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Chris Gampat The Phoblographer Tamron 90mm f2.8 VC product images (2 of 8)ISO 16001-30 sec at f - 1.0

Lots of third party lens manufacturers are ramping up their services as of late. And in an extremely interesting move just made by Tamron, the company is now promising a three business day return on a repair of your lens. As long as the lens is received by 12PM EST (because the company is based on Long Island, NY) it will adhere to this announcement. According to them, “Lenses under warranty (Tamron USA offers a 6-year limited warranty on its photographic lenses) are repaired and shipped back to the customer within three business days. Out of warranty lenses are repaired and shipped back within three business days of the customer’s approval of the repair estimate.”

For a customer, this is great news. It has taken me sometimes more than a week for some of my other items to come back like flashes–granted those are from other companies.

Tamron’s quality is also quite stellar. Check out our reviews of their new 90mm f2.8 VC and their 70-200mm f2.8 VC.

Chris Gampat The Phoblographer Tamron 90mm f2.8 VC product images (1 of 8)ISO 2001-50 sec at f - 1.0

Tamron recently refreshed their 90mm Macro lens to include VC–the company’s vibration compensation/image stabilization. We saw it perform very admirably in their new 24-70mm f2.8 lens and so naturally we went into the 90mm f/2.8 SP Di MACRO 1:1 VC USD review with high expectations. Prime lenses like this are known for their high image quality, but macro lenses are designed to be even sharper for the simple reason that many may stop down quite a bit in order to get subjects in focus.

Editor’s Note: in a previous version of this article, we stated that there is no weather sealing. After talking to Tamron, we learned that there is. We apologize for the confusion.

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The Tamron 17-50mm f2.8 VC is an extremely popular lens amongst budget conscious users. With a constant f2.8 aperture throughout its zoom range and the added value of having vibration compensation it’s not hard to see why consumers spring for this lens. Designed for those with APS-C sized sensor cameras, the equivalent focal range on a Nikon DSLR such as the D5100 is around 25.5-75mm; making it an essential event and workhorse lens for many pros and semi-professionals.

But is all perfect with the lens?

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