The Trap of the Compositional Pattern

Linear perspective w/o following the rule of thirds

Linear perspective w/o following the rule of thirds

Have you ever gone to shoot, pre-select a focusing point based on the rule of thirds, and never change it? Instead, you end up shooting everything centering (so to speak) around that point. It’s common: and if you’re shooting purely for just yourself and your pure enjoyment then I guess it’s okay since you’re sincerely also not trying or caring about your work being published. But if you’re trying to create a more refined portfolio, it’s a pretty big problem.

More specifically, it’s a bigger problem when an editor looks at your images and doesn’t even need to move their eyes around the scene to tell that you really just stick to one compositional point.

Using shape and shadow will allow you to create a strong sense of depth within the frame.

Using shape and shadow will allow you to create a strong sense of depth within the frame.

Here’s why this is a problem: after a while, all of your images tend to look very similar. If all I’m consistently looking at is one spot, then what you’re telling me is that nothing else in that image could possibly be important enough that you didn’t at all have to find a new way to compose or focus on. Of course, there are other methods and tricks involved here: such as depth of field (bokeh), lighting, contrast, etc. All of those methods can help in some way or another: but in the end they’re really just crutches.

A good way to get out of this is to try to change your composition point every couple of minutes if you sincerely don’t have the time to do it for every photo. I completely understand how it isn’t possible for party photographers, photojournalists and wedding shooters. Sometimes the action is just going so quickly that you can’t–but at the same time that isn’t a good reason why 200 images need to all be focusing on the same point. It also starts to hurt you as you go through all of your images and cull the best from all the others. It’s much more common amongst those starting out, though it can surely be something that more advanced photographers fall into as well.

Without trying to be really harsh, it threatens to make your work monotonous stricty from a compositional point of though–though I entirely understand that other factors may play a part such as lines, curves, etc in the scene.

Chris Gampat The Phoblographer Panasonic GH4 review images street (1 of 13)ISO 2001-8000 sec

Many of the older professionals tend to choose the center focusing point, recompose, and shoot. That works because you’re not really keeping things in the same focusing point though they could be in the same area. For Sony cameras that track moving subjects through the frame (Panasonic, Olympus and others do this too) it’s a pretty good tactic to use providing it won’t get in the way of you creating the work that you need to.

One other good way is try something that photographers used to do years ago: center their subject. Though it’s frowned upon, there is absolutely nothing wrong with occasionally placing your subject in the center if it works visually. This is a tactic often used in documentary work and portraiture.

  • bobw-66554432
    Unknown Unknown Unknown Unknown

    I think often there is a tendency (particularly among amateurs) to confuse focus (clarity of subject) with focus (why was this photograph taken?).

    For instance, the photograph of the police officer, while clear and crisp, really doesn’t seem to have a reason for its existence. I.E. nothing in it grabs my attention. Ergo, it has no “focus”.

    Yes, it has lots of “leading lines”, but having seen far too many photographs similar to this, I must wonder “why did anyone bother to take this photo?”

  • Dexter
    Unknown Unknown Unknown Unknown

    Far from being a pro, I usually focus the camera on the main feature of the shot & then reframe, ensuring that the focus is still set to what I want it to be. Saves having to mess around with different autofocus points that way I guess.

  • Richard Jackson
    Unknown Unknown Unknown Unknown

    The focus and recompose method often gets knocked for losing focus. Eg focussing on a point and then moving away does not necessarily get you the same result as using a focus point selected on the subject, in a different area through the lens.

    Hope that reads back semi clearly.

    • Jordan X Randall
      Unknown Unknown Unknown Unknown

      I’ve gone back and forth on this, I used to use alternative focus points, lately I’ve been using the center. Then again on the last shoot I did I did both. Still not sure which is truly better (maybe that’s the real answer).

  • Spencer Bentley
    Unknown Unknown Unknown Unknown

    I find myself having to fight this tendency from time to time. Great article, I really appreciate these articles that speak to refining techniques.