Samyang (otherwise known as Rokinon or Bower) has just announced an accessory filter holder for its 14mm f2.8 ultra-wide angle lens. Due to the strongly curved front lens element, the 14mm f2.8 comes without a built-in filter thread. This is the case with many ultra-wide angle lenses, and it can be annoying for photographers that are used to shooting with filters such as polarizers or ND filters.
For users of the Samyang 14mm f2.8 there is now the SFH-14 filter adapter, which attaches to the front of the lens and takes rectangular filter plates with a size of 161×139 mm and a thickness of 3 mm. The SFH-14 can take up two filters at a time, and can be rotated so that graduated filters can be used both horizontally and vertically.
Three filters that fit the SFH-14 will be manufactured by Cokin: the model 154 ND8, which is an ND8 neutral density filter, the model 121M ND4, which is a split ND4 neutral density filter, and the model 123S, which is a split blue filter. There’s no word yet on whether additional filter types–such as a polarizer filter–will be available in the future.
So far, it appears the SFH-14 filter holder has only been announced for Europe, where it will retail for € 32, which is approx. US-$ 44 at current exchange rates. The Cokin filters have retail prices of € 63 for the 154 ND8 model, and of € 68 for the other two models.
When the Sony A7 and A7R full-frame E-mount cameras were first announced, the’re wasn’t really a huge number of lenses available for the system. Granted, both cameras work with E-mount APS-C lenses, but those don’t provide the large image circle needed for the full-frame sensor. So what many early adopters did was to adapt lenses from other systems to the A7 and A7R.
In order to address the lens shortage issue, Samyang/Rokinon, as one of the first manufacturers, has now come up with E-mount versions of some of its full-frame DSLR lenses. In order to make the lenses fit the A7 and A7R, Rokinon added extension to the lens barrels that make up for the difference in flange distance between the mirrorless E-mount and regular DSLR mounts. Hence why the lenses look like they’ve been mated to an adapter.
Now this is something that we didn’t see coming. While roaming the floors of the Photo Plus Expo 2013, we came across the Sakar/Vivitar/Polaroid booth–those are the people that bought the rights to put the Kodak brand on new photographic items. Perusing through the neatly lined-up items at their stand, three tiny lenses hidden in a corner caught our glimpse. Upon closer inspection, not only did we notice a Kodak branding, but also some intriguing specifications. We were looking at a 25mm f0.95 lens, a 50mm f1.1 lens as well as an 8mm f3 fisheye lens, all three for the Micro Four Thirds mount. We were quite surprised, to say the least.
According to Fuji Rumors, Samyang (better known as Rokinon in the US) may be coming up with a new super wide-angle lens for mirrorless systems soon. While earlier rumors were talking about a 12mm f2 lens, Fuji Rumors now found evidence for a 10mm f2.8 lens. Either would be fantastic, though the difference between 18mm-equivalent and 15mm-equivalent is considerable (assuming the lenses will be made for APS-C systems and not for full-frame). Unless the 10mm is going to be a fish-eye lens, there are currently two comparable lenses with that speed rating (one for DSLRs and one for Leica M), and both are from Zeiss (and extremely expensive.)
The 10mm f2.8 lens is said to become available for most mirrorless systems, including Fuji X, Canon M, Samsung NX, Sony NEX and Micro Four Thirds, but will also be made for DSLR systems from Canon, Nikon, Pentax and Sony. There’s no official word on either lens yet, but we’ll keep our eyes and ears peeled and will let you know of any future developments.
Samyang’s 16mm f2 is the company’s second lens dedicated to APS-C DSLRs. That doesn’t mean that you can’t mount them on a full frame camera though–you’ll just get a lot of vignetting. The lens is characterized by some sweet and smooth manual focusing, a manual aperture ring, and a functional distance scale just like most other lenses from Samyang and Rokinon. And like all of the others, we don’t recommend them for the person that shoots with their DSLR in auto mode.
This lens is priced very affordably, and because of its APS-C sized sensor design, we also believe that its cinema version, the 16mm T2.2 might just be the best damned wide angle prime that someone can spring for when using the Black Magic Cinema Camera.
Editor’s Note: Want more from Samyang and Rokinon? Check out our guide to their lenses.
Earlier this year, Rokinon/Samyang announced their second lens designed for APS-C DSLRs: the 16mm f2–with the first being their fisheye prime. And just like with their fisheye, the lens is actually an EF lens–not EF-S. How do we know this? We mounted it onto a full frame DSLR and found that the imaging circle doesn’t cover the entire area of the sensor but it will mount to a 5D Mk II without crashing into the mirror at all.
On a Canon APS-C sensor camera, this lens will render a near 26mm equivalent field of view. As is previous with other Rokinon/Samyang lenses for Canon, the lens isn’t chipped for focusing communication, so chances are that you’ll be relying on your live view feed.