First Impressions: Panasonic Lumix S Pro 24-70mm F2.8 (Super Sharp!)

The Panasonic Lumix S Pro 24-70mm f2.8 is arguably the best zoom we’ve used for the system so far.

The results of Panasonic Lumix S Pro 24-70mm f2.8 will mean a lot for the company. In my opinion, it’s one of three lenses that will determine the success of the L mount alliance in its early stages. Along with the Panasonic 50mm f1.4 and the Sigma 35mm f1.2, these lenses are some of the options most targeted to professional photographers. Leica has an excellent selection of glass, but let’s be honest: it also comes at a premium. We’re not sure how many professional photographers will reach for Leica lenses. But, they’ll reach for Sigma and Panasonic due to the price and performance they offer. If Panasonic can fix its autofocus algorithms, the Panasonic Lumix S Pro 24-70mm f2.8 will make their cameras an excellent contender vs the rest of the options on the market.

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The Panasonic S1H and Lumix S Pro 24-70mm F2.8 Want to Beat Sony

Sony should be taking the Panasonic S1H and Lumix S Pro 24-70mm f2.8 seriously.

Photographers looking at the new Panasonic S1H and Lumix S Pro 24-70mm f2.8 may be a bit confused. After all, the company was touting this to be a cinema-style camera. It also shares a 24MP full-frame sensor like the Panasonic S1. The cameras seem to be very similar in a number of ways. But the main differences here have to do with video–the biggest one being 6K 24p video recording capabilities. Considering this website is targeted at photographers, you probably don’t care about that. Let’s discuss what’s important.

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