The future of the Fujifilm X series is bound to evolve into something for it to specialize in. We can see this in the history of what Micro Four Thirds did. At first, they tried to tackle everything. But eventually, they stayed in a pretty narrow lane. That’s because of the physical and software-based limitations of the sensors. Soon enough, APS-C is going to join that route. But if anyone is bound to keep it alive, it will be Fujifilm. Radical honesty is something that true journalists champion; and perhaps that’s why so many photographers who prioritize gear over making great images are hurt by what we say. And indeed, we may surely mourn the loss — or we can think of it as a rebirth into new life. That’s something that I’m all for celebrating.
I mean, come on. Look at how cool this thing is! The Camp Snap Photo Camera was designed for parents to buy for their kids. When we reviewed it, we noted that it has a bit of a vintage look. Now, we’re giving one away to a lucky reader. When the Phoblographer’s Membership program was …
It’s still going on! May is a wonderful month to get in on the latest Tamron deals because rebates like this don’t exist again until the holidays. Something that Tamron does better than others is really striving to make something very unique. For example, their 28-75mm f2.8 lens gives you more reach in the portrait …
No one is ever prepared to stand in front of photographic prints by Inka and Niclas. If you haven’t seen the Human Nature exhibit at Fotografiska New York quite yet, then you’re missing out on a phenomenal experience. The room that their work is specifically in feels like something right out of Unsolved Mysteries or the X-Files. And from there, you’re compelled to want to know even more about them. Trust us, this is a rabbit hole you want to dive into.
All the young and seasoned women photographers: We have some concerning updates. According to a new study, freelance photographers—especially women—earn less than their male counterparts. While it may seem the issue only plagues the creative field, in reality, it is affecting other work categories too.
Photographer Atiba Jefferson needs no introductions in various circles. He’s a legend in the skateboard photography world and has shot various magazine covers as well as become a Canon Explorer of Light. Now, he’s funding a scholarship for photographers and filmmakers in the skating world. But he’s not only giving away money — he’s donating one of his personal cameras, too.
The Compagnon Backpack Gen III is the backpack that I feel slaps every corporately bought influencer in the face — and I love it. I remember a famous YouTuber once telling me that canvas bags aren’t worth their hassle because they’re too heavy. Yet I’ve consistently asked manufacturers to make canvas rolltop backpacks for photographers. But no one did — or at least noone made them very well. Just like body weight, it’s all about how you wear the weight on your body. I’m 5’6″ and range between 168 to 174lbs with only around 15% body fat. By many standards, I’m considered overweight — but I wear it well and am considered incredibly healthy. And with the Compagnon Backpack Gen III, we truly just have to get over the idea of the number fixation.
It’s incredibly difficult to describe Olga Karlovac once you look through her images. She’s not a landscape photographer, but she shoots landscapes that even the staunchest support of Adams would fall for. She’s not a street photographer, but she does street photography in a way that Diado Moriyama would commend. And Olga’s work includes portraiture that doesn’t draw influence from other visual media the same way that so many pieces on social media do. But instead, Olga’s work holistically embraces her own identity and finds comfort in her own skin like one would a silk kimono. With every turn of the page of her latest book, Elsewhere, it seems like Olga’s camera is aided by a poltergeist that provides a blessing like no other.
“I don’t know about perfection, but if they have anything in common, it’s a result of a long, continuing love of art history,” photographer Richard Bram tells the Phoblographer when asked about how he knows he’s got the perfect shot. “If you want to know what makes a good picture, you have to look at a million pictures – then you’ll know. If you’re searching for a tag to hang these particular photos on, that’s more difficult.” He’s been exhibiting his work for over 30 years, and in a few days you’ll be able to see much of his incredible work for yourself.
“For the most part, the camera did not cause rift, rather it was a gift,” says photographer Dena Elisabeth Eber to the Phoblographer in an interview. “It allowed both of us to see our relationship from the outside. There may have been a time or two when Alex or I had enough of the camera, and I include one such important part of the story in the book.” Alex is the name of her child, who transitioned and is the hero of the story. And in many ways, the two collaborated in the making of You Refused To Believe You Ever Liked Pink.