Andy Willis: Beautiful Portrait Photography on Bleached Polaroids

All images by Andrew Willis. Used with permission.

“It was really a return to analog,” says Photographer Andrew Willis, one who despite also shooting digital these days still loves what film is capable of doing. “I can blame going to university to study a Bachelor of Photography.” He’s been shooting for a really long time and therefore is one of the photographers who have survived the film days into the digital days.

Andrew believes that analog film photography has a special character and uniqueness to it that the pristine quality of digital simply can’t deliver.

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Lomography Announces a Brand New Formula for LomoChrome Purple 400

It’s been a few years since Lomography announced LomoChrome Purple, and just today they’ve announced a new update to the film. The new Lomochrome Purple 400 film is designed to be a whole lot more stable. With that said, we start out with a recommended and set exposure at ISO 400 vs the previous version of the film which was said to need a lot of light. To that end, it wasn’t uncommon that photographers shot it at ISO 200 or even 100. The new Lomochrome Purple will continue to shift blues to greens, greens to purples and yellows to pinks. The new emulsion increases the film’s sensitivity to red hues.

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Portraiture: Various Imaging Formats Visually Compared

If you were to look at the various imaging formats currently available on the market, would you be able to easily tell the difference between the bunch? We’re out to prove a point in today’s posts: most people most likely would not be able to tell if a photo was shot on Micro Four Thirds, Medium format, or full frame. Just take a look at this sample gallery we’ve put together.

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Masterclass Tutorial: How to Shoot Better Film Photos for Instagram

It’s pretty darn clear that film photography is coming back into fashion despite what haters may say. This goes hand in hand with photographers of all types trying to find a way through all the Instagram algorithms. It’s a rough world out there, but there is surely something to be said about producing good quality content consistently along with hashtagging just right and creating an inspirational message for your devoted followers. So if you’re looking to figure out the latest and greatest way to cut through all the fluff on Instagram, just note that it has everything to do with creating quality content. For those of you who suck at content, here are some tips.

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Debmalya Sinha: A Black and White Personal Documentary Photographer

All images and text by Debmalya Sinha. Used with permission.

My name is Debmalya Sinha and I’m a personal documentary photographer. As Martin Parr once said, “Unless there’s some vulnerability there, I don’t think you’re going to get good photographs”; I started looking for my vulnerabilities inside my otherwise easy and mostly satisfying life and quickly found out one can find pain even in the intense orgasms inside the most loving embraces of life if one is looking for it. Emptiness and fear became central to my photographs and my life during this period. A downward spiral of self inflicted sufferings later, I slowly realised that crisis is not only about pain and suffering. Simultaneous joy of an ephemeral moment and the sadness as it floats away is a projection of vulnerability too and can be expressed together. This helped me start my current project “Mono No Aware” where I’ve explored emptiness and togetherness concurrently in a dreamlike fictional sequence. Here is a very short video of a subset of the pictures from the project.

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Michiel de Lange: Picturesque Moments in the Street That Look Like Drawings

All images by Michiel de Lange. Used with permission.

Photographer Michiel de Lange has a body of imagery that’s absolutely fantastic in that his candid street photography is edited in a way to look a bit like highly complex scratch drawings. The photos in the end look absolutely fantastic. “Originally from South Africa, I started meddling with serious photography in 1986 when my father passed on his old Asahi Pentax SLR and a few lenses to me.” Michiel tells us. “Using this camera, I spent a few years exploring and teaching myself photography in its basic, raw form, later upgrading to a used Pentax ME Super, which I continued to use into the early 1990’s.”

Michiel got more serious into photography with the advent of digital in 2003. These days, he calls his Leica Q and Fujifilm X100s his favorites.

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Review: Fujifilm Instax SQUARE SQ10 (Instax Square Format)

The Fujifilm Instax SQUARE SQ10 is quite an interesting, if not at times frustrating, camera that packs a whole lot of fun into an oddly shaped body that you’ll either not totally understand or fall head over heels for. The camera is Fujifilm’s latest addition to their Instax lineup of films and cameras serving as an in-between point for Instax Mini and Instax Wide. The Instax lineup of cameras have always been incredibly strong sellers amongst young women (many of my great, personal friends use Instax cameras and film). Part of the great selling point is the small size of the prints which are easy to carry and fun to share. But another part is the “cutesy” form factor. They sell so well in fact, that if you were to consider the sales of Fujifilm Instax vs the the rest of the digital and analog camera industry, Instax film far outsells anything in digital.

While the Fujifilm Instax SQUARE SQ10 isn’t exactly what I personally want, it’s going to be a hit with a lot of folks.

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Why Small Film Cameras Are The Ultimate Every Day Camera

This addiction of mine began a few years ago and continues into today; it helped spur a movement. Remember a few years ago how Fujifilm came onto the scene with cameras that had retro aesthetics, looked gorgeous and actually functioned well while doing it nowhere as expensive as Leica? Then Olympus hopped on board. Then Sony, and the train kept taking off. It got its fundamental start with film cameras and that whole movement. The idea of using a proper dial of some sort and retro-grade ergonomics has continued to enamor photographers everywhere–but no matter what camera manufacturers have done, I think that I can make a very valid argument that they’ve all come very close and done a fantastic job. However nothing fits into your hand or functions just right like some sort of small film camera.

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