Pros and Cons
- Weather sealing
- Smallish size
- Really good image quality for what’s essentially a glorified kit lens in many aspects
- Pentax’s rubber grips around the lenses are spectacular.
- Incredibly affordable!
- For some photographers, a variable aperture may not be so appealing.
We tested the Pentax 28-105mm f3.5-5.6 lens with the Pentax K-1 DSLR.
Specs taken from the Pentax press release page
|Equivalent to 43-161mm in 35mm format
(when attached to PENTAX APS-C size DSLR cameras)
|Lens Construction||15 elements in 11 groups|
|Angle of View (Diagonal)||75-23.5°(when attached to PENTAX 35mm full-frame SLR cameras)
53-15.5°(when attached to PENTAX APS-C size DSLR cameras)
|Minimum Focusing Distance||0.5m (1.64 ft.)|
|Diaphragm Control||Fully automatic|
|Number of Diaphragm Blades||9|
|Rounded diaphragm （28mm: F3.5-6.3 105mm: F5.6-10）|
|Lens Hood||PH-RBC62 (included)|
|Lens Cap||O-LC62 (included)|
|Lens Case||S80-120 (optional)|
|Maximum Diameter x Length||approx. 73.0mm x 86.5mm (approx. 2.9in. x 3.4in.)|
|Weight||approx. 440g / with hood approx. 463g
(approx. 15.5oz./ with hood approx. 16.3oz.)
When you look at a lens like the Pentax 28-105mm f3.5-5.6, you see something that inherently seems like it was designed to be a kit lens. But when you look at it closer and think about it in terms of its ergonomics, it’s not the typical kit lens.
To start, it’s weather sealed–then consider the fact that most of the body is dominated by that big giant zoom ring. Like some of Pentax’s other lenses, this rubber ring is textured and grippy. It’s awesome and feels wonderful in the hands.
When zoomed all the way in, it almost doubles in size. But for the most part, the lens is still very compact overall. In fact, it feels like it was designed for a smaller camera.
The front of the lens is pretty straightforward. You’ve got the filter ring, and no markings at all. Why? I’m not sure honestly. It’s just how they designed the lens.
Turn to the side of the lens and you’ll see that there are no controls on it. Why? Part of this has to do with the fact that the Pentax lenses are controlled partially by the body. Want to switch from autofocus to manual? Use the switch on the camera body!
During our test period, we took the lens and the Pentax K-1 out into the rain. Obviously, it’s weather sealed and it stood up to the elements with no issues. See that red ring towards the back of the lens? That’s a rubber ring designed to sit flush against the camera and keep dust and moisture out.
This means that most photographers using the lens shouldn’t have an issue taking it out into the elements.
Ease of Use
Because of the variable aperture, most people using this lens may opt for auto ISO settings. Otherwise, you can also just stop down to f5.6 and keep the entire focal length range at f5.6 throughout the zooming. The lens is mostly defined by that giant rubber, textured zoom ring. For that reason, you’ll enjoy even just gripping onto the lens because of how good it feels in the hand.
Otherwise, it’s just like any autofocus lens out there: slap it onto a camera, point, shoot, and have fun!
In our tests, we found the 28-105mm f3.5-5.6 to never really slow down when it came to autofocus performance. When attached to the K-1, it isn’t as speedy as the company’s 15-30mm f2.8 lens, but is also isn’t a slouch per se. On the wider end, it’s obviously faster to focus due to the laws of physics. In lower light situations, just be sure to place the focusing point on the camera over a contrasty area to get the most of what this lens is capable of doing.
This is a variable aperture general zoom lens for a full frame camera. Of course, you have to expect it to have some flaws, right? In all honestly, it’s really not too shabby when it comes to the image quality. Can it replace the beautiful sharpness and bokeh of some prime lenses? Oh heck no! What about the constant zoom lenses? Nope, not even close. But this lens is meant to be a jack of all trades–in many ways though, it surely is a master of none.
From the wider end, you shouldn’t really expect to see any bokeh. But as you go to the longer end of this zoom lens, you’ll surely spot it! It’s overall pretty nice, and the general user I’m sure will be pleased.
For fairly right portraits, it’s also pretty nice. But again, there are better options out there. Using an 85mm f1.8 lens or something equivalent can obviously do a better job if you’re looking mostly at using prime lenses.
Perhaps the strongest point of this lens is the color rendition. Overall, it’s pretty decent. But again, there are better options out there. I’ve used some beautiful Pentax primes in the past that I’ve enjoyed much more for their color.
For the most part, this lens doesn’t have a lot of noticeable chromatic aberration when you look at the whole image–which is what most folks will look at. You’ll see it in the corners, but even so it still isn’t image breaking at all.
The lens exhibits a nice sharpness overall. In the hands of a skilled studio photographer and when used with the Pentax K-1, this lens can create images that absolutely sing with beautiful sharpness.
Extra Image Samples
- Weather sealing
- Pretty good image quality
- Compact size
- Rubber ring
- Jack of all trades, but master of none
Do I like the Pentax 28-105mm f3.5-5.6? Yes. It’s a pretty great lens. But I absolutely must say that a lot of what this lens can do can be replaced by a few good prime lenses. I’m biased towards prime lenses, as are most of the Phoblographer’s readers. But this one isn’t too bad overall.
The Pentax 28-105mm f3.5-5.6 ED DC WR lens receives four out of five stars. Want one? They’re pretty affordable on Amazon.
Let’s be honest here: the Pentax K-1 is the only camera you’ll want to use this with.