While many manual focus lenses obviously lack AF mechanisms, they surely make up for it with cool features like fast apertures–and that’s the case with the new Samyang 35mm f1.2 lens. Aimed at APS-C mirrorless camera users, those with Sony E, Micro Four Thirds, Fujifilm X series and Canon M cameras will be able to use this new lens on their cameras. The new Samyang 35mm f1.2 boasts Ultra Multi Coating, two aspherical lenses as part of nine glass elements in seven groups. These are designed to minimize aberration and unnecessary light dispersion. Plus, it’s got a 62mm filter threat–which is fairly large for an APS-C lens based
The release of the Sony Zeiss 50mm f1.4 for full frame E mount cameras begs the question “just how many 50mm lenses does one need?” In truth, just one–but the strategy is a smart one for the company. You see, years ago camera manufacturers used to offer loads of different lens options. You’d get a 50mm f1.8, f1.4, f2, etc. Leica still does this and to some degree, Zeiss does too. But with Sony, you’re getting something different.
This new lens isn’t part of the company’s G Master series of optics and instead it’s a lens that was created in collaboration with Zeiss. It boasts dust/moisture resistance, 11 aperture blades, and other cool features including Zeiss T* coatings that are bound to give you that Zeiss-like look though probably not as clear as their Milvus lineup of lenses.
Editor’s note: this review is now complete
Ever wanted to use your medium format Hasselblad lenses with your Bronica ETRS or something along the lines? Well a new Kickstarter called Mercury Camera wants to do something just like that. But it wants to go even further and let you adapt nearly any 35mm, medium format or large format lens with pretty much any negative or instant film back. To boot, you can also adapt any medium format digital camera back.
Just imagine the possibilities!
Though I generally never recommend shooting portraits with a 35mm full frame equivalent lens, it’s something that I tend to do. To me, 35mm renders the way that I generally see the world–and to that end it allows me to translate the beauty that I see in people directly into the camera (with more of a collaboration between the subject and I, of course!). Generally, the longer the focal length the more that you can get away with. But at the wider focal lengths, there are a couple of tips that you should stick to to create more attractive images in the eyes of most people.
Much of this caters to the acceptance of various body types and paying attention to the specifics of everyone’s bodies and shapes.
Complaints about photography being easier and for everyone have always been present throughout the art form’s history. There is a theory that as we use technology, we become the technology. What that means is that we start to rely on it much more than our predecessors did. Photography has evolved over the years as technology became better. Today, it’s arguably to a point where everyone is a photographer even though the notion that a professional photographer is still one who makes the majority of their income from creating images.
Here are five big defining moments where photography changed and adapted to the needs of consumers to the point where major disruption happened.
Arguably, the 35mm focal length is a lens that renders the human perspective when it comes to the full frame 35mm format. They’re excellent general purposes lenses. The 35mm lens is often wide enough to photograph most subjects and if you need something more narrow and focused then you simply just step forward. The even better news is that there are loads of great options for anyone that is interested in obtaining one of these gems.
Here are seven excellent 35mm lenses from The Phoblographer’s reviews index along with sample images.
Zeiss released their Milvus collection of lenses as an update to their lineup of standard DSLR lenses. They all incorporate weather sealing, an amazing metal build exterior, a giant rubber focusing ring, and enhance optics that make you really feel like you’re shooting with a Zeiss lens. Some words that come to mind are beautiful, masterpiece and long lasting.
The site has reviewed every Zeiss Milvus lens so far, and so all of the reviews are being compiled into a guide for those interested in Zeiss lenses. This guide features tidbits about each lens along with sample photos.
Editor’s Note: this guide is not sponsored by Zeiss. With that said, Editorial judgement has been left in tact.
I’m going to preface this list by saying that anything that any manufacturer makes these days as far as lenses are concerned are all very good. Any lens in the hands of a skilled photographer can deliver jaw dropping results, but some lenses are still better than others.
Street Photographers need lenses that allow them to get close to the scenes on the streets while delivering vibrant colors, good sharpness, and overall autofocus reliability if they’re not using the zone focusing system.
The Phoblographer has reviewed lots of lenses, and after going through the reviews index and looking for great options under the $500 price point, the following lenses were chosen amongst others for the fact that their performance simply just stands out above the rest.