All images used with permission of the Frist Center for the Visual Arts.
Photographer Irving Penn is getting his first retrospective of his photographs in 20 years. In a new exhibit called Irving Penn: Beyond Beauty, the photographer’s fashion, portrait, and still life images that appeared in Vogue magazine will be on display alongside 100 previously unseen works donated by theIrving Penn Foundation. The retrospective is organized by the Smithsonian American Art Museum and Frist’s curator of photographer from 1983 to 1999, Merry Foresta.
The first retrospective of his work in 20 years, Irving Penn: Beyond Beauty conveys the extraordinary breadth and legacy of the American artist and will be on view at the Frist Center for the Visual Arts from February 24 to May 29, 2017.
Additionally, the Frist will also be showing Funny Face, Rear Window and Blow-Up: three movies with unique perspectives on the life of a photographer.
Press Release
Irving Penn (1917–2009), known for his iconic fashion, portrait, and still life images that appeared in Vogue magazine, ranks as one of the twentieth century’s most prolific and influential photographers. The first retrospective of his work in 20 years, Irving Penn: Beyond Beauty conveys the extraordinary breadth and legacy of the American artist and will be on view at the Frist Center for the Visual Arts from February 24 to May 29, 2017.
Organized by the Smithsonian American Art Museum and Merry Foresta, the museum’s curator of photography from 1983 to 1999, the exhibition contains more than 140 photographs, including the debut of 100 photographs recently donated by The Irving Penn Foundation and several previously unseen or never-before-exhibited photographs. Penn’s renown as a fashion photographer is matched by the recognition of his innovative and insightful portraits, still lifes, nudes, and travel photographs. The exhibition features work from all stages of Penn’s career, including street scenes from the late 1930s, photographs of the American South from the early 1940s, celebrity portraits, fashion photographs, and Penn’s stunning late color work.
In a career that spanned nearly 70 years, Penn’s aesthetic and technical skill earned him accolades in both the artistic and commercial worlds. He was a master of both black-and-white and color photography, and his revival of platinum printing in the 1960s and 1970s was a catalyst for significant change in the art world. He successfully crossed the chasm that separated magazine and fine-art photography, narrowing the gap between art and fashion. “Penn adopted a workmanlike approach to making pictures,’” says Frist Center Chief Curator Mark Scala. “But even in his most commercial images, he upended convention with a penchant for formal surprise.”
Schooled in painting and design, Penn eventually chose photography as his life’s work. His portraits and fashion photographs defined elegance, yet throughout his career he also transformed mundane objects—storefront signs, food, cigarette butts, street debris—into memorable images of unexpected, often surreal, beauty.
Irving Penn. Woman in Moroccan Palace (Lisa Fonssagrives-Penn), Marrakech, 1951, printed 1969. Smithsonian American Art Museum, Gift of the artist. © Condé Nast
Irving Penn. Bee, New York, 1995, printed 2001. Smithsonian American Art Museum, Gift of The Irving Penn Foundation. © The Irving Penn Foundation
Irving Penn. Issey Miyake Fashion: White and Black, New York, 1990, printed 1992. Smithsonian American Art Museum, Gift of The Irving Penn Foundation. © The Irving Penn Foundation
