Panasonic has some of the most innovative cameras for hybrid shooters. The company was initially working with smaller sensors, but since the launch of its full frame lineup, Panasonic is now the go-to company if you want cinematic images with ease. While most of their cameras are great in many ways, today we’re looking at a few models that are perfect for those who shoot often in low light or at night. Without further ado, let’s dive in.
Panasonic S1 II
The S1 II is a highly anticipated update, featuring a partially stacked 24MP full-frame sensor, the same processor as the S1R II, and RAW capture of multiple exposures. The autofocus works well in most lighting situations, but one has to switch to AF-C when shooting in low light or indoors. The camera’s Live Composite is fun, and it is one of the superpowers that goes underrepresented. As for the inages, you will not be disappointed. Despite it being a 24MP camera, it can do a lot. As we said in our review, “All the images taken with the S1 II are sharp, and when shooting RAW, it offers file flexibility where you can recover most details in any over- or underexposed images.”
Panasonic S1 IIE
The S1 IIE has the same sensor as the S5 II, but it is a more affordable offering than the S1 II. You get 30 fps of burst mode, as well as Urban Sports autofocus mode, and the ability to shoot HIEF in HLG with RAW alongside it. The autofocus is pretty fast compared to the XH2, and it also offers “good autofocus on people of color in low light.” Similarly, the image quality is great, and the RAW files are also a lot of fun to work with. As we said, “The high ISO output is clean, or it can be masked with film LUTs.” If you’re looking for a hybrid alternative to Fujifilm, the S1 IIE is a great option.
Panasonic S5 II
The S5 II features a new 24MP sensor, offers multiple aspect ratios, but the biggest update is the ability to use real-time LUTs in stills. This is also the first camera from the company to feature on-sensor phase-detection autofocus, and it comes with an integrated fan for enhanced video use. The still performs better overall in the AF-C mode, and with the new updates, you can also capture animals and vehicles. As for the photos, the JPEGs are great right out of the camera, and with LUTs, you can easily achieve film-like results. The high ISO results are particularly interesting, especially when paired with LUTs, which provide a unique look. If you are a creative who doesn’t shy away from grain, this camera is for you.