Review: Zeiss 15mm f2.8 Milvus (Nikon F)

chris-gampat-the-phoblographer-zeiss-15mm-f2-8-milvus-lens-product-images-1-of-8iso-4001-250-sec-at-f-2-8

When you look at a Zeiss lens, it’s very common to feel gear lust–and that’s what the Zeiss 15mm f2.8 Milvus lens will create in you. As the company’s widest lens and one of the newest additions to the Milvus lineup, it’s also one that will inspire you quite a bit due to its gorgeous way of rendering the world around you. Those that will really love this lens are landscape, architecture and real estate photographers. These shooters will also most likely be ones that wok professionally especially as they’re some of the few that will be able to justify the purchase to themselves.

But if you can get your hands on one, you’ll never want to go back to anything else.

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Review: Zeiss 18mm f2.8 Milvus (Nikon F)

Chris Gampat The Phoblographer Zeiss Milvus 18mm f2.8 product images (1 of 6)ISO 4001-60 sec at f - 2.0

Along with recent announcement of the 135mm f2 and 15mm f2.8 Milvus lenses, we were also treated to the Zeiss 18mm f2.8 Milvus lens. This lens is the company’s offering in-between their 15mm and 21mm focal lengths that are supposed to deliver architecture, Real Estate, Cityscape and landscape photographers a different experience. Like the others out there, this lens is weather sealed and characterized with the blue ring towards the back of the lens–which aids in weather sealing overall. Additionally, it boasts manual focusing, a rubber focusing ring and an all metal body.

Indeed, it’s one heck of a lens designed for the outdoor photographer.

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Review: Fujifilm 100-400mm f4.5-5.6 R LM OIS WR (Fujifilm X Mount)

Chris Gampat The Phoblographer Fujifilm 100-400mm f4.5-5.6 lens review product images (1 of 10)ISO 4001-125 sec at f - 2.0

Compare the Fujifilm 100-400mm f4.5-5.6 R LM OIS WR lens to anything else on the APS-C camera market, and you’ll find pretty much no sort of equivalent product. It’s weather sealed, has optical image stabilization, doesn’t change its aperture very much throughout the range, and is built incredibly well. Then tag onto it the fact that it’s made by Fujifilm–one of the best lens makers of all time. Keep moving forward, and consider the fact that you’re putting this glass in front of the company’s excellent X Trans Sensors; designed by Fujifilm but manufactured by Sony. If you’re a sports, photojournalism, wildlife photographer or professional creeper then this lens may indeed by an option that you’ll want to consider.

Announced quite a while back, the Fujifilm 100-400mm f4.5-5.6 R LM OIS WR may also be the company’s most expensive lens. But if you need something like this, it’s worth every penny.

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Review: Zeiss 135mm f2 Milvus (Canon EF)

Chris Gampat The Phoblographer Zeiss Milvus 135mm f2 product images (1 of 6)ISO 4001-60 sec at f - 2.0

If you had to think about some of the greatest lenses out there on the market right now, you’ll most likely think of Zeiss; and today the company is upgrading one of their best lenses to date in the form of the Zeiss 135mm f2 Milvus. Like the rest of the Milvus lineup of glass, this lens offers weather sealing, a solid metal exterior, a large rubber focusing ring, and above all else is promising, class leading optical quality. With 11 elements in 8 groups, this lens has a lot to prove to justify a $2,199 price tag for Canon and Nikon DSLR shooters.

But the big question is whether or not it really is worth the upgrade over their already fantastic 135mm f2. To this day, that is still one of my favorite portrait lenses.

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Review: Sony 70-300mm f4.5-5.6 G OSS (Sony E Mount, Full Frame)

Chris Gampat The Phoblographer Sony 70-300mm f4.5-5.6 FE lens review (1 of 10)ISO 4001-60 sec at f - 2.8

There is very little on the market that can truly be compared to the Sony 70-300mm f4.5-5.6 G OSS lens; and for that reason it’s truly considered something unique. Very little, if anything at all, even compares to this lens in the mirrorless camera world.

For a little over $1,000 you’re getting a dust and splash resistant lens with quite a zoom range and a fairly compact size. Sure, it’s not an internal zooming lens but it’s still not too bad. On top of that, it’s designed for full frame mirrorless cameras. Considering Sony’s reputation, you can bet that it’s also going to be pretty darn good.

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Review: Olympus 300mm f4.0 IS PRO (Micro Four Thirds)

Chris Gampat The Phoblographer Olympus 300mm f4 lens review product images (1 of 8)ISO 4001-100 sec at f - 2.8

If you’re a Micro Four Thirds camera user, you’re most likely the type of person that loves to shoot street photography–but the Olympus 300mm f4 IS Pro is pretty much a far fetch from anything that a street photographer would use. Billed as one of Olympus’s Pro lenses, this one is designed for wildlife, sports, etc. Complete with weather sealing and a fairly light weight overall, what you’ll be most happy with is the fact that it’s also pretty small.

With an f4 aperture, you’ll probably never want or need to stop it down.

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Review: Venus Optics Laowa 105mm f2 Smooth Trans Focus Lens (Sony E, Full Frame)

Chris Gampat The Phoblographer Laowa 105mm f2 lens review product images (7 of 10)ISO 4001-60 sec at f - 2.8

When you look at the landscape of portrait lenses available for the full frame Sony E mount, you’ll see that they’re growing at a high rate–and the Venus Optics Laowa 105mm f2 lens is only one of those options. This lens is very special due to the design incorporating an apodization element to produce images that the company claims will give you “smooth and creamy bokeh while maintaining excellent sharpness at the focal plane.” To that end, it loses some light gathering abilities and has a T rating of T3.2–meaning that the photographer loses more than a full stop of light.

In practice, you indeed do get incredible images. But as with every manual focus telephoto lens, you’ll need to be very careful.

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Review: Sony 50mm f1.8 (Sony E Mount, Full Frame)

Chris Gampat The Phoblographer Sony 50mm f1.8 FE review images product photos final review (1 of 5)ISO 4001-60 sec at f - 2.8

Sony’s 50mm f1.8 for the full frame E mount cameras is one of the lenses that photographers waited for for a while. When it was launched, it made everyone ecstatic. The system finally had its nifty 50 and would make loads of photographers very happy. As the first lens full frame 50mm lens designed for mirrorless cameras with autofocus, it’s bound to be exciting.

So how is it? If you’re a Sony user, you’ll probably want to get one.

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