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Rare Camera Store Vintage

These Pinhole Cameras are Great for the Experimental Photographer

Chris Gampat
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Last updated on 12/03/2021
12/04/2021
2 Mins read
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The traditional photography world can totally be a bit boring. It’s easy to get into a creative rut. When that happens, I typically go for long exposures or look at lo-fi imagery. And trying something new makes all the difference. That’s exactly what we think you should do. Take a look at all these pinhole cameras available at Blue Moon Camera!

Welcome to the Rare Camera Store: a joint initiative of The Phoblographer and the wonderful folks at Blue Moon Camera. We work to bring you some of the coolest and rarest items for a great price.

The Phoblographer partners up with Blue Moon Camera for the Rare Camera Store initiative. Our philosophy is simple: you wouldn’t get a Wagyu beef steak review from a lifelong vegetarian. And you wouldn’t get photography advice from folks who don’t touch the product. Sometimes you can’t trust eBay. But we trust Blue Moon for sure! Some of our stories include affiliate links. If you buy something through one of these links, we may earn an affiliate commission.

Here’s the master list:

  • Goodman Scura 120 Pinhole kit with wood Inlay: $172
  • Goodman Scura 120 Pinhole kit: $133
  • Goodman Scura 35: $160
  • Holga 120 WPC Pinhole Camera: $79.99
  • Really So Sublte 6×12 Pinhole: $230.75
  • Really So Sublte 6×9 Pinhole: $155
  • Really So Sublte 6×12 Dual Pinhole: $230.75
  • Really So Sublte 6×17 Filter Pinhole: $265
  • Really So Subtle 6×6 Filter pinhole: $139.50
  • Really So Sublte 6×6 Dual Pinhole: $139.50
  • Really So Sublte 6×17 pinhole: $265
  • Zero Image 135: $135
  • Zero Image 69B Back to Nature: $225
  • Zero Image: 618B Infinite: $232.50
  • Zero Image 612B: $245
  • Zero Image 810 160mm Challenger: $509.95
  • Zero Image 2000: $185
  • Zero Image 69D: $285
  • Zero Image 612B: $260
  • Zero Image 2000: $135
  • Zero Image 69D Varnished: $260

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Chris Gampat is the Editor in Chief, Founder, and Publisher of the Phoblographer. He provides oversight to all of the daily tasks, including editorial, administrative, and advertising work. Chris's editorial work includes not only editing and scheduling articles but also writing them himself. He's the author of various product guides, educational pieces, product reviews, and interviews with photographers. He's fascinated by how photographers create, considering the fact that he's legally blind./ HIGHLIGHTS: Chris used to work in Men's lifestyle and tech. He's a veteran technology writer, editor, and reviewer with more than 15 years experience. He's also a Photographer that has had his share of bylines and viral projects like "Secret Order of the Slice." PAST BYLINES: Gear Patrol, PC Mag, Geek.com, Digital Photo Pro, Resource Magazine, Yahoo! News, Yahoo! Finance, IGN, PDN, and others. EXPERIENCE: Chris Gampat began working in tech and art journalism both in 2008. He started at PCMag, Magnum Photos, and Geek.com. He founded the Phoblographer in 2009 after working at places like PDN and Photography Bay. He left his day job as the Social Media Content Developer at B&H Photo in the early 2010s. Since then, he's evolved as a publisher using AI ethically, coming up with ethical ways to bring in affiliate income, and preaching the word of diversity in the photo industry. His background and work has spread to non-profits like American Photographic Arts where he's done work to get photographers various benefits. His skills are in SEO, app development, content planning, ethics management, photography, Wordpress, and other things. EDUCATION: Chris graduated Magna Cum Laude from Adelphi University with a degree in Communications in Journalism in 2009. Since then, he's learned and adapted to various things in the fields of social media, SEO, app development, e-commerce development, HTML, etc. FAVORITE SUBJECT TO PHOTOGRAPH: Chris enjoys creating conceptual work that makes people stare at his photos. But he doesn't get to do much of this because of the high demand of photography content. / BEST PHOTOGRAPHY TIP: Don't do it in post-production when you can do it in-camera.
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