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Chris Gampat The Phoblographer Sony a7 Mk II product photos (1 of 8)ISO 1001-50 sec at f - 5.0

Introduced late last year, Sony refreshed one of their initial entries into the full frame mirrorless camera game with the A7 Mk II. The Sony A7, to be honest, is such new technology still that it didn’t need a refresh. But Sony is one of the big innovators of our time in the camera world, so when it came to the A7 Mk II they gave it a couple of slight but well executed updates.

The biggest update to come to the A7 Mk II is the addition of image stabilization to the sensor. It works via a 5-axis system that is very similar to Olympus’s solution. In fact, we couldn’t really tell the difference when we talked to both companies except that Sony’s solution works for full frame sensors.

Besides the 4.5 stops of additional image stabilization, Sony claims that the A7 Mk II has a 35% increase in autofocus responsiveness performance, 40% faster start up time and the XAVC-S video codec.

But is the A7 Mk II worth it for you?

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Chris Gampat The Phoblographer Samsung 50-150mm f2.8 OIS review product images (6 of 10)ISO 4001-40 sec at f - 4.0

When it comes to portrait focal lengths, Samsung has always delivered beautiful lens offerings, So when the 50-150mm f2.8 OIS came in for review, we were ecstatic to see what it offered. The lens is billed as one of their high end offerings–and so incorporates weather sealing, a rugged body, and lots of controls around it. To boot, the lens also delivers beautiful image quality overall.

With 20 elements in 13 groups comprising the inside, the lens is also an internal focusing and zooming one.

And to be quite honest, this lens has to be one of the best telephoto zoom lenses that we’ve tested here on the site.

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Chris Gampat The Phoblographer Sony 16-35mm f4 product photos (5 of 7)ISO 1601-50 sec at f - 4.0

Wide angle zooms are amongst some of the most sought after lenses by the photographers that love to shoot wide. Combine that with a constant aperture and you’ve got a photographer that will be happy for days. So when Sony announced their 16-35mm f4 OSS lens for the E mount system, we knew that it was going to be a hit. Due to the company’s collaboration with Zeiss for many years, the two have worked together to produce better and better lenses.

But while this lens will be highly sought after by many photographers, it probably shouldn’t be in everyone’s camera bags.

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Chris Gampat The Phoblographer Sony A7 Mk II first impressions (24 of 29)ISO 4001-50 sec at f - 2.2

Meet Sony’s 4th full frame mirrorless interchangeable lens camera: the Sony A7 Mk II. The camera is sort of being billed as the successor to the A7: which was (and still is) the perfect balance of high ISO output and resolution right in the middle. But Sony has come out with a few new changes to the camera with the biggest one being the addition of image stabilization to the sensor. Other changes added in are the inclusion of more autofocus points, ergonomic changes to the grip, and a couple of additions for video shooters.

Sony brought the New York press out on an excursion to play with the new camera in different environments. And while the A7 Mk II is capable of doing some really cool stuff, we’re not sure that everyone needs it–or at least that’s what we think so far.

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Chris Gampat The Phoblographer Canon 7D MK II review product images (1 of 10)ISO 4001-30 sec at f - 4.0

We’ve been waiting many years for it, and this year the Canon 7D MK II has finally come. Canon in years past has been a very conservative company when it comes to new products. Not many changes have been made to many of their previous offerings with the Canon Rebel series being the most obvious amongst these. The 7D Mk II though is a camera surely designed for current Canon customers and users.

With a modest bump in the megapixel count from 18 to 20.9MP, the 7D Mk II also delivers better high ISO results than many of its immediate competitors. And while this can be a huge selling point, there is something holding that back.

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Chris Gampat The Phoblographer Panasonic 15mm f1.7 review product photos (2 of 6)ISO 4001-100 sec at f - 3.5

The Panasonic 15mm f1.7 lens is a small, well designed lens for the Micro Four Thirds camera system–and we dare say that it is our favorite autofocusing lens for the system, too. Designed to be almost a pancake but with a wide f1.7 aperture, it pairs very nicely with some of the system’s medium to smaller camera. With nine elements in seven groups and seven aperture blades, it’s a fairly simply designed lens but whatever magic that Panasonic put into it makes the lens sing with pure image quality.

Introduced earlier this year, this lens is very heavily targeted at the street photographer and the person looking to take general candids and images due to its 30mm field of view.

And when our review period is over, we’re going to be very sad to say goodbye to it.


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