Photographer Todd Hido is an absolute master at making images that feel both eerie and calm at the same time. His work is well recognized across the world of photography lovers, and his images all encompass a very specific feeling that’s otherwise hard to get. If you look carefully at his work, they’ll also appear to be almost like paintings and surreal scenes from a movie. Trust me, you don’t even need a whole lot of post-production to make this happen. We’ve done it with Fujifilm cameras pretty easily. However, you can do it with any camera you have. It’s all about patience, lens filters, and looking at the weather. Here’s how to get the Todd Hido look pretty easily.
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Try these:
- Use a Haze filter of some sort: some of our favorite filters are Pro Mist and Glimmerglass filters. But my absolute favorite is the Rigu Misty Business filter.
- Wait for hazy weather: this is pretty important to the whole process. Fog is such a big component of what Todd Hido does.
- Shoot through a dirty car window: If you don’t have a car, just give a lens filter the equivalent of a rain shower of some sort, and then just let it dry. But if you’re around and shooting, just shoot through your dirty car window. Granted, this won’t work if you’ve got tinted windows. It works otherwise just perfectly fine. You’ll see this in a lot of his books.
- Shoot at night: Todd’s work is mostly done at night. And specifically, he’s always photographing scenes with lights in them of some sort. It adds to both the sense of calm and eeriness.
- Manual settings galore: Don’t just shoot in manual shutter and aperture; set your ISO and also set your white balance. I personally prefer to shoot with a wide-angle lens using a fast aperture because more of the scene will be in focus while the camera can let more light in. Then I use a film-like ISO setting like ISO 400. Typically, I never go above 1600 ISO unless I really need to. And then I use a slow shutter speed. A little bit of motion blur is just fine for this. Lastly, I use a film-like white balance like Daylight or Tungsten. Most of the time, Todd is using the warmer daylight look. Special cameras like the Ricoh GRIII HDF can really make this effect pop out.
