Last Updated on 03/14/2025 by Chris Gampat
You’re probably wondering why I’m titling this article this way. And that’s because in every single way, I believe it to be true. Flo Fox, who passed away on March 2nd, 2025, was one of New York’s Best Street Photographers. These days, if you wanted to see more of a photographer’s work, you’d follow the vernacular around linking up with them on social media. But Flo wasn’t very prolific on social media. That’s because after being introduced to her by photographer Meryl Meisler, I found out that like me, she was legally blind. I’m one of the few who braved the blurrier side of the photography world and came out on the arguably better part of it. After 15 years, two surgeries, some physical therapy, brand new custom-made contact lenses, and a lot of rewiring of my brain ahead of me, I get another chance. But this article isn’t about me.
All images provided to the Phoblographer by Flo Fox. Used with permission.
One of New York’s Best
Flo Fox was born in Woodside, Queens — a place very near and dear to me. Her work has been in the Brooklyn Museum, the Smithsonian, Dashwood Books, Life Magazine, New York Magazine, and several other exhibitions all around the world.
Flo was a disability advocate and had taught photography class for the blind and visually impaired students at the Lighthouse for the Blind, according to her Wikipedia entry. “Despite blindness, multiple sclerosis, and lung cancer, she continued to photograph the streets of New York City,” it states. “Fox also appeared briefly as herself in the 2010 documentary.”
Back around the later part of last year, Flo had worked to get us some answers about her photography and the work she did. And it wasn’t until today, March 11th, that I had the time to sit down and actually put the piece together. When I went to look up more information about Flo online, I saw that she passed.
Flo’s work had a sense of closeness to her subjects. You could tell that she had to develop relationships with them before she let them take photos. And with that sense of comfort also comes these wonderful moments that otherwise people might not have allowed to be photographed. This comes from her personality. Some of the world’s best street photographers understand that it’s all about people work and less so sometimes about just getting the moment. Those are the street photographers who are people first and photographers second. They don’t tend to use their camera as armor for the world; instead they allow themselves to be vulnerable to it. This is what so many of us aspire to be.
So with that said, I’m providing to you her unedited words to us for the interview along with several images that she provided to us for use.
The Words of Flo Fox
When I was 13 I saw a picture of Robert Frank of people writing and cable cars and I was impressed that they mentioned his name. I thought one day perhaps I could do that. I always wanted to retain images that had a sense of humor or ironic. My mom promised to buy me a camera but died before the promise was fulfilled. I would have taken a picture to remember her smile by greater than the Mona Luisa. I didn’t get a camera until I was 26 years old. I went to willoughby’s and tried several cameras and chose him and Ulta 101 as my vision began to deteriorate, I used autofocus camera 35. Magazine wanted me to field test the first autofocus camera for the magazine. They showed me a Konica which I experimented with. They made a complete story about it using my photographs. These days I use Nikon point and shoot with a 28 to 130 mm lens so I can take wide angle to zoom
These days I find joy in writing about the history of my photography and make books and have shows honoring my work. I don’t like to interact with people because the images produced seem unreal these days. I have my attendance, take the pics and give them instruction of what I like and ope for the best. I have never used AI or digital photo manipulation nor intend to do so. I suppose it could be used creatively in some fashion but I believe it doesn’t really represent photography as I see it but I do think it can be used creatively in its own genre.


















