Five Fantastic A Little Longer Than 50mm Lenses for Portrait Photography

There are whole swarms of photographers who absolutely swear by and to the 50mm focal length, yet when it comes to portraiture, it’s easy for a lot of photographers to find the focal length a bit lacking. That’s where all of these slightly longer focal lengths have been coming from for a while now–something just a bit longer than a 50mm lens is often a fantastic option for portraits because while it isn’t as constrained as an 85mm lens, you tend to get a slightly longer field of view and therefore just enough more compression when shooting.

Here are some of our favorites.

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How Daylight White Balance Can Make You a Better Photographer

For the past year or so, I’ve been doing a special experiment with the way I shoot photos: I’ve been working almost exclusively with daylight white balance. Crazy, right? Especially when these days the auto white balance setting seems to do such a great job. Plus, when you consider how easy post-production is these days, it almost makes no sense. But indeed it does. Shooting a bit more restrained lets you think in a different way.

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Shooting with the Fujifilm GFX 50S: Extended Thoughts and Sample Images

The Fujifilm GFX 50S has been in for review for a few days now and I’m sort of wrapping my head around how to test it correctly. That’s kind of tough to explain for many reasons. You see, Fujifilm sent me the camera along with the 63mm f2.8 and the 120mm f4 lenses–both primes which are great for general work, portraiture, and the mainstay of most medium format photographers out there. Zooms are often tough to work with, but in some ways I feel like Fujifilm is genuinely trying to redefine the way people work with medium format cameras, lenses, and sensors.

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Which One: Sony a99 II vs Canon 5D Mk IV vs Nikon D810 vs Pentax K-1

Canon, Nikon, and Sony have always been at each others’ throats when it comes to full frame DSLRs; but only recently did Pentax also finally step into the game. The Canon 5D Mk IV, Pentax K-1, Nikon D810, and Sony a99 II are all fantastic cameras. They perform well on their own accord and we tried to figure out which one is the best of the bunch.

Take a look at our comparison review testing the Sony a99 II, Canon 5D Mk IV, Pentax K-1, andNikon D810.

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We’ve Updated Our Canon EOS M5 Review: New High ISO Rating

Hi everyone,

This is just a quick news post to tell everyone that we’ve updated our Canon EOS M5 review. When we were initially testing the camera’s image quality output, we only ran it through Lightroom. For a while now, I’ve chosen to stop working in Lightroom as I feel many of the same issues that many of you speak of.

Capture One Pro 10 announced its latest update yesterday though, and things have changed.

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Getting the Best Colors in Your Portraits

Chris Gampat The Phoblographer Rokinon 50mm f1.2 portraits of Asta (4 of 4)ISO 2001-1000 sec at f - 1.0

Portraiture in photography is an art involving not only compelling composition and posing, but an effective use of color. Many photographers shoot in black and white because it makes the photographer rely more on shapes, lines, contrast, etc. But when it comes to color, things get more complicated. For example, have you ever had skin tones that just weren’t really working for you or doing your subject justice?

Chances are that you probably didn’t do these color tweaks that will absolutely work for every portrait you take.

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The Beauty of Fujifilm Natura 1600 Film

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All images by Simon Chetrit. Used with permission.

“You’ve got to try this stuff,” says photographer Simon Chetrit to me the other night in his Williamsburg apartment. Then he hands me a small, colorful paper box. It’s Fujifilm Natura 1600–a film I’ve heard about and seen incredible images with, but have never had the pleasure of trying. The film, which is only manufactured and sold in Japan, is legendary for its excellent colors and fairly fine grain when it comes to a high ISO film.

Simon is known for shooting film and usually sticks to a Pentax 67, but when he had the chance to pick this stuff up he was immediately enamored of it.

Considering the images that he produced with them and keeping in mind that he’s working with film, we can totally see why.

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How Color Film Originally Rendered People of Color

Pro Tip: the latest emulsions of Kodak Portra were designed to be scanned. We recommend Portra 400 more than almost anything else out there.

Pro Tip: the latest emulsions of Kodak Portra were designed to be scanned. We recommend Portra 400 more than almost anything else out there.

The image above is from the modern emulsion of Kodak Portra 400. As you can see, it renders the shadows and the highlights pretty darn well. But it took a long time for film to get to this point.

Film, though still in use with some photographers today, wasn’t always so forgiving. The world originally worked with sepia and then black and white. When color film was developed, it didn’t have such a strong dynamic range according to an educational video recently produced by Vox. So in fact, the details in the faces of people of color (black, brown, etc.) were often very muddled. Indeed, Vox says (quite literally) in their video that it was originally developed for white people–and this problem happened between the 1940s and 1990s.

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