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Photo Deals

It’s The Best Time to Buy LUMIX!

Chris Gampat
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Last updated on 08/30/2024
09/27/2024
2 Mins read
Chris Gampat The Phoblographer Lumix S5 II Lookbook 51-400s400
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Last chance for some great LUMIX deals! For the month of September, LUMIX has a few great deals that will make you want to switch right over. First off, their latest full-frame cameras can come with a free battery and $200 off. Specifically, you can get it when you buy a LUMIX S5IIX, S5II, or the LUMIX S9. Plus, you can save up to $500 on LUMIX S series lenses. These deals last until September 28th, so you should act soon!

The Phoblographer’s Photo Deals are designed to give you some of the best deals on photography gear we find. We spend a literal business day researching the most attractive camera deals, lens price drops, and all other sales. Some of the gear is brand new. Other times we’ll share used or refurbished products at good prices. These are different from The Phoblographer’s thoroughly researched Feature Roundups. If we’ve tested a unit, we may link to our reviews and coverage in our Photo Deals. With our Feature Roundups, we’re guaranteed to have used the product — often exhaustively. The site may receive affiliate commission payments if you make a purchase. These help us keep the staff fairly compensated, the server bill paid, and us continually delivering our articles.

This article is presented in partnership with LUMIX.

Lumix Camera Deals on Full-Frame Cameras End on August 29th

S5II and S5IIX Offer

  • S5II – Save $200 + FREE DMW-BLK22 battery with purchase (a $89.99 value). Offer valid 9/1/24-9/28/24. Applies to S5II body and lens kit.
  • S5IIX – Save $200 + FREE DMW-BLK22 battery with purchase (a $89.99 value). Offer valid 9/1/24-9/28/24. Applies to S5IIX body and lens kit.

S9 Offer

  • S9 – FREE DMW-BLK22 battery with purchase (a $89.99 value). Offer valid 9/1/24-9/28/24. Applies to body and lens kit.

S Series Lenses Offer

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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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