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 Getting It Rite In Camera Is Important Now gservo-01946-20140708

Creating an image is similar to constructing a building. If you don’t get it right, you have to go back in and fix it. Some people like to say “I can fix it in post” and while this is true, it’s not always efficient. Sometimes if you take your time and get it right in the camera first you can shave hours off of your production time by taking a few extra minutes to get your exposure and composition correct. Sitting in front of your computer may not always be a choice depending on circumstances.

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Chris Gampat The Phoblographer Sony 24-70mm f4 full frame lens review product images (2 of 8)ISO 4001-100 sec at f - 4.0

When Sony first announced their mirrorless full frame E mount system, the 24-70mm f4 was mentioned as one of the first lenses to be offered. Fast forward a bit, and it has hit the retailers and is receiving reviews. As one of the first zooms offered to a brand new system, there is a lot riding on the 24-70mm f4 FE OSS due to to the fact that it will help to keep the system afloat in its infancy. So with that in mind, Sony made this lens splashproof and dustproof–whatever that really means.

Despite the build though, folks purchase a lens for its image quality. And boy, does it exhibit some pretty good image quality–emphasis on pretty good. This lens doesn’t seem to be the company’s sharpest zoom lens, and to be honest it’s very much more of a jack-of-all-trades and master-of-none. But in the hands of the right creative, it can do some great work.

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Chris Gampat The Phoblographer Zeiss 35mm f2 review product images (2 of 6)ISO 8001-50 sec at f - 2.0

Zeiss has always been known for their quality, precision, and craftsmanship since before their rangefinder days. And while going through our Reviews index, we found that we skipped over this one. Sure, it’s been out for a while, but the Zeiss 35mm f2 delivers a look that many will fall in love with. In today’s world of lens technology progressing super fast, does Zeiss really need to update this lens? Or can it still find a home with a niche crowd?

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Adapters gservo-3628-20140629-3

I have used lens adapters on mirrorless cameras–just like loads and loads of other users do. When I made the decision to buy the Sony A7, my previous experience with adapters influenced my purchase. Instead of buying Sony lenses, I would keep on using my Nikon lenses. It had been suggested one would have to be insane to use Nikon lenses with a Sony camera, which doesn’t make sense to me. With this decision I knew there would be some sacrifice. Yes, it would have been easy just to buy another Nikon camera, but I wanted something that was full-frame and mirrorless. Nikon is not creating the cameras that I want, but I love my Nikon glass.

And with that, begins my story of what I lose with adapters.

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Chris Gampat The Phoblographer Zeiss 55mm f1.4 Otus product photos (4 of 5)ISO 4001-40 sec at f - 2.8

It’s a fact: your lenses are much more important than your cameras. They almost define the image quality that will come from the sensor, and they far outlast any DSLR or mirrorless camera made these days. But in order to make sure that these lenses last that long, you’ll need to properly maintain them and calibrate them for the best performance.

And here’s how.

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Chris Gampat The Phoblographer Samsung 16-50mm lens review (1 of 6)ISO 4001-50 sec at f - 4.0

When Samsung first announced their 16-50mm f2-2.8 lens, we were incredibly excited that they offered something quite different from their previous products. The last very serious lens that they released was their 85mm f1.4, but now the company boasts a whole new level of professional quality–or at least that was the intent.

Samsung’s 16-50mm f2-2.8 incorporates weather sealing into the design, which works perfectly with the company’s NX30 camera. It also is quite a beefy optic to hold while shooting. But beyond this, the lens was designed with 9 aperture blades and 18 elements in 12 groups. And at its pretty hefty cost, we can gladly say that this is one of the best lenses that we’ve tested for street photography.

But as we all know, a lens system works with the cameras that are available to it.

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