fbpx
Photography History

This is What Film Used to Cost 10 Years Ago

Chris Gampat
No Comments
05/11/2015
1 Min read

Last Updated on 05/11/2015 by Chris Gampat

6 - NVkt8SC

All images by Nick Seaney. Used with permission.

In comparison to 10 years ago the cost of photographic film seems to have taken an interesting run, or at least that’s what photographer Nick Seaney showed Reddit not too long ago. He got his hands on a catalog from 2005 and took a look at the prices of film back in the day–which truthfully wasn’t too long ago if we really think about it.

Kodak Portra 160 came in two different varieties back then; NC and VC where the colors varied depending on the type of look that you were going for. that was eliminated a couple of years ago, and now These days a roll of Kodak Portra 160 in 35mm is $6.99 over at B&H Photo as opposed to the $7.59 that it was.

Kodak Tri-X 400 on the other hand seems to have risen a bit in price, though we’re not necessarily sure if these prices reflect what schools pay as educational institutions usually get discounts. But for what it’s worth, Tri-X is still an extremely popular film even according to a Wired article that could use fleshing out.

When we talked to folks about the state of the film industry, we got the feeling that even though film sales are dwindling for the bigger and more well known companies, film is booming with the newer and more Bohemian companies that take a different approach when it comes to marketing.

More of the price scans are after the jump.

5 - 2STvl7d

4 - xKWnUre

3 - R15yeAW

2 - UzqEy3S

1 - SJZdfBp

b&h photo catalog film kodak portra prices
Shares
Written by

Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
You might also like
Screen Shot 2017-08-28 at 12.07.13 PM
Features

Opinion: Please Stop Wearing a Photo Vest if You Don’t Need to Be Wearing a Photo Vest

4 Mins read
07/09/2018

When I got into this industry years ago, one thing really confused me almost as much as how much certain older photographers tend to treat the younger generation of us: photo vests. I’m completely positive that you’ve all seen them: a photographer of a certain distinguishment (or trying to show off without having said distinguishment) wearing their vests that look a lot like safari vests. You know, almost as if they’re going to go out on an African safari at all times without being anywhere near something like a safari. Walking down the streets doing street photography? You’ll see a photo vest. In the studio? Photo vest! Hiking? Yup, A Photo vest!

5.01
Features

What is Kodak Aerochrome? A Beginner’s Guide to The Confusion of Lomochrome Purple

3 Mins read
01/30/2013

Today’s exciting announcement from Lomography about Lomochrome Purple is bound to get some people excited and others totally confused. First off, know that it is based off of Kodak Aerochrome–an old infrared film developed for government surveillance. Since it is infrared, that means that there are no real purple fields in the Congo. So we’re here to answer a couple of big questions that you may have about the new film. Check out more information after the jump.

X-T3_Black_LeftObl+VPB-XT3+XF18-55mm
Features

Opinion: The Fujifilm XT3’s Sensor Still Doesn’t Output Images That Look Totally Like Film (But They’re Nice)

3 Mins read
09/20/2018

The Fujifilm XT3 (or as they call it, the Fujifilm X-T3) is the company’s latest evolution to their SLR style camera body designed to be a workhorse for many photographers. Despite a whole lot of great and absolutely fantastic things built into the camera, I personally am wondering what Fujifilm’s goal is here with the idea of the X Trans sensor and Film Simulations. One of the reasons why I was so smitten with the X Pro 1 was the fact that it delivered images that really looked like well shot and developed film. To some extent, the Fujifilm XT2 did too but only really with Acros. With the latest iteration, the Fujifilm X-T3, the company is delivering a new 26.2MP X Trans Sensor that delivers the most beautiful colors of any APS-C sensor that we’ve seen. But at the same time, the film simulations just don’t feel right.