Quick and Forgotten Tips For 50mm Lens Users

by Chris Gampat on 05/11/2010

One of the most valuable and versatile pieces of equipment a photographer has is a 50mm lens. When we first start using it, we are immediately astonished by just how much the image quality of our cameras can improve. However, we also do tend to forget lots of points that are important to know in order to ensure optimal image quality and excellent results. Here’s a list to keep in mind.

Remember To Zoom With Your Feet

Because a photographer no longer has a zoom lens on their camera, he/she must remember that zooming with your feet is essential. That means that if you want to take a picture of a building, bird, person, etc then you’ll need to get up close enough to ensure that your subject fills the entire frame. In training of students, it isn’t uncommon to see them sit there and casually snap the same photo over and over again only to end up with rather bland images of their intended subject.

That said, remember to get up close and think about your composition.

Stop the Lens Down

Most 50mm lenses reach optimal sharpness at F4. Remember that keeping your lens wide open at F1.4 or F1.8 will not allow users to get as much in focus as needed. That said: don’t get distracted by the bokeh effect in which you just try to get images with a nice blurry background. Focus instead on what you’re actually trying to capture and capture it well. This is essential with portraits as you can sometimes get your subject’s nose in focus and not the rest of the critical features such as the eyes.

Sometimes Manual Focus is Best

50mm lenses can be plagued by autofocus problems. Because of this reason, users should learn to manually focus their lenses. Which brings me to my next step.

Pay Close Attention To Where It Focuses

When shooting at wider open F stops like F1.8 or F2, it is very possible for the photographer to think that they are getting everything that they want in focus. Try moving the focus ring around that intended area of focus and watch how your subject moves sharper in focus and out of focus. Stopping your lenses down also helps.

Take Off Your UV Filter

As probably the most important thing for beginners to know—your UV filter can destroy your image quality. If a salesperson tells you to buy one, then the reasons are possibly to protect your lens in case of a fall or because they merely want to make a sale. Either be careful with your camera/lenses or keep your lens cap on. Another option is getting a lens hood of some sort for your 50mm.

What other tips can you offer from experience?

  • http://www.gservo.com GServo

    Not these tips are great for 35mm primes also

  • TheresaZphotography

    Great tips. I have a question. I have a uv filter to protect my lens from the uv rays. How does it effect the images?

    Thanks!

  • http://lessonsineos.blogspot.com Brad C

    Good tips. One overlooked thing is that most DSLRs have a focusing screen that is optimized for a bright image, at the expense of showing the actual focus. Unless you’ve replaced the stock screen you can’t tell the difference between f/1.4 and f/2.8 without actually taking a picture. When I look through my 40D with a 50mm at f/1.4 it has a lot more in focus than when I take the shot…

    • http://thephoblographer.wordpress.com Chris Gampat

      This is very true and it is why the depth of field button is so important.

  • http://www.dispatchesfromkansas.com Tom Parker

    Clarification: A cheap UV haze filter can destroy an image; a quality UV haze filter will have little effect on image quality but will provide protection for the lens. Better still is a clear multicoated filter. 

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  • Andy

    Use a fader to allow use of wide apertures in full daylight. I use one when filming, works great in still too. ‘

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  • ATS

    At the early timesI I used a DOF calculator, to check the nearest and farest focus points. Its a good waypoint for the beginers, to handle wider apertures.
    I only use UV filters at motorsport photography, Its essential to protect your front lens!

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