There are very few young photographers who get the spotlight early on in their careers. An example is Mike Brodie, whose series, A Period of Juvenile Prosperity, saw immense fame early on in his career. The photographer, who was 18 in the early 2000s when he left, and a year later, with a new, gifted camera, he began to document the unflinching depiction of American youth. His documentary series is lauded even today, and so, if you are a young photographer yourself, these tips can be of help to you in your career.
- From early on, Mike Brodie’s images are about the authenticity of the moment, and not perfection. So, you must focus on the moment, then worry about technical precision. It is okay if some images are slightly out of focus, but do ensure that you are able to capture the powerful moment that is in front of you.
- Travel is important in your career, but you must not simply wander. Brodie was keen on seeing the youth, but chose trains as it gave him a feeling of ‘freedom and adventure.’ His series beautifully ties the mode of transport with the people he photographed, showing the vastness and distinctness of America. So, if you also intend to do the same, immerse yourself in the environment. Begin with small adventures and then gradually increase your story from there.
- Be part of the story. Mike Brodie was able to achieve so much because he was able to connect with the people. It started off with the punk rock bands, music, and gradually his interest shifted to the train hoppers. He did everything by himself, but he was able to achieve this by being there, spending time, and conversing.
- Try different formats. Digital is easy to use, and many people go after it, but Brodie didn’t have that option. Since he was given a Polaroid, he shot the series with it, and later, he got a 35mm film camera. It is also the reason the photographs and their ethics look so different. It is also why he was able to get a slow shutter and blur effect in his images. The device gave him the freedom to shoot and build his own visual language.
- The ordinary can be beautiful. Look for things that are realistic; seek textures, imperfections, and traces that help you showcase the vulnerability of humans. As Brodie said in an interview, “I’m fascinated by death and I’m fascinated by reality and not just for shock’s sake. It’s just part of our life.” Shock is subsiding, but reality will be remembered later on, too.
- The photographer’s series showcased the lives of people living across the United States, especially outsiders. While Brodie himself was political at that time, the series began right after the invasion of Iraq and 9/11, and that translates into the images as well. Being aware of the political and social climate can further help to build the narrative, one that is realistic.
- It’s a story, not just a scene. When you document, think about the beginning, middle, and end. You don’t have to get the images right away. But give yourself the time to brew what you see and hear. Sometimes, the best ideas come after you have hit a creative block. So, shoot even when you don’t feel like it, create a narrative thread. Showcase the various feelings and moments through the images. And don’t delete anything.
Do remember that a documentary project can last up to a year or 10 years. So, choose a subject that you really care about. Otherwise, you just may get bored and move on.