Paolo Pettigiani Captures the Stunning Dolomites and Its Surrounds in Infrared

All images by Paolo Pettigiani. Used with Creative Commons permission.

With the breath-taking Dolomites among the most famous subjects and destinations of landscape photographers, it’s not surprising to find a lot of impressive work showcasing it in different ways. We’ve previously seen it rendered in classic black and white, in moody colors, and even set against the Milky Way. The latest in our favorite snaps of the Dolomites is the surreal set by Italian graphic designer and photographer Paolo Pettigiani, who gives us a unique, “unseen” view of the stunning peaks in mind-blowing infrared.

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Phase One’s New IXU 150 is Designed for Drone Use

iXU-150-media

Phase One just came out with something designed for UAVs–and it’s bound to capture loads of details. Today, the company announced their brand new IXU 150 with a 50MP CMOS sensor. The camera boasts 8280 pixels cross- track coverage–which means that it’s getting a lot more out of each image than a full frame DSLR can. Plus the sensor can shoot from ISO 100 to 6400. The camera uses magnesium and therefore is also said to be 30% lighter than aluminum designs. Beyond that, the Phase One iXU 150 will be available in either visible light or Near-IR configurations. Years ago, what the Army used to do is use Infrared films like Aerochrome in drones. That film turned all greens into a pink/purple and as we’ve seen recently in music videos you can totally get that look again.

The camera uses the company’s Schneider-Kreuznach lenses, which when we tested out years ago we weren’t so crazy about.  The camera will start shipping in July. The Phase One iXU 150 has a list price of $40,000 USD. That means that mere mortals won’t be getting their hands on this camera unless they’re on a trust fund and live in an area where drone flight isn’t illegal.

Review: Tiffen 77mm Combination Neutral Density 1.8 Infrared (IR) Filter

Chris Gampat The Phoblographer Tiffen filter photos (4 of 7)ISO 1001-320 sec at f - 2.5

Editor’s Note: Big thanks goes out to Doug Guerra over at the Alternating Line; a new NYC based company that focuses on freelance camera operating and video engineering.

Filters are an interesting bunch–many photographers will say that you don’t need them but others swear by the protection that they can offer. But when it comes to the video world, they’re a necessity. While many of us on the site prefer to use Vari-ND filters for the convenience that they offer, many videographers still prefer to go with dedicated filters. Both have their advantages, but some are really designed to give an extra punch. In the case of Tiffen’s Combo IR ND filter, you might want to use this one with a cinema camera.

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