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Chris Gampat The Phoblographer Samsung GN58 Flash review product images (1 of 10)ISO 1001-125 sec at f - 3.2

Samsung has been on a roll for a while with new technology in their lenses and cameras, but we should never forget about the other integral part of a camera system: flash. Not long ago, Samsung introduced the ED-SEF580, a Guide Number 58 flash that is meant to be used in the hot shoe of your camera or used off-camera and triggered via infrared transmission.

With enough of them around, a very excellent flash setup can be arranged–though that can become quite costly. For the most part, they’re very on par with what many other manufacturers offer. In general though, we have to be honest and state that at this point in the technology game, we expect much more from Samsung.

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julius motal the phoblographer iso 400 rinzi ruiz 07

In this episode of ISO 400, we hear from Rinzi Ruiz, a street and wedding photographer based in Los Angeles. Towards the of 2011, Ruiz was laid off a job he had for 10 years, and this gave him time to focus on his photography. He found his zen in street photography on the streets of Los Angeles. His high contrast monochrome images are deeply meditative, and they have excellent lighting.

He became known for a blog called Street Zen, in which he posts images he makes on the street. More of his work can be found on his website and his Instagram.

A selection of his work and the episode can be seen after the break.

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Chris Gampat The Phoblographer Panasonic GH4 product images for review (1 of 8)ISO 4001-80 sec at f - 2.8

The folks over at the Camera Store have updated their Mirrorless Party video, and this time around everyone has changed a bit more. The video features Panasonic, Leica, Samsung, Sony, Olympus, Nikon and Fujifilm.

Oh right, and at some point Canon shows up. That’s better than Pentax at least!

The video parodies each company and their marketing/characteristics like Sony’s lack of native lenses, Fujifilm’s quietness, Samsung’s quiet confidence, Panasonic’s 4K video shooting feature and more. You’ll enjoy the good portion of time that the personified Nikon camera spends talking about himself.

The Mirrorless Party 2015 is after the jump. Get ready for a bit of a chuckle.

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telephoto-zoom-lens-photo

After our standard Pro zoom lens shoot out, we decided to put the telephoto lenses against one another. As mirrorless camera systems have evolved and continue to develop, they’ve had to meet the demands of professional photographers who have picked up their systems. One of the classic zoom lenses that many photographers tend to reach for is the equivalent of a 70-200mm f2.8 lens. These lenses are great for portraits, events, weddings, landscapes and pretty much anything that you can think of due to their versatility.

So with Fujifilm, Samsung, Olympus, and Panasonic all offering their own versions, which one is the best?

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The-Phoblographer-Standard-zoom-lens-photo

Mirrorless camera manufacturers have been working at creating better lenses and building out their systems. Very recently, the manufacturers with APS-C and Four Thirds sensors came up with constant aperture pro zoom lenses for their cameras.

Now don’t get us wrong: no manufacturer is making a bad lens or camera. In fact, all of them are superb. So with that in mind, we went about rounding up the information that we collected and figuring out which lens delivers the most pleasing results based on the specific system that they work with.

Our results are after the jump.

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Chris Gampat The Phoblographer Samsung NX500 First impressions product photos (3 of 12)ISO 2001-1250 sec at f - 2.8

Over the weekend, we spent some quality time (and way too much time on airplanes) in Hawaii with Samsung testing the first Nx500 cameras. Their Nx300 was an excellent camera in many ways and the Nx500 improves on it in many ways. to begin with, the camera is basically the very lite version of the company’s flagship NX1. With a 28MP APS-C sensor, it can resolve lots of detail.

The camera also shoots 4K video at a 1.7x crop factor where the NX1 takes the full scene and scales it down instead; to each their own though.

The Nx500 very much feels like its older counterpart but in ways also feels classier. You’ll be tempted to use the selfie screen feature more than once, and when paired with a small prime lens it’s bound to make for a great street photography camera. Additionally, it sports two exposure dials for easier and quicker exposure controls in manual mode rather than needing to use the iFunction button on the lenses, and it comes in white, brown or black.

After two days with the camera, it’s very apparent that it is in no way the Editor’s Choice award winning NX1. But it’s still quite the enjoyable little snapper.

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