Kaiman Wong Compares The Popular Street Photography Lenses: 50mm vs 35mm vs 28mm

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Screenshot taken from video. 
Kaiman Wong (who has recently left DigitalRev TV) continues to create video contents on his own Youtube Channel. Most recently, he took on a comparison of popular street photography lenses, 50mm vs 35mm vs 28mm, to be educational and useful especially for newcomers to street photography. The best part: Kai was himself in his videos with his usual wit, charm, and a tad of silliness which made the video so entertaining to watch.

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Understanding the Fujifilm GFX 50S and the Medium Format Mentality

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It’s no secret: lots of photographers are drooling over the idea of shooting with the Fujifilm GFX 50S medium format camera. The idea of owning something bigger than full frame 35mm (though not even the size of true digital 645) is something that is bound to attract a whole lot of photographers. Then consider the fact that everyone and their mother is a photographer these days. Everyone will want a medium format camera because they’re becoming more and more affordable. Though for what it’s worth, I’m very positive that not everyone understands medium format.

In fact, you may honestly want to stick with 35mm, APS-C, or even Four Thirds.

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In Digital Photography, The New 645 Format is Even Smaller

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If the trends in medium format photography have been any indication at all, then the idea of getting a truly large 645 medium format sensor is something to truly aspire to, but what most professional photographers may never accomplish. Years ago, back when film was king in photography, the 645 medium format size was something of a joke in some circles of photography. In photojournalism, it was a format valued for its smaller size yet larger negative than what 35mm film offered. Many professionals tended to want to reach for the 6×7 format instead. At this size, the photographer got a larger negative yet still retained a manageable size to work with. Photojournalistic applications tended to favor the 645 format.

But today, it sincerely seems like we’ve got what I’d like to call a new 645 format in some ways. At least that’s what Photokina 2016 makes it seem like.

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Samyang Announces New 35mm f1.2 Lens for Mirrorless Cameras

Samyang Unveils Mirrorless 35mm Photo and Cine Lens

While many manual focus lenses obviously lack AF mechanisms, they surely make up for it with cool features like fast apertures–and that’s the case with the new Samyang 35mm f1.2 lens. Aimed at APS-C mirrorless camera users, those with Sony E, Micro Four Thirds, Fujifilm X series and Canon M cameras will be able to use this new lens on their cameras. The new Samyang 35mm f1.2 boasts Ultra Multi Coating, two aspherical lenses as part of nine glass elements in seven groups. These are designed to minimize aberration and unnecessary light dispersion. Plus, it’s got a 62mm filter threat–which is fairly large for an APS-C lens based

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Review (Complete): Sony Zeiss 50mm f1.4 (Full Frame E Mount)

Chris Gampat The Phoblographer Sony Zeiss 50mm f1.4 FE product images review (3 of 8)ISO 4001-200 sec at f - 2.8

The release of the Sony Zeiss 50mm f1.4 for full frame E mount cameras begs the question “just how many 50mm lenses does one need?” In truth, just one–but the strategy is a smart one for the company. You see, years ago camera manufacturers used to offer loads of different lens options. You’d get a 50mm f1.8, f1.4, f2, etc. Leica still does this and to some degree, Zeiss does too. But with Sony, you’re getting something different.

This new lens isn’t part of the company’s G Master series of optics and instead it’s a lens that was created in collaboration with Zeiss. It boasts dust/moisture resistance, 11 aperture blades, and other cool features including Zeiss T* coatings that are bound to give you that Zeiss-like look though probably not as clear as their Milvus lineup of lenses.

Editor’s note: this review is now complete

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Mercury Camera Promises a Truly Universal System

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Ever wanted to use your medium format Hasselblad lenses with your Bronica ETRS or something along the lines? Well a new Kickstarter called Mercury Camera wants to do something just like that. But it wants to go even further and let you adapt nearly any 35mm, medium format or large format lens with pretty much any negative or instant film back. To boot, you can also adapt any medium format digital camera back.

Just imagine the possibilities!

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Beginner’s Tips to Shooting Portraits with a 35mm Lens

Model: Clay von Carlowitz

Model: Clay von Carlowitz

Though I generally never recommend shooting portraits with a 35mm full frame equivalent lens, it’s something that I tend to do. To me, 35mm renders the way that I generally see the world–and to that end it allows me to translate the beauty that I see in people directly into the camera (with more of a collaboration between the subject and I, of course!). Generally, the longer the focal length the more that you can get away with. But at the wider focal lengths, there are a couple of tips that you should stick to to create more attractive images in the eyes of most people.

Much of this caters to the acceptance of various body types and paying attention to the specifics of everyone’s bodies and shapes.

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Five Historic Moments Where Photography Became Easier for All

Chris Gampat The Phoblographer Lomo'Instant Wide image scan studio light (1 of 1)

Complaints about photography being easier and for everyone have always been present throughout the art form’s history. There is a theory that as we use technology, we become the technology. What that means is that we start to rely on it much more than our predecessors did. Photography has evolved over the years as technology became better. Today, it’s arguably to a point where everyone is a photographer even though the notion that a professional photographer is still one who makes the majority of their income from creating images.

Here are five big defining moments where photography changed and adapted to the needs of consumers to the point where major disruption happened.

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