The Venus Optics Laowa 15mm f2 lens is promising zero distortion, and when in use it honestly holds itself very well to that promise. This lens appeals a whole lot to the urban geometry and architecture photographer in addition to the interior and real estate photographer. The reason for this obviously has to do with the lack of distortion. In many ways, you can say that it surely is zero distortion but if you run it through some editing programs you’ll see that it isn’t quite totally eliminated but it’s surely close. It isn’t as complicated as something like the company’s lenses with shift abilities built in. But it’s surely quite a great option.
When considering the Sigma 35mm f1.4 Art vs Zeiss 35mm f1.4 Milvus lenses, it can be tough to figure out which one is right for you. They both differ pretty greatly when it comes to usage, price point, features, and quality. In fact, it’s only obvious that there’s going to be differences considering that they’re years apart from one another. Lots of photographers out there in the world don’t reach for the higher fruit that Zeiss offers, but then there are also photographers who understand the quality that a Zeiss lens can give them. However, Sigma lenses are oftentimes simply more practical.
So let’s just dive right into this.
It took a while for me to wrap my head around the Polaroid Snap Touch–and it’s not because I’m not accepting to what they’re doing. It’s more because of the fact that they’re finding a way to appeal to the Snapchat generation in the form of a camera. Personally, I don’t use Snapchat and never used it for anything else besides dating. When it comes to instant film cameras, I prefer, well, instant film. That’s one of the biggest issues right here. The Polaroid Snap Touch doesn’t use actual Polaroid film or even anything close to it. Instead, it uses zInk paper and has a printer built into the camera. You could say that it helped influence the Fujifilm Instax Square SQ10. And even then, I’m really not the customer for a camera like that simply because I know what’s possible with the actual film.
For those of you who aren’t aware, I’m one of the mods for R/Polaroid–and without a doubt we’re a bunch that don’t really accept what Polaroid has become. Make no mistake, all that the Polaroid Snap Touch is is a camera with a printer inside of it. It isn’t a true Polaroid in any right.
We’ve been playing with the new Nikon 28mm f1.4 E lens for a little while now and are honestly completely blown away by the image quality. The Nikon 28mm f1.4 E lens is incredibly sharp wide open, but is also has great bokeh and an overall very nice look I genuinely feel will make a whole lot of sense for portrait photographers, documentary photographers, photojournalists and street photographers. Street photographers: yes. The look is really stunning.
If you’re not wanting to inconvenience your life with taking your cameras, lenses, flashes and other necessary items out of your bag, then you should consider this list of cameras that will get through the TSA’s new regulations. “…we are not standing on the sidelines while fanatics hatch new plots. The U.S. government is focused on deterring, detecting, and disrupting these threats,” stated DHS Secretary John Kelly. “That is why in March I made the decision to ban electronic devices larger than a cell phone from the passenger cabins of U.S.-bound commercial flights from the ten airports in the Middle East and North Africa.” And more or less, you’ll probably have issues bringing bigger cameras anyway. So we’ve gone through our reviews index and found a number of cameras that you’ll want to pack since it’s all about any electronic being larger than a cell phone.
Editor’s Note: To clarify this post, we’re talking about cameras that most likely won’t need to be taken out of a bag. You can surely bring a camera but you’ll need to take it and the lenses out of the bag if they’re larger than a cell phone.
There are only a few cameras that have been coined “an SLR on steroids” in the medium format camera world, and one of those is the Pentacon Six TL. The Pentacon Six TL is a medium format SLR camera similar in style to its more famous rival the Pentax 67. It doesn’t use interchangeable backs but instead opts for one of the quirkiest ways of loading a camera perhaps ever. Shooting square format 6×6 images, it’s also prone to problems like frame overlap unless you’re careful. Though if you can work with its quirks, you’ll have yourself a solid SLR camera that is reliable otherwise.
The Tamron SP 70-200mm F2.8 Di VC USD G2 is an entry point into one of the most popular telephoto zoom lens options out there–and it’s actually a damned fantastic one. Tamron has always created lenses that are high quality, affordable, and built pretty well.But with the Tamron SP 70-200mm F2.8 Di VC USD G2, they’re seriously taking the cake here. This lens offers weather sealing, the same top notch image quality that they’ve been pushing with the new SP lineup of lenses, and image stabilization to boot. So if you’re a portrait photographer, we’re already well aware that you’ve been eyeing a 70-200mm f2.8 lens of some sort.
And if you’re looking for an affordable option, then this is it.
The Milvus lineup of lenses from Zeiss are more or less their workhorses; and with the addition of the new Zeiss 35mm f1.4 Milvus lens, I’ve never been more convinced that they’re the absolute best lens maker on the market. Yes, Sigma–that mean even above what you’re capable of. While Zeiss’s mentality has always been about MTF charts and curves, in the past few years they’ve been working on a transition that’s catering not only to that crowd, but also to those who care more about the stuff that can’t be measured in a lab. For example, Zeiss lenses have always had a special character about them–I’ve seen folks on our Facebook page talk about it fairly often when their optics come up.
So what’s even more appealing about the Zeiss 35mm f1.4 Milvus lens is that they’re targeting at portrait photographers.