching for closely has been Ektachrome, and if a recent comment reply on Kodak’s Facebook page is legitimate, then we could be seeing Ektachrome back soon! Continue reading…
Years ago, Lomography introduced Lomography Earl Grey 100 black and white film and added yet another entry into a market looking for more 100 ISO black and white films. There are a few from Ilford, none from Kodak except for T-Max, one from Fujifilm and a few other manufacturers producing them. But slower ISO black and white films aren’t really spoken of except for Acros. Black and white ISO 100 films are great for studio and portraiture work but in many cases have the versatility to deliver great results when pushed.
Lomography’s Earl Grey 100 used to be an older emulsion of Kodak T-Max 100. But that’s changed over the years. It’s now a Fomapan emulsion. But in the end, who cares? All that matters is the results.
Lomography Color Negative 400 is one of those alternative color films that unfortunately isn’t spoken about enough. And for some of us, that’s perfectly fine. I’m okay with all the haters of Lomography refusing to understand what the company is doing and saving more film for me. Walking into the West Village store in NYC to be greeted warmly by the employees and always having the ability to buy some simply makes me happier. And all the folks who only shoot digital and only care about shooting digital can keep doing so. They’ll never understand the awesome secret that the rest of us know that is ironically being published on one of the biggest indie photo blogs on the web.
That’s all just fine.
The Pentax 67 has to be one of the most drooled over medium format SLR cameras ever made. For great reasons too! The Pentax 67 is a film SLR that is more or less designed to be portable and shot handheld by fashion photographers and portrait photographers. For many years it was well regarded and even today, there is some fantastic work that is often done with the camera. Between this, the Pentax 67 II and the Mamiya RB67/RZ67, lots of photographers really have a tough choice figuring out what they want.
The truth is that it really depends on your style and it also really depends on how good you are at being able to create photos.
Doing night photography or shooting in low light is pretty easy when you’re using digital gear, but it’s certainly more challenging to do when you choose to work with film. Going blind and shooting unprepared with a film camera has been the source of frustration for many who are just getting into it. The good news is, you don’t have to.
With tons of learning resources that you can now find online, you can save yourself the heartache of badly shot night photos and wasted films. One such example is UK-based film photography website Negative Feedback, which feeds your curiosity about shooting film through their short videos. Continue reading…
The MS Optics 28mm f2 Pancake lens offering is a lens that should be permanently glued to a Leica CL if you have one. Now, don’t go doing that for real now, but more to the point, this is a lens that really should be glued on. Why? It’s incredibly small. The MS Optics 28mm f2 is one of the smallest lens offerings for the Leica M mount, with perhaps only Lomography’s Minitar 32mm f2.8 lens rivaling it. In fact, both of those lenses have unique image qualities to them as well as drastically different price points. Their operation is quite similar though due to their being this small.
One thing is for absolutely certain: mate the MS Optics 28mm f2 to your Leica M mount (or any M mount camera) and the package will be that much lighter and smaller than nearly any other lens you use with your camera.
Heads up, film photographers! If you’re looking for some new and experimental films to try, KONO! has recently made their selection of films available for purchase in single rolls. This makes sampling their funky films easier on the pocket, especially if you’re more keen on variety than quantity for testing them out.
If you’re not yet familiar with KONO!, it’s an alternative film company that produces some wacky emulsions they call “Reanimated Films” — in some cases they’re special materials which weren’t originally intended for use in regular photography. Apart from their experimental black and white film called Rekorder 100 – 200 (above) and their Tungsten film called Kolorit 400 (which we absolutely loved), they also have a number of pre-exposed rolls like the Luft and Liebe 200 that add a quirky touch to your images. Lomography is also carrying another of their Tungsten film called Donau, which has the lowest film sensitivity for 35mm films currently in the market today at ISO 6.
Lots of photographers are wary of bringing film with them on their next airplane trip, but the experienced photographers have learned how to do it. Sure, your phone, a good point and shoot, or a small ILC camera will work great but there is something absolutely unique about what film will do for the experience. Typically, folks love to look at and fall in love with their travel photos as soon as possible. But when you delay that otherwise instant gratification just a bit, you’ll be much more thoroughly surprised later on. Even if you shoot instant film, there’s still a Je Ne Sais Quoi about that moment that enhances the experience.
Here are a few of our favorite film emulsions