Review: Leica M10

The Leica M10 has to be one of the worst kept secrets from Leica in a while. Perhaps it’s because it generated a whole lot of excitement, and indeed it’s worth the hype. For the purist photographer, this is bound to be a tool that they’ll closely look at. With a 24MP CMOS full frame sensor, this camera is the company’s smallest M digital camera and this was done by creating a camera that more or less is super densely packed. It’s around the same size as the company’s film M cameras.

We’ve been playing with the Leica M10 for a while now, and in truth, we really like it.

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JPEG Image Samples: Canon EOS M5

After playing with the Canon EOS M5 at Photo Plus 2016, we’ve finally got it in for review. We’ve taken it out for photowalks and honestly have to say that it’s a pretty good camera. Does it have issues? Sure. But can it produce really nice images? Heck yes!

In today’s post, we’re publishing JPEG photo samples.

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Which One? Sony a6500 vs Fujifilm X-T2 vs Fujifilm X Pro 2

If you’re a photographer that’s been looking at the high-end APS-C mirrorless camera options out there, then you most likely know that Sony and Fujifilm are the ones that continue to duke it out over and over again. The Sony a6500 is the company’s latest offering while Fujifilm has two flagship cameras in the form of the X-T2 and the X Pro 2. All of these cameras are highly capable, have the same megapixel count and have similar features. But which is the best?

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First Impressions: Panasonic GH5

For CES 2017, Panasonic is reannouncing the Panasonic GH5 camera–the company’s flagship that has been mostly targeted at the videographer for many years now. With their newest addition to the lineup, the company is trying to make an even bigger splash. The GH5 is being pumped filled with all sorts of awesome features. Let’s take a look!

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Review: Sony a6500

Three refreshes: that’s how long it took for Sony to create a camera with a sensor that can keep up with its competitors. Granted, the processing engine in the Sony a6500 is very capable and a big part of it. But then we also beg the question: Why so many refreshes so suddenly?

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Review: Sony a99 II

In some ways, it perplexes me that Sony still has the a99 and Alpha series of cameras. Sure, they’re from the Minolta days and have a heritage behind them, but admittedly the company doesn’t push them anywhere as hard as they do their E mount lineup. I wish they did though–Minolta was at one time one of the most important camera companies in the world. So if you look at the Sony a99 II and trace its evolution, you honestly won’t see a whole lot of that heritage sans the mount. But this could arguably also be said for the original a99 with the new hot shoe. In all honesty though, that choice was for the better.

The Sony a99 II is a camera packed to the brim with technology. If you’re not convinced by the high megapixel full frame sensor, then you’ll be shocked to know it’s also capable of shooting sports and fast motion very well with its highly improved autofocus system. Indeed, this is the best that Sony can deliver.

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Review: Sony RX100 V

For a really long time, I’ve never truly been a fan of the Sony RX100 series of cameras, but then earlier this year Sony launched their Sony RX100 V–and somehow or another things changed. The company has been making steady improvements to the camera over the years with a better aperture value through the zoom range, the addition of an EVF, improved battery life, improved autofocus, better video, and better image quality. At the same time, I’ve become more and more enamored with point and shoots. The good ones with a fixed lens, a fast aperture, fast autofocus, small size, and solid image quality just make it all that much more worth investing into one.

In my personal collection, my Hexar AF has taken the place of SLRs and others just because it’s so small, lightweight, quiet, and has fantastic image quality. Digital point and shoots have been there for a while now, but nothing has impressed quite like what the Sony RX100 V has been capable of in terms of image quality from a 1 inch sensor.

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Lens Comparison Review: Fujifilm 23mm f2 R WR vs Fujifilm 23mm f1.4 R

Lots of photographers that invest into the Fujifilm camera system have been wondering whether they should go for the new 23mm f2 R WR lens or the 23mm f1.4 R lens. Indeed, it can be confusing. Of course, there are more obvious differences: the size, weather sealing, autofocus speed, etc. But then there are some differences that aren’t so obvious.

I personally own the 24mm f1.4 R, and Anthony owns the 23mm f2. So we’ve compared the two for you folks.

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