by Andy Hendriksen on February 16, 2012
I’ve been told by friends and colleagues that street photography came as a breath of fresh air into an otherwise mundane world of shooting landscapes and studio portraits, while many others, myself included, found it to be inherently uncomfortable in just about every way possible. Finding the beauty in the commonplace, and capturing it without disrupting your environment isn’t something that comes easily to all, but it seems we can all agree that there is a certain type of candid allure on the streets that simply can’t go undocumented.
Also be sure to check out our Editor in Chief’s post on how the camera retaught him street photography.
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by Chris Gampat on February 11, 2012
Kodak has been in the news quite a bit recently. Besides, declaring that they are out of the camera industry, they’ve also been under lots of pressure to change and restructure. Because of this, we’ve known them for one thing for many years: film. I personally have been a lover of their film for years, and shed a tear like many of you the day that Kodachrome died. Further, I’m also a lover of Portra: having using it with some Zeiss lenses recently, during professional shoots, and even Gevon loves it.
Like many of you, I dread the day that they kill Tri-x: especially with the look it gives off with medium format cameras.
Kodak now often states that Ektachrome is the closest thing to Kodachrome that they have. And while that all depends on who you ask, one can’t deny that the film is indeed quite beautiful. Even though digital may come close, I still personally feel that it can’t totally capture the full look.
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by Chris Gampat on February 3, 2012
Read any consumer publication or self-proclaimed guru on the web and they will tell you that the death of the DSLR is coming. With the heralding of mirrorless interchangeable lens cameras combined with exceptional image quality, fast focusing, and lots of features in a smaller package, why wouldn’t one think that the DSLR has reached the end of the road?
Allow me to smack you in the face while you pretend to know what you’re talking about.
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by Gevon Servo on November 23, 2011
I am a fan of camera grips especially on my Nikon D90. It’s an accessory that I like to use for shooting portraits or for longs days when I don’t want to change the battery. After extended use, however, I have found that they have some advantages and disadvantages.
And a recent experience taught me a very important lesson.
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by Chris Gampat on October 8, 2011
One of the members of Anonymous wears her mask backwards during preparation
We’re written a lot about street photography and documentary photography on the site, but one of the biggest issues that we haven’t covered are protests. Here in New York City, a movement called Occupy Wall St is currently underway—protesting corporate greed and corruption by having members and supporters camp outside of Wall St. At the time of writing this story, the general mainstream media hasn’t covered it yet; but it did make the front page of the New York Times.
Photos of protestors and photographers alike being thrown down and arrested are around the web. However, not many people are showing another side of the story. To avoid being arrested, I shot with a Micro Four Thirds camera that didn’t look professional.
by Chris Gampat on October 4, 2011
Image from This is My Next’s Liveblog of the Apple Announcement, by far the fastest and best one that didn’t crash.
Today, Apple announced the iPhone 4S. In the world of photography, we mostly care about the camera to help spur on our creative initiatives. The iPhone 4 had an impressive range of features like an f2.4 lens, ISO 80-2000 and 1/1000th shutter speeds. Indeed, after our field test we saw that use of Apple’s iPhone 4 really took off with the amount of apps that came out such as Hisptamatic, Instagram, etc.
Apple proclaimed that they wanted to create a camera that is better than a point and shoot. So, have they? Without having our hands on the product at all, we’re going to do a breakdown the specs.
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