Sony Introduces the a6300 and Three New High End Lenses

a6300 3

Today at a major press conference, Sony introduced the long awaited and highly rumored successor to the Sony A6000. Not called the A6100, the new Sony a6300 is a camera that the company is touting to have even better performance than the previous one with faster shooting frame rates, further improved autofocus, etc.

But the even more exciting announcement involves the company’s newest lenses. Sony announced a 24-70mm f2.8, 70-200mm f2.8, and an 85mm f1.4 lens in the FE (full frame E) mount and also classified them as their own high end brand called the G Master series. This will essentially be like Canon’s L equivalent and is designated by the brushed metal G logo on the lenses.

More details and specs from the press releases are after the jump.

The new FE 24-70mm F2.8 GM Standard Zoom and 85mm F1.4 GM Telephoto prime lenses will be available in March for about $2,200 and $1,800, respectively. In Canada, they will be sold for $2,900 CA and $2,400 CA, respectively. The new 70-200mm F2.8 GM Telephoto Zoom Lens and its compatible 1.4x and 2x Teleconverters will be available in May. Pricing is not yet available for these models. The new G Master Series of interchangeable lenses will be sold at a variety of Sony authorized dealers throughout North America.

a6300

a6300 5

  • The camera boasts an unrivaled 4D FOCUS™ system that can lock focus on a subject in as little as 0.05 seconds, the world’s fastest AF acquisition time1.
  • 425 phase detection AF points that are densely positioned over the entire image area
  • Support full live-view continuous shooting on the Tru-finder or LCD screen at up to 8 frames per second, ultimately producing a real-time shooting experience that combines all the benefits of an electronic viewfinder with the immediacy of a through-the-lens optical viewfinder.
  • The versatile α6300 is equipped with a newly developed 24.2 MP (approx.. effective) APS-C sized Exmor CMOS sensor that works together with a BIONZ X image processing engine to produce outstanding image quality throughout the entire ISO sensitivity range ISO 100 – 51200 3. It can also shoot and record high resolution 4K video with full pixel readout and no pixel binning in the popular Super 35mm format.
  • Sony’s new α6300 camera builds upon the acclaimed 4D FOCUS performance of the α6000 model, utilizing a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1. The camera’s High-density Tracking AF technology positions 425 phase detection AF points over nearly the entire field of view, allowing it to accurately focus throughout a wide area – even on small, fast objects that other cameras would fail to recognize.
  • The α6300 debuts a new High-density tracking AF technology that significantly improves subject detection and tracking performance. This new technology can quickly activate a large number of AF points surrounding a subject – approximately 7.5 times more density than the α6000 – and intelligently adjust them in accordance with the subject’s motion. This is a particularly powerful feature when used with high-speed 11 fps continuous shooting or the new 8 fps continuous live-view mode, which provides 100% accurate framing for fast moving subjects on the LCD screen or viewfinder.
  • Other enhancements to the α6300 include silent shooting functionality the ability to use AF in focus magnifier mode, expanded flexible spot AF, Eye AF in AF-C mode and more.
  • In another first for non-full-frame Sony interchangeable lens camera, the new α6300 offers internal 4K movie recording in Super 35mm format. When shooting in 4K, the camera uses full pixel readout without pixel binning to collect 20 megapixels of information – approximately 2.4×5 (6K equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality footage with exceptional detail and depth.
  • The Sony α6300 interchangeable lens camera will be available in March for about $1,000 for the camera body or for about $1,150 paired with a 16-50mm F3.5 – F5.6 kit lens (model SELP1650). Prices for the Canadian market will be about $1,350 CA for the body and about $1,500 CA for the camera kit. It will be sold at a variety of Sony authorized dealers throughout each region.

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24-70mm f2.8

GM Lenses 4

  • The new lens is built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range, as well as from corner to corner of all image files. Additionally, an ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration.
  • The lens features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony’s original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity.
  • The new FE24-70mm F2.8 GM lens has a direct drive SSM (Super Sonic wave Motor) focusing system that works with incredible efficiency thanks to a new set of algorithms that positions the lens elements quickly and accurately. The motor is smooth and quiet, making it an ideal choice for shooting both still images as well as movies.
  • To maximize usability, the lens is dust and moisture resistant and features a compact, streamlined design that includes AF/MF switch as well as focus hold, zoom lock and hood release buttons.

70-200mm f2.8

GM Lenses

  • Covering the frequently used 70-200mm focal range, the new FE 70-200mm F2.8 GM OSS telephoto zoom lens (model SEL70200GM) offers extremely high rendering, AF performance and image stabilization, making it a versatile choice for shooting wildlife, sports, weddings and a variety of other events and locations.
  • The new flagship telephoto zoom model delivers extraordinary sharpness and clarity throughout the entirety of its zoom range thanks to its three advanced lens elements including XA, Super ED and ED glass components, as well as its Nano AR coating.
  • The new FE 70-200mm F2.8 GM OSS lens features a floating focusing system – implemented in an α zoom lens for the first time – that contributes to an impressive minimum focusing distance of merely 0.96m and ensures AF performance is optimized during both still and video shooting. The lens includes a SSM (Super Sonic Motor) plus dual linear motors that work together to move large lens elements quickly – a task that requires a high level of drive control and ensures focus accuracy. The new model also has built in Optical SteadyShot™ image stabilization for capturing sharp, blur-free subjects at all focal lengths and a rotating tripod mount that allows the camera to be quickly removed from a connected tripod as needed.
  • The new 70-200mm telephoto zoom lens is dust and moisture resistant with an additional fluorine coating added to the front lens. It also has a focus hold button as well as a focal range limiter.
  • Sony has also announced new compact 1.4x and 2x Teleconverters – models SEL14TC and SEL20TC respectively – that offer even greater reach while maintaining the overall streamlined design and feel of the 70-200mm lens.3

85mm f1.4

GM Lenses 3

  • The lens features a new XA (extreme aspherical) element as well as three ED glass elements that work together to ensure that the in-focus areas are captured in extremely high resolution while the surrounding out-of-focus areas dissolve smoothly into a beautiful soft backdrop. It has a circular aperture with 11 blades – the most ever used in an α lens – that ensures bokeh is smooth and visually appealing. Externally, the new model has Sony’s original Nano AR Coating, which is of particular importance in a portrait lens as it reduces flare and ghosting, even with backlit subjects or similarly challenging lighting conditions.
  • For accurate autofocusing, the FE 85mm F1.4 GM lens includes a ring drive SSM motor system that provides ample power and speed to drive the lens’ large, heavy focus group. It’s also equipped with two position sensors to support flawless focus control of the large, heavy lens elements.
  • This new professional portrait lens is dust and moisture resistant and also has an aperture ring with on/off switchable click stops that can be adjusted based on whether a user is shooting still images or movies. It also has an AF / MF switch and a focus hold button2.
  • Richard Jackson
    Unknown Unknown Unknown Unknown
    Disqus/1.1(2.84):2495263166

    No IBIS or touchscreen. 427 focus points, and how do you select the one/s you want?
    Olympus and Panasonic do that touch and drag to select focus area, and Olympus has IBIS during video.

    I’ve been waiting patiently for this A6000 successor, but unfortunately they’ve focussed on a development rather than a full rebuild, and have left out the bits I was wanting.

    Hello Olympus…

    • Bill Harlow
      Unknown Unknown Unknown Unknown
      Disqus/1.1(2.84):2495766673

      I guess the grass is always greener. I have a couple of Olympus bodies and love them, but I’ve always drooled over the C-AF tracking capabilities of these Sonys (and even Fujifilm X cameras with the latest firmware).

      • Richard Jackson
        Unknown Unknown Unknown Unknown
        Disqus/1.1(2.84):2496324659

        Agree, I’m just saying no ones put the pieces together to form the package I want at the moment.

  • ShowHarmony
    Unknown Unknown Unknown Unknown
    Disqus/1.1(2.84):2495007331

    Nice enough camera, but no IBIS. Will I buy? Only maybe.

  • Hector
    Unknown Unknown Unknown Unknown
    Disqus/1.1(2.84):2494225104

    Nice improvements, not revolutionary but nice upgrade. I’m sure the pro grade lenses are also very nice but the kit lens that comes with this camera and the rest of their APS specific line is rubbish.