Which One: Sony a99 II vs Canon 5D Mk IV vs Nikon D810 vs Pentax K-1

Canon, Nikon, and Sony have always been at each others’ throats when it comes to full frame DSLRs; but only recently did Pentax also finally step into the game. The Canon 5D Mk IV, Pentax K-1, Nikon D810, and Sony a99 II are all fantastic cameras. They perform well on their own accord and we tried to figure out which one is the best of the bunch.

Take a look at our comparison review testing the Sony a99 II, Canon 5D Mk IV, Pentax K-1, andNikon D810.

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We’ve Updated Our Canon EOS M5 Review: New High ISO Rating

Hi everyone,

This is just a quick news post to tell everyone that we’ve updated our Canon EOS M5 review. When we were initially testing the camera’s image quality output, we only ran it through Lightroom. For a while now, I’ve chosen to stop working in Lightroom as I feel many of the same issues that many of you speak of.

Capture One Pro 10 announced its latest update yesterday though, and things have changed.

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Getting the Best Colors in Your Portraits

Chris Gampat The Phoblographer Rokinon 50mm f1.2 portraits of Asta (4 of 4)ISO 2001-1000 sec at f - 1.0

Portraiture in photography is an art involving not only compelling composition and posing, but an effective use of color. Many photographers shoot in black and white because it makes the photographer rely more on shapes, lines, contrast, etc. But when it comes to color, things get more complicated. For example, have you ever had skin tones that just weren’t really working for you or doing your subject justice?

Chances are that you probably didn’t do these color tweaks that will absolutely work for every portrait you take.

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The Beauty of Fujifilm Natura 1600 Film

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All images by Simon Chetrit. Used with permission.

“You’ve got to try this stuff,” says photographer Simon Chetrit to me the other night in his Williamsburg apartment. Then he hands me a small, colorful paper box. It’s Fujifilm Natura 1600–a film I’ve heard about and seen incredible images with, but have never had the pleasure of trying. The film, which is only manufactured and sold in Japan, is legendary for its excellent colors and fairly fine grain when it comes to a high ISO film.

Simon is known for shooting film and usually sticks to a Pentax 67, but when he had the chance to pick this stuff up he was immediately enamored of it.

Considering the images that he produced with them and keeping in mind that he’s working with film, we can totally see why.

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How Color Film Originally Rendered People of Color

Pro Tip: the latest emulsions of Kodak Portra were designed to be scanned. We recommend Portra 400 more than almost anything else out there.

Pro Tip: the latest emulsions of Kodak Portra were designed to be scanned. We recommend Portra 400 more than almost anything else out there.

The image above is from the modern emulsion of Kodak Portra 400. As you can see, it renders the shadows and the highlights pretty darn well. But it took a long time for film to get to this point.

Film, though still in use with some photographers today, wasn’t always so forgiving. The world originally worked with sepia and then black and white. When color film was developed, it didn’t have such a strong dynamic range according to an educational video recently produced by Vox. So in fact, the details in the faces of people of color (black, brown, etc.) were often very muddled. Indeed, Vox says (quite literally) in their video that it was originally developed for white people–and this problem happened between the 1940s and 1990s.

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Review: Zeiss 85mm f1.8 Batis (Sony FE)

Chris Gampat The Phoblographer Zeiss 85mm f1.8 review product extras (6 of 6)ISO 4001-125 sec at f - 2.8

Portrait lenses: these two words can make a photographer’s heart melt when seen together. For years, Zeiss has dominated the portrait realm, though Sigma and Canon have had their share of lenses that sing. So when Zeiss released the first true portrait prime lens for the new Sony FE mount system, we knew that it had to be incredible. Indeed the Zeiss 85mm f1.8 Batis is a lens that can have that effect on you.

While this all sounds completely wonderful on paper, we needed to see if it really would make our jaws drop. Initially, we really thought it was something special. But did our love affair last? Or was this just another summer fling?

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Video: Editing Skin Tones in Adobe Lightroom

Model: Asta Paredes

Model: Asta Paredes

We’ve done a couple of tutorials on how to edit skin tones and make them look better in Adobe Lightroom, but today we’re sharing a video specifically walking you through how we edited a single image. You’ll see just how simple it really is to get perfect skin tones just by working manually with the color channels. The video is after the jump.

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Review: CineStill 800T film

Cinestill photo

If you had asked me years ago if I would be reviewing film in the year 2015, I probably would have laughed in your face. There is no way that a couple of years ago that any editor would have thought that a company would be making new film products. But indeed, there have been. CineStill, founded by the Brothers Wright photography team, have repacked Kodak cinema film by taking off a layer that makes it safe for typical C-41 processing. For CineStill 800T, the company gave us ISO 800 film that is Tungsten balanced–which means that it’s best used with a flash or daylight.

In my personal experience, ISO 800 film has been very grainy except when it’s Kodak Portra and pushed a stop. But in this case, CineStill has given us the finest grain 800 film I’ve ever seen.

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