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Compact Cameras, The Future: A Call to the Camera Manufacturers

Chris Gampat
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05/08/2017
4 Mins read
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Last Updated on 05/08/2017 by Chris Gampat

Since I have been running this site and doing this job I have watched as the prices for compact cameras have steadily increased into the sort of price ranges usually reserved for collectible cameras. I do feel partly responsible for this as the site helped to popularise these cameras and bring them to new audiences.

But this was also inevitable. These cameras are getting expensive not just because they are more popular, but also because there are fewer and fewer or them available now. Even the younger compact cameras (apart from the Fuji Klasse) are over 10 years old now and they are reaching their performance limits. Basically the cameras are dying and there is nobody that can rescue them.

When I started this site about 7 years ago, you could bag a Ricoh GR1 or a Contax T2 for about $250. Now they are $700+ for the same camera, but older and more used.

This has become such an issue now that I no longer source compact cameras, as I simply cannot find enough of them to meet the demand. And demand is high, I get 20+ mails a day asking for compact cameras, and I have to turn them all away. And it hurts me to do so every single time.

And herein lies the problem. What are we going to do for a compact camera in the coming years?

This is something that has been playing on my mind for some time now. And I have mentioned it to people like Juho who started the database for helping to make sure film is available in the future.
I would dearly love to make a compact camera, and I know what I want too. Based on the buying requirements of years of customers it would not have to be an overly complicated camera. A simply point and shoot with a decent 28mm or 35mm lens, flash, iso selector and manual override. As simple as possible and made from metal for durability. The less electronic components the better, so that it can be easily serviceable and less prone to breaking down.

But I am one guy and I don’t have the weight of a large company or investors with very deep pockets. So I need help.

One of the large makers needs to step up to the plate and make a compact film camera. And I am not saying this on a whim or with a wistful idea of halcyon days. I get more requests for compact cameras than I could ever fulfil, even if I had the cameras. People are prepared to spend nearly $1000 for an old Contax or Ricoh, knowing full well that it could simply stop working at any point and there would be nothing they could do about it.

Photographers are begging for a compact film camera and they would pay good money for a well made and simple camera that could give them years of use. This is not am impossible task, the odds are not insurmountable. This is something that can be done. And should be done. We are in the age of 3D printing, small scale manufacture and highly mechanised assembly, we can do this.

As I have said, I cannot do this on my own, so I am reaching out to any and all of the manufacturers. I will happily work with you to provide data, buyer trends, PR or anything I can possibly do to make this a reality. I have lens guys and ex-service repair guys who have technical knowledge and troubleshooting ideas. I have more user feedback and common faults info than you could ever possibly want. I can help.

I know some of the large manufacturers have taken a bit of a beating in recent times and the internet can be a cruel and unforgiving place. But can you imagine the goodwill and sense of community that making a compact film camera could bring? That is not a small thing in this day and age. Kodak just mentioned the idea of making an 8mm movie camera again and the internet went bananas, not to mention the rise in stock prices.

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So what can you do? Share this, tell a friend, put it in a bottle at sea, skywrite it. But make sure the people in charge of the large camera makers can see that there is a real market for a compact film camera, and it is not a small market either. It is sustainable, and growing in popularity as people feel more disillusioned about sharing images online. Our voices make a difference, and if they realise that we are prepared to throw money at them they will sit up and listen.

Realistically, I am going to try and do this anyway, even without the help of a manufacturer, but it would be really great if even one of them could get involved so that it would be a worldwide thing which doesn’t shave 10 years off my life through overwork.

Thanks for reading and sharing. As always, your comments and thoughts are greatly appreciated.

JCH

This blog post was originally published on Japan Camera Hunter. It and the images here are being republished with permission from Bellamy Hunt.

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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.