For years and years, I always wondered why no one had any sort of flash enabled light meter available for the iPhone; but then Lumu went and got the Lumu Power Kickstarted. It may have taken quite a long time, but it’s finally out the door. The Lumu Power light meter is designed for the photographer that wants and needs to use a light meter but that doesn’t want to carry around an actual light meter. Instead, they want something small that they can tote around and use whenever they want or need. Plus it simply works with your iPhone. So why would you not want one?
We have talked about cameras, lenses, and lighting so far in our recent posts about party and event photography – and today we take it another step towards you filling out your kit by talking about lighting modifiers for your on-camera flash. As much as off-camera flash is preached in the industry these days, during a dark party/event environment an on-camera flash with a good modifier is essential for quality and well-lit results.
So are you ready for some killer on camera lighting recommendations? Great, let’s jump into it… Continue reading…
Film photography is highly valued for the certain sense of softness it can deliver vs digital. But under the right circumstances, black and white film can be used to create and capture photos that are incredibly sharp. In fact, they can easily rival what digital is capable of. Believe it or not, lots of the methods that one uses for digital photography to make a sharp photo can easily be applied to film. So if you’re looking to get some of the sharpest photos you’ve ever shot, check out these four fantastic film emulsions.
Ilford has been making their Ilford XP2 super single use camera for a while now, but with the resurgence that the industry is seeing in using disposable cameras, I figured I’d review them. Call it a disposable camera if you will, but they’re the only black and white disposable cameras on the market with the exception of the new offerings from Lomography. Oddly enough, they were also designed to be developed C41 vs black and white. Well, that’s odd for some–Ilford XP2 can typically be shot at around ISO 50 to ISO 800 on the same roll and due to the process, the images will come out pretty well. The Ilford XP2 super single use camera makes a whole lot of sense for fun, but there’s also quite an interesting quality that would please me if it were used for concerts, documentary work, or even just weekend shenanigans.
Indeed, the Ilford XP2 super single use camera is very much the antithesis of what a lot of film photographers strive for with absolutely perfect quality and sharp lenses. Instead, this camera is a slap in the face to them–and instead it’s just about a look and getting a different reaction from your subjects.
Photographers who tend to shoot and use flashes while on locations typically also try to pack light. In most situations when you’re trying to shoot guerilla style and without getting permits, you need to be versatile yet also need to get your specific creative vision across. This can surely be made simple with just you, your camera, and a radio flash. But you can get even more out of your scene with a few extra compact items that are bound to not take up a lot of space in your bag.
Check these out!
The FlashQ Q20 is a response to the need for small, simple to use flashes that also do double duty as LED lights. For today’s creative content creator, it’s a dream–but the implementation of the FlashQ Q20 is something far more likely to be in the hands of an amateur or photographer getting started than an actual working photog. To be fair, it doesn’t seem like it was designed to take on the likes of Adorama’s Flashpoint, B&H Photo’s Impact, Godox, Yongnuo, etc. Instead, the FlashQ Q20 sort of fills a totally different niche. Though it’s marketed as being versatile and easy to use, my independent analysis believes the opposite to actually be true–to a point.
No, this isn’t the Sony a7, but the Minolta a7 is perhaps one of the best film Alpha mount cameras that you can still get your hands on used. While the Minolta a9 is considered the flagship, there are features built into the Minolta a7 that can make it much more appealing. For starters, it’s much lighter. And there is also a built in data back that lets you change a whole lot of parameters in a very simple way.
And to be honest, it’s one of the best autofocusing film SLR cameras I’ve ever used–completely putting a lot of what Canon and Nikon created to shame.
All images and words by David J Fulde. Used with permission.
My name is David J. Fulde, I am a photographer currently based in Toronto, ON.
I work a colorist and online editor in the film industry at night, leaving my days free to work as a portrait photographer. Being a part-time worker as a photographer allows me to really pick and choose commissions as I don’t need to worry about putting food on the table. I am really not an event photographer, nor someone that wants to shoot white-wall catalogue sort of photos. I enjoy creating images that are quintessentially mine, and try to avoid trends as much as possible.