When one talks about the history of photography, it is pretty evident that every generation has made some inspiring contributions to the medium. The boomers were responsible for pushing image-making as a documentary of truth (photojournalism), but also shaping how we look at our lives (Nan Goldin). Millennials, on the other hand, focused on digital innovations, pushing photography to become more mainstream than ever. Now, the torch is passed on to Gen Z, many of whom refuse to be defined by traditions. Here’s a look at how they are writing new verses of history.
Since photography as a medium has been primarily about documentation, it has focused more on one’s immediate surroundings. However, with Gen Z gradually entering this scene, they are using the camera not as a tool, but as a means to express their identity. In fact, one could say that the latter is a self-constructed universe. As is the case, more young photographers are turning themselves into their subject, where they can blend personal stories with the ones they come across.
If you look at the latest trend of cameras, for instance, this generation has rejected everything that the previous groups stood for. They traded megapixels for grains, but also found ways to detach themselves from the digital world for a more analogue experience. There is the inclusion of screenless cameras, disposable cameras, but also the chance to express themselves more seriously without being weighed down by technology.
In some ways, Gen Z has been using photography as their personal diary, giving one a glimpse into their daily life. However, these images are not created without intention. In fact, during a recent conversation with an 18-year-old, I discovered how she wants her photographs to have “meaning” and not be disseminated without a purpose. Superficiality, thus, seems to be taking a back seat, something that millennials have been fighting to eliminate for a while now. Then there is also a sense of protection, which Fatimazohra Serri, a Moroccan artist, showcases in her portraits of herself and her sister. The burka helps to conceal themselves but also protects her from the danger faced online.
Away from self-portraiture, there is a need to highlight one’s understanding of society. For instance, Keerthana Kunnath, a 28-year-old, has been documenting Indian women bodybuilders to deconstruct the themes of gender and beauty. Her photographs showcase her subjects in a flattering light, while also prompting one to reflect on our ideals and traditions.
In fact, one can state that cultural defiance is one that thoroughly resonates with the young crop of photographers. More and more Gen Z photographers are finding ways to voice their opinions, but also remind us why documenting vulnerability is more important today. With the world shifting towards the far right in politics and societal expectations, this generation has no choice but to push back. In hopelessness, they hope to find freedom, which is the bravest thing one can do.
Last but not least, Gen Z is reclaiming power from institutions. For instance, Indian photographer Soham Joshi recently found ways to fund his zine, Field Notes on Seeing, thus making photography more democratic. Like him, many young creators are no longer waiting to hear from institutions, editors, or publishers to validate their work. They are publishing work that they want to showcase, and in a visual language with which they are most comfortable. Perhaps it is time for millennials to also adopt this way of thinking. Maybe, shaking up echelons of power is what we need. Everyone can make an image today, so why is photography being gatekept like other forms of art?
Photography was invented in the West, but today, it has become a mode to reclaim one’s narrative. Perhaps Gen Z is doing what we should have done long ago: rewrite your story as you want it to unfold.