When Sony’s new Zeiss branded 50mm f1.4 lens was announced, we were excited. The Sony Zeiss glass is often amongst some of the best with micro-contrast built in, sharpness, and most of all–autofocusing built in. Then the company announced the crazy price. We were given a chance to fondle the lens, but not put the pre-production sample that we saw a camera to test the image quality yet. From what we saw so far, we’re not sure that it may be worth the price but it does surely show lots of promise.
Looking to buy any of these? Click the links above to be directed to the respective Amazon.com product page. Hurry up though, because some of these have only a couple units left in stock.
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When my dad gave me his old Pentax ME SLR last year, it came with three lenses: a Cosinon 28mm f2, a Revuenon 50mm f1.4, and a Tokina 135mm f2.8. The body was in pretty bad shape, though. Not only did it have lots of dents and scratches and parts of the leatherette missing, it also had massive light leaks and would scratch the negatives I ran through it. So I decided to buy an adapter to use the K-mount lenses on my Micro Four Thirds camera — one of the best purchases I ever made.
We’ve been working with the Sony A99 for around a month now after having played with it a lot during the Media Excursion out in California. Though our experiences are a little different than what they were before, the Sony A99 still represents the premium of what Sony currently has to offer for the professional and high end enthusiast. In many ways, the A99 is really quite an awesome camera and even almost made me switch systems. However, it still wasn’t quite there.