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Chris Gampat The Phoblographer Zeiss 50mm f2.8 Touit product photos (1 of 7)ISO 4001-60 sec at f - 2.8

Back around late last year, we took a very early look at the Zeiss 50mm f2.8 Macro Touit lens for Sony E mount and Fujifilm X mount cameras. We’re happy to say that the new 50mm f2.8 Touit lens is right now in the house and we’re currently underway with testing it. As the company’s third offering for the lens mounts and their first macro lens, it is also the company’s longest focal length. Rendering a 75mm field of view due to the APS-C sized sensors, the lens can double as a portrait optic as well as be used by anyone that just wants some glorious bokeh due to the way that the field of view and aperture work out.

With a full frame equivalent of f4.5 on a full frame camera, this lens is also by all means not small–but nor is it small on image quality.

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Chris Gampat The Phoblographer Olympus OMD EM10 product photos (7 of 7)ISO 4001-100 sec at f - 3.5

Head on over to our review of the Olympus OMD EM10 and take a look at just how amazing these RAW files hold up. Anyone who bashes Micro Four Thirds for the image quality should really consider giving it another look and also consider how much overall RAW versatility they really need. The colors are spectacular, and the RAW files can do amazing things and also nerf noise very well in post-production.

Take a look at our results in the full review.

Review: Nikon D3300

by G Servo on 04/04/2014

Nikon D3300 gservo-1398140329

Nikon hasn’t been the best of camera companies lately. There have been issues with some of its new cameras, but there is one set of cameras that has been constant: the D3xxx series. Most of the D3xxx series’ updates are typically incremental. The Nikon D3300, the newest model, has some nice improvements. So let’s see how this camera works out.

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Chris Gampat The Phoblographer Fujfilm 56mm f1.2 lead image (1 of 1)ISO 32001-500 sec at f - 1.4

When Fujifilm first unveiled their 56mm f1.2, lots of folks were excited about what would be coming to the system. When we first heard about it, we believed that it needed to be a faster aperture offering due to the fact that the APS-C sensor will have around the same depth of field of an f2 lens on a full frame camera. Then we got the lens in, and began to fall in love with what it could do in the studio.

And after a while of reviewing the lens, we believe that X mount users have a great reason to be excited. But with that said, we recommend it only to those who can make the absolute best of its abilities.

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OLYMPUS DIGITAL CAMERA

The trend of beautiful, leather products has been around for a while now in the photo industry since ONA started strutting their sexiness all over the place. But on a recent trip to the Lomography store in NYC, I stumbled upon something else extremely beautiful but a little different. And upon asking them about the bag, I was introduced to Zkin. The company seems to be quite new (or at least their approach to the industry does) but already has an impressive lineup of bags.

And the one that really caught my eye is the Champ. Don’t ask me why they call it this. But for what it’s worth, I’ve found a bag that’s not only stylish, but also pretty damned functional.

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Nikon 58mm f1.4G  GServo-20131231-0041-2

Nikon recently came out with the AF-S NIKKOR 58mm f1.4G lens. It was released around the same time as the Zeiss Otus 55mm f1.4. That was pretty smart, since not everyone can afford the expensive Zeiss glass. If you are a Nikon shooter, you have an option to choose a lens that won’t destroy your bank account. Now, I’m not going to compare the two lenses past this point even though I’ve used them both. Nikon has come out with something new, so let’s see if it’s worth it.

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