Which One? Sigma 35mm f1.4 Art vs Zeiss 35mm f1.4 Milvus Comparison

When considering the Sigma 35mm f1.4 Art vs Zeiss 35mm f1.4 Milvus lenses, it can be tough to figure out which one is right for you. They both differ pretty greatly when it comes to usage, price point, features, and quality. In fact, it’s only obvious that there’s going to be differences considering that they’re years apart from one another. Lots of photographers out there in the world don’t reach for the higher fruit that Zeiss offers, but then there are also photographers who understand the quality that a Zeiss lens can give them. However, Sigma lenses are oftentimes simply more practical.

So let’s just dive right into this.

Continue reading…

Review: Polaroid Snap Touch

It took a while for me to wrap my head around the Polaroid Snap Touch–and it’s not because I’m not accepting to what they’re doing. It’s more because of the fact that they’re finding a way to appeal to the Snapchat generation in the form of a camera. Personally, I don’t use Snapchat and never used it for anything else besides dating. When it comes to instant film cameras, I prefer, well, instant film. That’s one of the biggest issues right here. The Polaroid Snap Touch doesn’t use actual Polaroid film or even anything close to it. Instead, it uses zInk paper and has a printer built into the camera. You could say that it helped influence the Fujifilm Instax Square SQ10. And even then, I’m really not the customer for a camera like that simply because I know what’s possible with the actual film.

For those of you who aren’t aware, I’m one of the mods for R/Polaroid–and without a doubt we’re a bunch that don’t really accept what Polaroid has become. Make no mistake, all that the Polaroid Snap Touch is is a camera with a printer inside of it. It isn’t a true Polaroid in any right.

Continue reading…

Sample Image Gallery: Nikon 28mm f1.4 E Lens (Nikon F Mount)

We’ve been playing with the new Nikon 28mm f1.4 E lens for a little while now and are honestly completely blown away by the image quality. The Nikon 28mm f1.4 E lens is incredibly sharp wide open, but is also has great bokeh and an overall very nice look I genuinely feel will make a whole lot of sense for portrait photographers, documentary photographers, photojournalists and street photographers. Street photographers: yes. The look is really stunning.

Continue reading…

Vintage Camera Review: Canon EOS 33 (Canon EF Mount)

If you were to look at any of the best Canon EOS film cameras made, you probably wouldn’t think immediately about the Canon EOS 33. But indeed, it and the Canon Elan 7 are surely some of the best. These cameras incorporate features that make a whole lot of sense for most modern film shooters and don’t cater to the film shooting sports photographer–if even such a thing exists. One of the best things about the Canon EOS 33 is not only its price point but also just how reliable it is.

Continue reading…

Sample Images: Rokinon 35mm f2.8 for Sony Full Frame E-Mount

We’ve spent some time with the new Rokinon 35mm f2.8 for Sony E mount cameras and are liking it in many ways. Rokinon’s glass has long been underrated in the industry and they’re somewhat overshadowed by the likes of Sigma, Tamron and Zeiss. But when it comes down to it, they’re fantastic lens makers. Perhaps a part of it has to do with the fact that many Rokinon lenses don’t have autofocus. But Rokinon is starting to fix that. For example, the Rokinon 35mm f2.8 is made for Sony full frame E mount cameras and is designed to be small, sharp, and have autofocus. It’s significantly more affordable than the Sony version but lacks any sort of weather resistance.

Continue reading…

Four Low Profile Pancake Lenses That Are Perfect for Candid and Street Photography

One of the best things about pancake lenses isn’t necessarily just their low profile, but the fact that they encourage you to carry your camera everywhere with you. That mean that at all times, you can be ready to capture candid moments as they happen in front of you. They’re not going to stick out in a crowd and the performance of many of them are really terrific.

So with that said, we’ve gone through our reviews index and looked at a number of great pancake lenses that we’ve tested.

Continue reading…

Review: Tamron SP 70-200mm F2.8 Di VC USD G2 (Canon EF)

The Tamron SP 70-200mm F2.8 Di VC USD G2 is an entry point into one of the most popular telephoto zoom lens options out there–and it’s actually a damned fantastic one. Tamron has always created lenses that are high quality, affordable, and built pretty well.But with the Tamron SP 70-200mm F2.8 Di VC USD G2, they’re seriously taking the cake here. This lens offers weather sealing, the same top notch image quality that they’ve been pushing with the new SP lineup of lenses, and image stabilization to boot. So if you’re a portrait photographer, we’re already well aware that you’ve been eyeing a 70-200mm f2.8 lens of some sort.

And if you’re looking for an affordable option, then this is it.

Continue reading…

Review: Zeiss 35mm f1.4 Milvus (Canon EF)

The Milvus lineup of lenses from Zeiss are more or less their workhorses; and with the addition of the new Zeiss 35mm f1.4 Milvus lens, I’ve never been more convinced that they’re the absolute best lens maker on the market. Yes, Sigma–that mean even above what you’re capable of. While Zeiss’s mentality has always been about MTF charts and curves, in the past few years they’ve been working on a transition that’s catering not only to that crowd, but also to those who care more about the stuff that can’t be measured in a lab. For example, Zeiss lenses have always had a special character about them–I’ve seen folks on our Facebook page talk about it fairly often when their optics come up.

So what’s even more appealing about the Zeiss 35mm f1.4 Milvus lens is that they’re targeting at portrait photographers.

Continue reading…