This Cool, Analog Dystopian World Gets Even Trippier With Blue and Cyan 3D Glasses

All images by Andrew Willis. Used with permission.

“My Honours project was a 6 minute experimental animation, but all the resources were captured on an assortment of film stocks and formats and much of the process was very experimental,” explains photographer Andrew Willis to us. We’ve featured his work on this website before as he’s got some fantastic Bleached Polaroids and this time around he went a lot darker. “The final result is a dark, dystopian landscape populated by weirdos and shady characters. It was more of an exercise in character and world building than trying to build some clear narrative driven plot.” Andrew explains that while the final destination for the work was always to be a short animated film, he shot all of the elements with the hope that the individual images would be strong enough to stand by themselves.

Andrew’s project is far different than anything else out there. He’s taken to embracing those old 3D red and cyan glasses you’d get with Disney Adventure magazine back in the 90s.

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The Beginner’s Guide to Using Gels as a Strobist Photographer

Gels are bound to scare away most portrait photographers and strobists simply because they don’t understand how to really use them. But one of the coolest things that you can do as a photographer is learn how to use gels to tell a different story in your portraits and overall in your photography. You see, gels color the light output of your flash which is typically balanced to Daylight and therefore is very cool. But once you understand that you can make that light all sorts of various colors, you’ll get how awesome it can be to use gels.

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Film Review: Lomography LomoChrome Purple 100-400 (35mm, New Emulsion)

A while back, Lomography LomoChrome Purple was released in 120 and 35mm formats. But earlier this year, the company updated the formula to make it more stable. With it came the major improvement of making it easier to shoot with. The current LomoChrome Purple formula allows a photographer to get great results whether they’re shooting at ISO 400 or ISO 100. Lomography states that you can rate it at either setting, as opposed to the older formula which needed a lot of light to create the best images. This new emulsion is available only in 35mm, but it provides finer grain and still very nice colors.

So if you’re the type who only wants to shoot in 120, then the size may put you off. But make no mistake, the quality is absolutely there.

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How to Save a Poor Exposure In Capture One 10 Using Advanced Methods

If you’re like me, then you’re one of the many photographers who has recently jumped ship from Adobe Lightroom to Capture One for its improved (yet albeit advanced) workflow. Indeed, working with Capture One is a different process and requires you to think in a more complex, sectioned way when editing images. What worked for you in Lightroom won’t necessarily work for you in Capture One 10. If anything, think about it as going from aperture priority on your camera to manual mode. But like, full, full manual.

Recently, I had the opportunity to photograph a Thai kickboxer and decided to try something a bit different by gelling a flash with red to give him more of a neon look and have him stand out more from the background. So here’s how I saved the image.

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Leica Releases an APO-SUMMICRON-M 50mm f2 ASPH With a Red Finish (No, They Really Did This…)

One of Leica’s most popular lenses is their 50mm f2 Summicron; and so they just went and completely ruined it oh my god why would you do something like this it makes no sense painted it all red–you know, just in case you want that. It’s a special anodized Red version that will be available in December for $8,950.00.

On the inside, it’s the same as the silver and black versions. It has eight elements in five groups, and focuses as close as a little bit under a meter away from the subject. Of course, it’s also a Leica M mount lens–which means that it will mount to Leica M cameras, some Voigtlander Bessas, and some Zeiss Ikon rangefinders. It’s also compatible with pretty much any and every mirrorless camera system out there via adapters.

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How to Create More Vivid Food Photos

OLYMPUS DIGITAL CAMERA

One of the biggest features of a great food photo has to do with the way that the colors pop out and seem to grab you. Many photographers know that it’s all about the lighting, the textures, the props and any little touches that are added in to make the food even more scrumptious. One of the technical ways to create an image that makes your viewers hungry has to do with contrast. This is the reason why so many food photos have colors that are very dominant and others that add punch and grab your attention.

Here are a couple of tips to help you create more vivid and beautiful food photos.

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How to Deal With Blushing Red Skin in Adobe Lightroom

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We’ve all experienced it: you’re on a portrait photoshoot sometimes during cold weather and your subject has a skin color that is of a lighter shade. And when it’s cold out, the subject will most likely blush. If you don’t have a make-up artist on board to help with that issue, then it can sometimes lead to the colors being off in the final image.

But don’t worry, there is a solution. The answer has to do with individual color channels in Adobe Lightroom. And you may never need to step into Photoshop to fix the problem. So if you haven’t purchased Adobe Lightroom yet, we strongly suggest that you do so.

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DxOMark Confirms the Red Epic Dragon Sensor Outperforms the Nikon D800E

Red Epic Dragon body

Red has been teasing the photography and videography world for along while before the release of their new Epic camera sporting the Dragon sensor. Right from the beginning there was word that this new sensor would be revolutionary in terms of image quality, especially concerning dynamic range. And indeed, when first footage taken with the Red Dragon surfaced, we were stunned by the quality it delivered. It seemed as though Red hadn’t promised too much.

Now that the latest-generation modular cinema camera is nearing availability, everybody wants to know how it really performs. Lucky for us, the people over at DxOMark had the chance to play with a prototype unit and put it throught their regular testing procedures–with amazing results. Usually, DxOMark only tests still cameras, so for testing the Red Dragon’s performance, they had to extract stills from the 6K raw footage the Red Dragon records.

What they then found when they analyzed the resulting images is nothing short of spectacular. DSLR fanboys hold your breath, because what comes now might totally shatter your beliefs. The Red Epic Dragon’s sensor scored an overall 101 points in DxOMark’s test, the highest score any camera tested by DxOMark has ever achieved. But it’s getting even better. In both dynamic range and color depth, the Dragon sensor managed to outperform the both the Nikon D800 and D800E, while in color depth it even managed to outperform top-level medium format models from Phase One.

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