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Chris Gampat The Phoblographer Olympus OMD EM10 Mk II first impressions images (10 of 10)ISO 4001-200 sec

The Olympus OMD EM10 was the company’s entry level mirrorless camera targeted at the folks who wanted a viewfinder and DSLR-like look and feel. Plus, with an affordable price, it was well worth it for many of them. But today, Olympus is announcing their brand new EM10 MK II–a camera with lots of new features that in some ways make it more appealing than the Olympus OMD EM5 Mk II and the OMD EM1–at least at the moment of publishing this post.

Olympus believes this camera to be a massive upgrade ergonomically and internally. But what many people may be most excited about is the new S-OVF mode. The Olympus OMD EM10 Mk II has a simulated Optical Viewfinder mode that lets you pretty much see the world as you would in real life–but through an EVF. In some ways, this is already possible with other cameras with settings tweaks, but Olympus puts it all into one convenient mode for you.

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Chris Gampat The Phoblographer Sigma 24-35mm f2 review product images (2 of 9)ISO 4001-60 sec at f - 2.8

Not long ago, Sigma announced the fastest aperture zoom lens made for a full frame camera: the 24-35mm f2 DG HSM Art. With a constant f2 aperture range throughout its zoom range, it is the fastest constant aperture full frame lens made so far. But with that comes what many believe to be a big tradeoff. The lens has a very limited zoom range and essentially gives you three big focal lengths: 24mm, 28mm and 35mm. However, these lengths are made possible by 18 elements working together in 13 groups in conjunction with a 9 bladed aperture.

And at under $1,000 this lens any many others that Sigma makes may be some of the few things keeping you working with DSLRs.

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ISO 12,800

ISO 12,800

Today is a day where I’m really, really eating my words. When working on our first impressions post for the Sony A7r Mk II, I kept thinking about how the high ISO results for a 42.4MP Full frame camera couldn’t be that spectacular. Indeed, the low ISO output is quite nice. Then we got the camera back in for testing just yesterday.

At first, I shot at ISO 3200 and was very impressed. Then I took the camera up to ISO 6400 and was also very pleased with the results. But it didn’t stop there.

The Sony A7r Mk II‘s maximum ISO output is 102,400. At 42.4 MP, you’d figure that the high ISO results wouldn’t be that stellar, right?


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Chris Gampat The Phoblographer Zeiss 85mm f1.8 review product extras (6 of 6)ISO 4001-125 sec at f - 2.8

Portrait lenses: these two words can make a photographer’s heart melt when seen together. For years, Zeiss has dominated the portrait realm, though Sigma and Canon have had their share of lenses that sing. So when Zeiss released the first true portrait prime lens for the new Sony FE mount system, we knew that it had to be incredible. Indeed the Zeiss 85mm f1.8 Batis is a lens that can have that effect on you.

While this all sounds completely wonderful on paper, we needed to see if it really would make our jaws drop. Initially, we really thought it was something special. But did our love affair last? Or was this just another summer fling?

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Chris Gampat The Phoblographer Zeiss 25mm f2 Batis lens product image (1 of 1)ISO 4001-40 sec at f - 3.5

The Zeiss 25mm f2 Batis is one of the company’s lenses designed for the full frame Sony E-mount (FE), but unlike the Loxia lenses, the Batis line has autofocus. Beyond this, they have a new and very unconventional feature: a HUD on top of the lens that displays information in the right situations.

With 10 elements in 8 groups and a minimum focusing distance of just under eight inches, the lens is one that many photographers can keep in their kit for a variety of reasons. Food? Cool, use it! Architecture? Sure! Adventure! You got it! And what makes this all possible is Zeiss’s stamp of approval when it comes to being more resistant to abuse and the elements.

And if you’re a Sony user, you’re bound to become smitten with the colors.

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Chris Gampat The Phoblographer Tamron 15-30mm f2.8 extra review photos finals (5 of 5)ISO 64001-30 sec at f - 2.0

In the past couple of years, the trend has been to add image stabilization to wide angle lenses. Why? Because many photographers tend to handhold their cameras and lenses rather than put them on tripods. So that makes a lot of sense when you consider Tamron’s 15-30mm f2.8 VC lens. The lens is targeted at Real Estate, Architecture, Adventure, and Landscape photographers that want to leave the tripod at home while also trying to keep their kit as minimal as possible. Both Canon and Nikon have competing offerings–but neither incorporates image stabilization nor were they probably developed with resolving a 50MP full frame sensor in mind.

The Tamron 15-30mm f2.8 Di VC USD is a lens with not only vibration compensation, but lots of weight at that. And for the professional photographer, it’s sure to be a constant companion.

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