Need For Speed: Our Favorite Nikon F1.8 Prime Lenses

Prime lenses are the weapon of choice for a variety of photographers for a variety of reasons, be it size, speed, image quality etc. Nikon photographers have access to a wide variety of prime lenses, and a really solid lineup of fast F1.8 prime lenses that is the focus of our post here today.

When many people think of fast F1.8 prime lenses they think of a nifty fifty, the super cheap 50mm lenses. But not all F1.8 primes are dirt cheap, some are actually on the spendy side, so this post isn’t necessarily a budget friendly one, but with that out of the way, let’s get into it.

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Lomography Announces a Brand New Formula for LomoChrome Purple 400

It’s been a few years since Lomography announced LomoChrome Purple, and just today they’ve announced a new update to the film. The new Lomochrome Purple 400 film is designed to be a whole lot more stable. With that said, we start out with a recommended and set exposure at ISO 400 vs the previous version of the film which was said to need a lot of light. To that end, it wasn’t uncommon that photographers shot it at ISO 200 or even 100. The new Lomochrome Purple will continue to shift blues to greens, greens to purples and yellows to pinks. The new emulsion increases the film’s sensitivity to red hues.

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A Real World Visual Demonstration of How Various Focal Lengths Work for Portraiture

Fact: lots of photographers don’t know how well a focal length will work for them when it comes to portraits. But don’t worry any longer, we’ve tested a number of them on full frame cameras when it comes to portraits and we’ve got just what you need.

We’ve gone through our reviews index to round up a number of images from various focal lengths to show you how they render portraits.

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Lens Review: Fujifilm 63mm f2.8 R WR (Fujifilm G Format)

Of course, the closest thing to a normal prime lens had to be the first thing that Fujifilm announced for their Medium format G Format; and to that end we got the Fujifilm 63mm f2.8 R WR lens. It’s an interesting move for Fujifilm. You see, when the X series was announced, the company debuted at least one f1.4 lens. But this time around, we got slow lenses. Yes, I’m aware that this is medium format, but there are f1.8 lenses in the 645 format–which is larger than G format.

Nevertheless, the Fujifilm 63mm f2.8 is a fantastic lens that I wasn’t sure I’d like. But a number of factors had me coming back to it over and over again.

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Why the Fujifilm GFX Camera System Needs Better Lenses

In my previous review of the Fujifilm GFX 50s, I noted that while it’s a pretty good camera system, there isn’t a enough differentiating it from 35mm full frame systems to give it more of a competitive edge. Flash sync settings aside for professional photographers, there are some features about the camera that just don’t feel medium format in quality. Granted, Fujifilm isn’t flat out saying their system is Medium Format; though in truth there isn’t really much else that we can call it if it’s larger than 35mm full frame. I mean, bigger-than-full-frame-smaller-than-645 doesn’t quite roll off the tongue. But a lot of what makes the image quality isn’t the sensor, it’s the lenses. And that’s where the biggest problem is.

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Mike Ioannidis: From Observer to Analog Film Photo Creator (NSFW)

All images by Mike Ioannidis. Used with permission.

Photographer Mike Ioannidis is a 26 year old mechanical engineer that loves bike riding, climbing and analog photography. He lives in Athens, Greece.  “…photography has played a vital role in my life!” Mike tells us about the last seven years. “Although it doesn’t pay my bills, it serves a greater purpose!” For Mike, photography is a form of self expression. He gets a chance to express emotions, feelings and capture what he sees, in the unique way.

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