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Want to catch up on the best of our news for the entire week? Well here’s your weekly Phoblographer round up. This week, readers were all about inspiration, tutorials and apparently some of you don’t like the 50mm focal length.

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Chris Gampat The Phoblographer Sony 35mm f1.4 Full Frame E Mount lens first impressions product images (1 of 6)ISO 4001-100 sec at f - 2.5

Dear photography mentors,

I hate the 50mm focal length.

No really; I really, really hate it.

The lens is a Jack of all trades but master of none–and it tries to do many things well but ultimately fails are doing them as well as other focal lengths. I am writing this post on May 2nd 2015 and it marks the 10th year that I’ve been a photographer; not a guy with a camera, a photographer. And through the years I used to believe what everyone said about using the 50mm focal length and how it will be the only lens that you ever need. But man, was that wrong.

Why did you tell me to use it?

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03 - Wet plate photography class

All images by Jack Baldwin. Used with permission

Jack Baldwin is a journalist by day, and uses digital cameras for his work. But he began his journey into film photography when he moved from Australia to California and purchased a medium format film camera. When he moved back to Australia, he started his journalism career, which was about getting the shot and filing as soon as possible. But with film, Jack found something more.

“I shoot film because it’s the antithesis of that. I can take my time, I don’t have to stress, it doesn’t have to be something that sits nicely next to a headline.” states Jack. “It’s just the photo I want to take.”

It eventually turned into him going to workshops and experimenting with many, many more formats. Jack tells us that it makes you think that much more about composition and framing.

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Chris Gampat The Phoblographer LCDVF Fader ND Mamiya (7 of 11)

With our focus being heavily on analog this month, we thought that we’d round up a collection of stories in order to educate those looking ot know more about the format and for those that are already smitten with it. 35mm, medium format, large format, pinhole, instant film: it’s all covered here. But beyond this, we’ve also got a couple of fun projects and inspiration for the photographer looking to simply try something new.

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chris gampat the phoblographer yashica electro 35 gsn camera reivew (1 of 4)

April is all about analog film photography. With Film Photography Day coming up and Worldwide Pinhole Photography Day after that, now is a better time than ever to get your butt out there and start shooting with film to improve yourself as a photographer by forcing yourself to put more effort into each image.

But choosing the right camera for you can be a complicated decision. It can be incredibly difficult and intimidating. But this guide is designed to make it simpler for you.

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Chris Gampat The Phoblographer Sigma 24mm f1.4 first impressions (2 of 5)ISO 1001-25 sec at f - 1.4

Very recently, we had the chance to play with the Sigma 24mm f1.4 lens that was recently announced. As the latest addition to the Art series of lenses, this is Sigma’s third full frame prime lens that is part of their Global Vision initiative. The lens has a minimum focusing distance of 9.8 inches. Additionally, the 24mm incorporates both “F” Low Dispersion (FLD) glass and Special Low Dispersion (SLD) glass, has an optical formula 15 elements in 11 groups which the company claims to help to minimize chromatic aberration of magnification especially in the edge of the image field, and has aspherical elements placed near the rear of the lens. Finally, the lens has manual focus override even when the autofocus is activated.

We played with a pre-production copy, and what we saw got us more excited than any other lens that we’ve seen so far.

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