Round 2: Informal Test of the Fujifilm X Pro 1 vs Sony NEX 6 (Shooting Landscapes and Seascapes)

by Chris Gampat on 10/16/2012

We previously put the Fujifilm X Pro 1 against the Sony NEX 6. As a clarification once again, the reason why we use the same exposure for each camera vs a, “Balanced” exposure is for you to get a feeling of the metering of the cameras in manual mode: which is something many users will do in order to acquire better images. In these exposures, you are also able to gauge just how the individual sensors perform.

In my tests and in my personal analysis with one of Sony’s reps, we both concluded that at the same exposures the X Pro 1 will retain more detail in the highlights but the NEX 6 will retain more information in the shadows. The histograms were about accurate but let’s be honest: if we made the histograms perfectly and totally alike, then there will be no differences between the images.

These images are an informal comparison of metering and image quality between the two cameras: In each set of images, each camera was set to the same exposure value in order to see how each camera will perform. The cameras photographed landscapes, and exposures in a situation like this are critical. No post production was done to these files besides sizing down to 72 DPI.

Editor’s Note: for the record, this test was done with the Sony 35mm f1.8 and the Fuji 35mm f1.4. We don’t know where any other information came from saying we did so otherwise.

Gear Used

Set 1

X Pro 1

Sony NEX 6

 

Set 2

Sony NEX 6

X Pro 1

Set 3

Sony NEX 6

X Pro 1

Set 4

Sony NEX 6

X Pro 1

Set 5

Sony NEX 6

X Pro 1

Set 6

Sony NEX 6

X Pro 1

Conclusions

Editor’s Update: Why did we meter this way and how did we meter? Well, I had a handheld ambient light meter on me and so I held it out to the ocean and metered the scene accordingly. Then I set each camera to the according value and this is how they came out. Hand held light meters often given the most accurate readings and so if there is anything off, it has to do with the company’s own processing algorithms or the way that they set the camera up to meter. One camera that comes to mind with some very wonky metering is the Leica M9. I was trained the old fashioned way with sunny 16, and overall, it helps me to get better images in the post-production stage.

- The X Pro 1′s out of camera colors are more appealing to my eyes. However, both cameras can put out more than versatile enough RAW files.

- These two cameras were compared because the X Pro 1 and the XE-1 (the real competitor to the NEX 6), have the same sensor. In this case, it is sensor + metering vs sensor + metering.

- The X Pro 1 files are sharper in my opinion

- The NEX leans more towards the warmer side of the spectrum while the X Pro 1 leans more towards the cooler side.

- For landscape photography, this means that processing the images in post will require slightly different approaches due to the way the cameras color balance and how they meter. Since Sony captures more detail in the shadows, one should probably shoot a couple of extra photos overexposed if they intend on merging the files together. It is vice versa with the X Pro 1. But to be very honest, the files from each camera are so versatile that you can actually perhaps shoot three images (one balanced, one over and one under exposed) and still retain more than enough detail to work with.

 

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  • Jon

    Nah can’t agree with, the first picture Sony is better by a mile, the overexposed, well yes…. What we really need to see is the best possible glass in the same size and aperture shooting both in manual with white balance set etc, looking at factory settings with ok lenses is not as cool. Lets look at the same scene shot with the best settings that the camera’s can muster. The lets do it in video as well :)

  • http://twitter.com/Paryves Paryves

    His chris
    I m looking for a small video camera to shoot in concerts or not so good interior conditions. Could U give us Your preference or advice btw nex 6 or pana gh 2 or 3 or any other good compact camera for video
    Best
    Yves

    • Poison_ Monkey

      I will switch out
      the Battery every 10 to 15 minutes on hot days…

      The smaller hand
      helds for Movie mode are designed for short film clips…Sony indicated NEX 7 Max
      Movie mode is 27 minutes – NEX 6 23 minutes – NEX 5 19 Minutes or less subject
      to (Sun-Heat) enviroment i.e. non-stop shooting clips over 10 minutes for short
      films is great. How long is a song at
      most any concert? an interview that is not boring.

      For not being a primary
      Streaming camera…what the heck.

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  • Charles

    So what did you do in post? I’ve never seen a cold image come out of a NEX under artificial light using auto iso. Nor have I ever encountered the dismal looking shots in Part 1 on my Fuji with everything set to auto. Sorry but something does not add up here.

    • ChrisGampat

      As I stated, I did nothing in post.

      I set both cameras to the same exposure value based on conventional metering methods/using my Ambient Light Meter and they reacted differently.
      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
      Twitter.com/Phoblographer
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      • loonsailor

        But, something happened after the images were captured. A raw image from each camera was turned into the jpg’s shown here. Whether that process was automatic or manually guided, whether in-camera or on a computer, lots of decisions were made that created the images shown here from the raw data. Whatever made the jpg’s decided on white balance, tonal mapping, color space, etc. The differences in how that happened could easily be having more effect on what we see than the difference between the cameras.

  • Zack

    Id love to this test done again with the same lens on each camera….

    • ChrisGampat

      How?

      I had the 35mm f1.4 and 35mm f1.8 on the X Pro and NEX accordingly.

      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
      Twitter.com/Phoblographer
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  • Sanford

    I really wanted the Fuji to be superior but the results are self evident, the Sony wins here-by mile. Every Fuji shot is underexposed with cold blue cast.

  • PK

    Admin: Can you do a video test? A lot of folks are interested to see how the NEX-6 performs at 180 60p – and whether Sony have resolved the infamous overheating issues.

  • volant

    Sanford,

    Beg to differ…the Fuji shots looks more natural (in that environment) compared to the NEX shots that suffers from magenta haze.

    Chris,
    I know you can’t compare two lenses with different FL. Should I have waited for the 35 mm 1.8 or did I take the right decision to buy the CZ 24/1.8 two weeks ago?

    • ChrisGampat

      I personally like the 24mm more because it rounds out to be around 35mm.
      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
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  • http://twitter.com/artistwithlight Taran Morgan

    I would recommend performing the same test with fixed WB for both cameras.

    • ChrisGampat

      No, because then you don’t see how each performs.

      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
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  • http://www.facebook.com/people/Marcelo-Borges-Tezza-Pereira/1361296583 Marcelo Borges Tezza Pereira

    This test does not make sense to me.
    If you will use manual controls, you shoud have set manual WB, if not, leave all auto.
    This tests proves nothing but, the fuji chooses a more cooler and sony more warmer WB.
    You can tell at least what WB the camera choose for every photo?
    For me no one of them are with the WB correct for this situation. But i think sony is near to the spot.
    The problem resides that Sony has too many white, and seems to have a lower Dynamic Range.
    Fuji underexposed a little, but i think its for good to preserve more Dynamic Range, sony did the wrong choice overexposing.
    Your recomendation shouldn’t be to take underexposed photos with the sony to recover the shadows later?

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  • http://www.facebook.com/michel.vanweyenbergh Michel Van Weyenbergh

    first and foremost, thank you for this comparison.

    Remarks:
    You need fixed WB. When looking at the thumbnails the Sony is much more desireable, but careful inspection gives me a better feeling with the fuji, besides from the blue-ish cast.

    Second you are comparing a collapsible kit lens vs a prime lens. Kind of normal that the Fuji is sharper than the NEX. Comparing sharpness should be done with both primes or both zooms, preferably the same lens through an adaptor.
    I understand that these cameras came with these lenses and had to compare as-is.

    For me the conclusion is that the Fuji gives better IQ/more lively colours, if I had to put it in numbers i’d say 10-20% better than the sony, but the Sony is a LOT cheaper.
    Bang for buch Sony wins, but not everyone is out for bang for buck, they’re just out for BANG ;-)

    • ChrisGampat

      “Second you are comparing a collapsible kit lens vs a prime lens.”

      That is incorrect. I compared the 35mm f1.8 to the 35mm f1.4.

      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
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      • http://www.facebook.com/michel.vanweyenbergh Michel Van Weyenbergh

        Ah thank you for that Chris, I must have read over it!
        Then the conclusion for me is that the Fuji is sharper still.

  • http://www.facebook.com/Frosti7 Rostislav Alexandrovich

    Many many thanx for this comparison!
    i thought my mind was set on the sony due to versatility…but those fuji colors really draw a much more natural image, i’d love to see more comparisons, especially a ACR RAW comparison!

    Thanx again!

  • Dima

    Chris, hank you for this comparison!
    Could you make portraits comparison with different lighting conditions (indoor evening, outdoor evening, cloudy outdoor, sunny outdoor) with Fuji X-Pro1 35 f1.4 vs Sony Nex-6 35 f1.8?

    • ChrisGampat

      When I get the camera back, sure.

      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
      Twitter.com/Phoblographer
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  • http://twitter.com/pchin524 pmc

    I’d be happy to own either

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  • Rigo

    I would have love to have seen some people in the shots to compare skin tones and a couple of night shots with people also.

    • ChrisGampat

      Looking back, I really should’ve done that.

      *-Chris Gampat*
      Editor in Chief, ThePhoBlographer.com
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