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Finally! Fujifilm Instax Mini Monochrome Film Becomes a Reality!

Chris Gampat
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09/06/2016
2 Mins read
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We’ve been waiting a really long time for black and white Instax film, and today Fujifilm announced that it’s on the way! The Fujifilm Instax Mini Monochrome Film will be the standard 10 shot pack and from the looks of the company’s press release is targeting fashion, street, and portrait photographers.

This October it’ll hit stores worldwide. There isn’t much information available at the moment, but we’ve copied and pasted the press release below. This is a developing story that we will update later on, as Fujifilm Instax Mini Monochrome Film is something that many of us have been waiting for for a long time.

A NEW PRODUCT FROM FUJIFILM

“instax mini film Monochrome”
A new film that expands the possibilities of photographic expression using instax film

September 6, 2016

PHOTOKINA 2016, COLOGNE, GERMANY, September 20, 2016—FUJIFILM Corporation (President: Kenji Sukeno) is pleased to announce the launch of the “instax mini film Monochrome”, which will be released worldwide in October 2016.

The “instax mini film Monochrome” responds to the increasingly sophisticated demands of users, enabling them to expand the artistic potential of their photographic expression and adding a further dimension of fun to use instax cameras and films.

Product Name: â€œinstax mini film Monochrome”

Availability: From October 2016

Main features:

  • Includes 10-frame, printable instax monochrome film.
  • Expands the potential for artistic, fashion and street photography.

Fujifilm is committed to offering new products and services that meet various consumer needs by leveraging innovative technological advancements. Fujifilm is also dedicated to enhancing the enjoyment of photography worldwide, and encourages users to experience the value of shooting, preserving, displaying and gifting photo images that deliver the message of “enrich your life with photographs.”

Fujifilm Instax Mini Monochrome Film instax mini monochrome
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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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