Fujifilm has made a metric ton of announcements today, and along with the others, we have ourselves the long awaited X100 update, the newly minted Fujifilm X100F. Beyond the X-T line of cameras, probably the most popular line of Fujifilm’s digital cameras is the X100 series, and since Fujifilm unveiled their latest X-Trans sensor technology last year photographers have been clamoring for an updated X100 with the new tech. Continue reading…
If you’re a photographer that’s been looking at the high-end APS-C mirrorless camera options out there, then you most likely know that Sony and Fujifilm are the ones that continue to duke it out over and over again. The Sony a6500 is the company’s latest offering while Fujifilm has two flagship cameras in the form of the X-T2 and the X Pro 2. All of these cameras are highly capable, have the same megapixel count and have similar features. But which is the best?
For CES 2017, Panasonic is reannouncing the Panasonic GH5 camera–the company’s flagship that has been mostly targeted at the videographer for many years now. With their newest addition to the lineup, the company is trying to make an even bigger splash. The GH5 is being pumped filled with all sorts of awesome features. Let’s take a look!
Three refreshes: that’s how long it took for Sony to create a camera with a sensor that can keep up with its competitors. Granted, the processing engine in the Sony a6500 is very capable and a big part of it. But then we also beg the question: Why so many refreshes so suddenly?
The answer to the question that you’re wondering is yes, the Sigma 85mm f1.4 Art lens is indeed much better than the previous version of the lens. At higher megapixels, you start to see the flaws of the older version, but the newer one exudes an image quality that is truly unbelievable. Additionally, it sports a bit of weather sealing. And the ultimate answer to whether or not you should upgrade really has to do with your own intentions. If you absolutely want to stick to using DSLR cameras, then this is a must-buy lens.
But holy crap, is it huge!
In some ways, it perplexes me that Sony still has the a99 and Alpha series of cameras. Sure, they’re from the Minolta days and have a heritage behind them, but admittedly the company doesn’t push them anywhere as hard as they do their E mount lineup. I wish they did though–Minolta was at one time one of the most important camera companies in the world. So if you look at the Sony a99 II and trace its evolution, you honestly won’t see a whole lot of that heritage sans the mount. But this could arguably also be said for the original a99 with the new hot shoe. In all honesty though, that choice was for the better.
The Sony a99 II is a camera packed to the brim with technology. If you’re not convinced by the high megapixel full frame sensor, then you’ll be shocked to know it’s also capable of shooting sports and fast motion very well with its highly improved autofocus system. Indeed, this is the best that Sony can deliver.
For a really long time, I’ve never truly been a fan of the Sony RX100 series of cameras, but then earlier this year Sony launched their Sony RX100 V–and somehow or another things changed. The company has been making steady improvements to the camera over the years with a better aperture value through the zoom range, the addition of an EVF, improved battery life, improved autofocus, better video, and better image quality. At the same time, I’ve become more and more enamored with point and shoots. The good ones with a fixed lens, a fast aperture, fast autofocus, small size, and solid image quality just make it all that much more worth investing into one.
In my personal collection, my Hexar AF has taken the place of SLRs and others just because it’s so small, lightweight, quiet, and has fantastic image quality. Digital point and shoots have been there for a while now, but nothing has impressed quite like what the Sony RX100 V has been capable of in terms of image quality from a 1 inch sensor.
Lots of photographers that invest into the Fujifilm camera system have been wondering whether they should go for the new 23mm f2 R WR lens or the 23mm f1.4 R lens. Indeed, it can be confusing. Of course, there are more obvious differences: the size, weather sealing, autofocus speed, etc. But then there are some differences that aren’t so obvious.
I personally own the 24mm f1.4 R, and Anthony owns the 23mm f2. So we’ve compared the two for you folks.