Hot on the heels of Adobe’s big Creative Cloud updates earlier this week, Phase One is getting in on the action as well, officially unveiling Capture One Pro 9.2. According to the release distributed by Phase One, in addition to the features we will cover below, this latest update adds support for six recently released cameras including the Pentax K-1, Nikon D500, as well as Canon’s EOS M10, G5x, G7x Mk II, and G9x.
There’s a certain magic in seeing your photograph appear on paper after exposing it to light for maybe 10 seconds and dipping it in its first chemical bath. It’s everything digital photography isn’t, and it comes through in the darkroom, where you’ll need a working knowledge of basic chemistry and time management to take your film through the development process.
Anyone interested in developing black & white film at home should download this PDF file from Ilford. From the chemicals necessary to the merits of each of its films, Ilford’s guide has everything you need in order to set up your own darkroom at home. Granted, this guide is Ilford-specific, so be sure you aren’t using this for another brand of film, as there are differences across companies’ film stock.
It’s been a while since HDR Expose 2 was first released, and we took a first look at the software a while back. HDR Expose 2 is a relatively affordable and easy to use HDR software which still leaves you a lot of options for fine tuning the HDR effect. Anything from a slight dynamic range improvement to over-the-top HDRs with insane colors and local contrast can be achieved with the software. In this review, we take a closer look at its functionality and assess what and who it is suited for.
Really Nice Images, the creator of the Instagram filter presets for Lightroom, have come up with a new set of Lightroom presets. This time, it’s analog film emulations. Ah, yes, we hear you saying, “not again … this is like what, the umphteen-hundredth set of film emulation presets …” or, “oh c’mon, this is so 2012!” But actually, we here at The Phoblographer really dig that kinda stuff, and think it’s a great way to get creative with your pictures, to enhance their look and to give them that little extra that makes a cool picture over an okay-ish one.
Photo by Richard Mosse
Today’s exciting announcement from Lomography about Lomochrome Purple is bound to get some people excited and others totally confused. First off, know that it is based off of Kodak Aerochrome–an old infrared film developed for government surveillance. Since it is infrared, that means that there are no real purple fields in the Congo. So we’re here to answer a couple of big questions that you may have about the new film. Check out more information after the jump.
I really don’t believe this happened, but Lomography managed to do something that was essentially lost for years. Kodak Aerochrome was an infrared film used by the government for surveillance. What it did was took greens and converted them to red and purple. That way, guerrilla fighters could easily be spotted and air raids could take down encampments with relative ease.
Today, Lomography is creating something relatively close: Lomochrome Purple. They’re guaranteeing delivery to be around July 2013. Things aren’t totally what they seem to be though: this is a color negative film–which means that it takes C-41 processing. Chrome films typically need E6 processing. They have more sample images on their website if you’re interested.
Correction: I was wrong. According to Kodak, it takes regular C-41 processing.
The film will be available in 120 and 35mm formats. And they’re not cheap: 120’s regular price is € 59.50 wc comes out to $80.59 for a pack of five; but they have a special price of € 56.53 which is $76.57. 35mm film costs € 49.50/$67.05 but the special price is $63.70.
We’re hunting around for more information, so stay tuned.
Update: Lomo got back to us with more information about the film. Georg Thaler, who leads the film development team had this to say, “After years of researching, thousands of tests and tons of failures, we finally found a way to shift colors of regular color negative films. This is why this film needs to be processed C 41. It’s basically a Color negative, so E6 is not the right choice for this film.”
Anyone who has run a successful photography business can tell you that being successful is 80% business and 20% photography. I know when I first started out that the biggest time block was spent in editing. And all that time editing is completely wasted because I don’t get paid any more for spending more time editing. So the less time I can spend processing my images, the more time I can invest where it matters.
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In his recent post on HDR photography, Andy mentions the possibility to create HDR images from single RAW files by developing them with different exposure levels. This way, an image with enhanced dynamic range can be achieved from a single exposure — which is handy when you don’t have a tripod with you, or your scene features moving objects. But you still need an HDR software to merge the three files you get from your original RAW image. This made me think: isn’t there an easier way? Why yes, there is. I call it “faux-DR” (from French “faux” = false), and it is a simple technique that can be done with most RAW developing softwares — in this post, I will use Adobe Lightroom exemplary.