First Impressions: Zeiss Loxia 85mm f2.4 (Sony FE)

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The Zeiss Loxia lineup of lenses are designed for the Sony full frame E mount, and the newest edition is the Zeiss Loxia 85mm f2.4. This lens is currently the company’s longest offering and is targeted at portrait photographers and video shooters. It’s also designed as compact a size as possible and to that end, has relatively slow aperture for a Zeiss lens.

At Photokina 2016, we got a chance to play with the lens–though we must warn you that the environment around the trade show floor isn’t anywhere as exciting as any of the locations where we’d typically test them.

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Zeiss’s New Telephoto and Macro Zoom iPhone Lenses Are Coming

The family members: the telephoto, wide-angle and macro-zoom lenses (from left) of ExoLens® with Optics by ZEISS.

They started out as more of a gimmick, and many photographers still do not take them seriously, but phone accessory lenses have come a long way in the last few years. There are some very solid options for people looking to not only get great images from their phone, but also extend their capabilities without sacrificing much, if any, image quality. One of the new, but higher quality players in the accessory lens game is Zeiss, and they just announced two new additions to their iPhone 6 line of accessory lenses.  Continue reading…

Review: Zeiss ExoLenses for Mobile Phones (Apple iPhone)

Chris Gampat The Phoblographer Zeiss ExoLenses review product images (2 of 6)ISO 4001-60 sec at f - 4.0

Lots of people who call themselves photographers may not necessarily take mobile lenses seriously; but the truth is that they’re actually quite good, especially in the case of the Zeiss Exo Lenses. Moment and PhotoJoJo make great optics, and it only makes sense that one of the best lens makers in the world wanted to get involved. The company makes three lenses that we tested: a wide angle, a telephoto, and a macro. Though currently only available for the iPhone and Samsung phones, the lenses will offer photographers a significant improvement in image quality providing they take the right steps.

While the lenses are pretty wonderful, I can’t exactly say the same thing about the case.

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Zeiss Adds Three New Lenses to The Milvus Collection

Chris Gampat The Phoblographer Zeiss Milvus 18mm f2.8 product images (1 of 6)ISO 4001-60 sec at f - 2.0

Today, Zeiss announced three new Milvus lenses: the 135mm f2 Milvus, 18mm f2.8 Milvus, and the 15mm f2.8 Milvus. Like the rest of the Milvus lineup of lenses, they all have weather sealing and boast very high image quality overall. We’re in the middle of reviewing them, and so we’re putting all the specs and images below.

The 15mm f2.8 will cost $2,950 while the 18mm f2.8 Milvus will be $2,299 and the 135mm f2 Milvus will come in at $2,199. Each lens will be available for Canon and Nikon DSLRs.

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6 Spectacular Portrait Lenses for Sony Mirrorless Cameras

Chris Gampat The Phoblographer Sony A7r Mk II product images review (2 of 3)ISO 4001-100 sec at f - 2.8

It would be hard to argue that Sony does not have the attention of the photographic community, with their A7 series of full frame mirrorless cameras (somewhat surprisingly to be honest) still the only player in the game. While the A7 series may not have the autofocus to challenge DSLRs in action situations quite yet, for portrait photography the A7 series is more than capable.

In today’s roundup we have 6 amazing lenses for portrait photography on the Sony system. I would like to note though that these lenses are not in any particular order, this isn’t a ranking or stat sheet, it’s just meant to provide some good direction for Sony shooters or potential Sony shooters who are looking into portrait options with Sony. So lets jump right into it, shall we?

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Camera Lens Manufacturers Explain The Rise of Backlit Portraits

Model: Grace Morales

Years ago, every photographer used to say that you should never backlight a portrait subject due to the way that lenses render the scene. For a long time, it was very difficult to get any sort of detail on a subject when the sun was behind them. But then things started to change. Lens technology and glass coatings became better and better which delivered more contrast in a scene and brought out more details despite the subject being backlit.

To explore why and how this change happened, we talked to Zeiss, Sigma and Tamron about how it all came about.

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Review (Complete): Sony Zeiss 50mm f1.4 (Full Frame E Mount)

Chris Gampat The Phoblographer Sony Zeiss 50mm f1.4 FE product images review (3 of 8)ISO 4001-200 sec at f - 2.8

The release of the Sony Zeiss 50mm f1.4 for full frame E mount cameras begs the question “just how many 50mm lenses does one need?” In truth, just one–but the strategy is a smart one for the company. You see, years ago camera manufacturers used to offer loads of different lens options. You’d get a 50mm f1.8, f1.4, f2, etc. Leica still does this and to some degree, Zeiss does too. But with Sony, you’re getting something different.

This new lens isn’t part of the company’s G Master series of optics and instead it’s a lens that was created in collaboration with Zeiss. It boasts dust/moisture resistance, 11 aperture blades, and other cool features including Zeiss T* coatings that are bound to give you that Zeiss-like look though probably not as clear as their Milvus lineup of lenses.

Editor’s note: this review is now complete

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The Sony Zeiss 50mm f1.4 Lens for E Mount Has 11 Aperture Blades

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The full frame Sony E mount lineup of lenses already has two 50mm offerings in the form of the 50mm f1.8 and the Sony Zeiss 55mm f1.8–and today they’re getting a third in the form of the Sony Zeiss 50mm f1.4 for full frame E mount cameras. This latest offering boasts dust and moisture protection, 11 aperture blades (like the 85mm f1.4 G Master before it), advanced aspherical elements, extra-low dispersion elements, and the Zeiss T+ coating that minimizes flare and gives your images lots of punch–just like standard Zeiss glass does.

Like many of the company’s other f1.4 prime lens offerings, this lens has an aperture ring, an SSM motor, and an overall nice feel to the body. When it launches this month, you’ll be able to score one for $1,500. Details on this lens and much more from Sony (with some re-announcements) are after the jump.

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