First Impressions: Canon M5


The Canon M5 is the company’s first truly serious attempt at a mirrorless cameras, and they’ve had a number of years to think about just how they were going to approach the market. Targeted at the advanced amateur the Canon M5 is an amazingly small camera with a quite a bit of power inside. With a 24MP Canon developed APS-C sensor at the heart, this camera honestly should have been announced two years ago.

But as a camera itself: it really isn’t quite that bad.

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First Impressions: Canon 16-35mm f2.8 L USM III (Canon EF)


I never quite understood the Canon 16-35mm f2.8 series of lenses–they overlap with the company’s 24-70 offerings and the Nikon 14-24mm f2.8 lenses seemed to be more reasonable in terms of building a kit. But nonetheless, the lenses have always been popular with the photographers that really need the wide to semi-wide angle of view. When the Canon 16-35mm f2.8 L USM III was announced, I figured that it made sense to replace that lens. Interestingly enough, these focal lengths are some of my favorite to play with. I swear by the 35mm field of view over the 50mm field of view, and I thoroughly enjoy shooting wider than 24mm when I can.

But to be honest, I didn’t know what to expect from the beta version of the Canon 16-35mm f2.8 L USM III lens that I tried.

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Review: Canon 11-24mm f4 L USM (Canon EF)


If you were to tell me that I would honestly fall in love with a Canon lens like the Canon 11-24mm f4 L USM earlier this year, I would’ve told you that I’ve had my heart broken by the company many times in the past few years since the Canon 5D Mk III came out. But when I had the chance to play with the Canon 11-24mm f4 L USM, I was rather excited by its output. Not because Canon flew me and a bunch of other journalists out to the Hot Air Balloon festival in New Mexico, but because when it was first announced I was honestly intrigued. The lens is billed as being completely and totally rectilinear–and when bringing the images into Adobe Lightroom, Adobe’s algorithms seemed to agree.

As one of the company’s wide angle zoom lens options, this is a lens designed for architecture, real estate, and landscape photographers. Instilled with Canon’s weather sealing present in most L lenses, it’s an optic that you’re bound to enjoy if you love shooting wide.

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Fine Tuning Your Autofocus: Making Your Camera Simply Work Better


Autofocusing with cameras is one of the biggest features that are always kept in mind when someone makes a purchase. Unfortunately though, not everyone knows how to take the best advantage of what their camera offers them. In truth, if you’ve got a camera from 2011 and afterward, you pretty much have everything you’ll need to accomplish most everyday tasks when it comes to autofocusing on your subject. Whether you’re photographing your pets running around like maniacs or photographing a subject in the dimly lit dark, your camera can handle most instances if you just use it correctly.

Let’s delve delve into this.

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Which One? The Sony RX1r II vs Leica Q Comparison


If you wanted to go for a premium point and shoot camera of some sort, then the best of the best is easily awarded to the Sony RX1r II and the Leica Q. With their full frame sensors and fast aperture lenses, they’re bound to be appreciated by many photographers. Both of them have been out for a while now, and with the price differences not too far apart from one another you’re obviously curious about which one you should get. For some, the answer is clear: you prefer a higher megapixel sensor and the 35mm field of view. Others however want to go for the 28mm f1.7 lens and don’t want to fill their hard drives up.

We’ve reviewed both cameras, so here’s what we think.

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Is the New Sony a99 II Too Late to the Photography Game?


Though Sony was the first to the game with full frame interchangeable lens mirrorless cameras with autofocus, the company has traditionally played catch up in the digital photography world–and there seems to be a bit of that with the Sony a99 II. Granted, they’re now very much the leader in many ways and create understandably fantastic products–but the a99 II’s announcement after around four years or more feels a bit like what Canon and Nikon do. Granted, that makes sense in some ways; but Sony is now mostly known for their mirrorless cameras and that begs the question of whether or not the company is too late with this announcement.

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First Impressions: Sony a99 II


It’s been years since Sony has updated the a99, and at Photokina 2016 the company announced the successor–the Sony a99 II. Chock full of upgrades like a 42.2MP full frame sensor, hybrid autofocus detection, 4K video without pixel binning, 12 fps shooting capabilities in raw with a buffer of up to 56 images, and a new three way tilting LCD screen there is surely a lot to love here.

We got a chance to play with the camera–like 15 minutes if anything. And though we weren’t allowed to take home sample images, we’re quite impressed with what we’ve seen so far.

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First Impressions: Fujifilm GFX 50s Medium Format Mirrorless Camera


For a few minutes at Photokina 2016, I was able to personally fondle the hottest camera announced at the show: the Fujifilm GFX 50s. This is a medium format camera targeted at the full frame 35mm camera user and is the second medium format mirrorless camera in the digital market. Oddly enough though, it isn’t designed to resemble a Mamiya 7 II or anything else from the film days despite the retro aesthetics. A number of jounalists and I were taken through a presentation where we were introduced to the team who worked on the camera’s design and specifications. Fujifilm’s intention here is to find a way to appeal to professional photographers and high end enthusiasts without competing in the pool filled with sharks that produce full frame 35mm sensor cameras.

So far: they seem to have the world’s attention.

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