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All images by Chuck Miller. Used with permission.

Chuck Miller is a writer and photographer from Albany, N.Y. that’s been experimenting with film and digital photography for a long time. Some of his award-winning pictures involve cramming two rolls of 35mm film into a medium-format camera and exposing them simultaneously; modifying a camera to recreate the old horse racing “photo finish” exposures; and trying to resurrect Kodachrome color film by shooting pictures with color filters and composing the images from black-and-white sections.

However, he’s also very well versed in the use of Kodak Aerochrome–an infrared film first developed for military recon that essentially took greens in a scene and turned them purple. Other photographers likes Daniel Zvereff have done a great job with the film. Indeed, it was beautiful for artistic reasons until its discontinuation. But Chuck shot some incredible photos with the film, and we had the chance to talk to him about the experience.

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All images by Zachary Antell. Used with permission.

Zack Antell recently designed a super cool method to scanning film images by using LEGOs, his camera, a lens and lighting. He doesn’t call himself a photographer, but he loves to shoot film. But at this time, he doesn’t have a film scanner, so he improvised with what he had.

“I would normally try to be modern and model/3D print this, since I am home from school I thought I would have to wait. I went to my friend’s house and saw his little brother had a massive lego collection, and couldn’t believe I didn’t think of using legos originally.” Zacl tells us. “I had been trying to follow tutorials using cardboard boxes and tape and it was just too frustrating. Plus, legos are so much easier to modify, especially for different film sizes.”

Of course, this requires doing all of this at the right distance and some photoshop work. Zack built the rig to fit his iPhone 6, which when using a white background, yields pretty good results. After manually exposing and focusing his camera and lens combo, he exposes as far to the right as possible as to not clip the highlights, or what will ultimately become the shadows once inverted. Then he hops into Adobe Camera RAW and does adjustments and crops. He even sometimes uses Photoshop’s Auto Tune.

So are there any problems with this method? “I’ve actually been warned that the legos will cast a color reflection, but I don’t think I’ve picked up anything yet. Using black or white legos only may help with that.” says Zack.

Check out how he did it after the jump.

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Kodak Ektar 25 Warm

Kodak Ektar 25 Warm

In the pantheon of film emulation software, the first name you probably think of VSCO, and for good reason. VSCOCam is one of the most popular editing apps for iOS and Android, and for Lightroom, Adobe Camera Raw and Photoshop users, they’ve got a line of film packs that, up until this point, have offered well-known and oft-used films. Now, they have Film 07 – Eclectic Films, a ragtag collection of clean-looking presets. There are well over 100 presets across 18 films, some color, some black-and-white, and some tungsten-balanced. The company bills them as ideal for “portraits, night photography, and architecture,” but they’re good for more than that.

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All images by Chris Voss. Used with permission.

Photographer Chris Voss moved to Brooklyn from Oakland, CA in 2013 to pursue his dream of shooting in the streets and spaces of NYC. Of course, the city houses some of the best street photographers in the industry–and so the inspiration comes from them. But Chris’s love for photography started when he developed a roll of film that was shot during his birth. He uses exclusively point and shoot film cameras including the Yashica T3 or anything that is not broken at the time.

After getting the film developed, he shares the images to Instagram. His images bring out an NYC that you don’t see much; but is always there.

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Fuji T64

Fuji T64

VSCO’s got a new batch of presets for the 7th iteration of its film emulation software for Lightroom, and the results are decidedly eclectic. There are 17 films that come with VSCO Film 07 – Eclectic Films: 10 color films (Agfa, Fuji, Kodak), 3 black & white (Ilford, Kodak), and 4 Tungsten (Fuji, Kodak). We managed to get an early look at this latest installment, and the films are largely a thing of the past. That is to say, they don’t exist anymore, but VSCO’s managed to keep them alive in digital form.

A complete list of films and sample images are available after the jump. A comprehensive review is in the works.

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Cinestill photo

If you had asked me years ago if I would be reviewing film in the year 2015, I probably would have laughed in your face. There is no way that a couple of years ago that any editor would have thought that a company would be making new film products. But indeed, there have been. CineStill, founded by the Brothers Wright photography team, have repacked Kodak cinema film by taking off a layer that makes it safe for typical C-41 processing. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced–which means that it’s best used with a flash or daylight.

In my personal experience, ISO 800 film has been very grainy except when it’s Kodak Portra and pushed a stop. But in this case, CineStill has given us the finest grain 800 film I’ve ever seen.

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