Archive for the ‘prime’ tag
The Guide to Telephoto Zoom Lenses for Non-Professionals
Telephoto lenses are those considered to be around 70mm and greater. They come in both zooms, primes, variable apertures and fixed apertures. Inspired by an email from a reader letter, we’ve decided to come up with a bunch of tips for non-professional photographers who want to become better.
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Optimal Primes: How NYCC Made Me Love My 50mm
I’ve already explained how a 50mm F/1.8 lens has changed my shooting after years of using zoom lenses, but after New York Comic-Con a little while back, I feel the need to expand upon it. On my first day at the con, I shot cosplayers with a Canon EF 24-105mm f/4 L IS USMlens because I felt I needed the wide angle to get the best shots on the crowded floor. The second day, I used my 50mm F/1.8. The difference was night and day, both in how I shot and how the pictures turned out.
This posting was originally written by Will Greenwald
Nifty At 50: How A 50mm F1.8 Prime Lens Changed My Shooting
I have a confession to make. I’m not a professional photographer; I’m a consumer electronics journalist who covers digital cameras. While I’m an expert at the inner workings of digital cameras, when it comes to framing the scene, taking the shot, and masking it all look perfect I’m still an amateur. For the last few years, I’ve been shooting with the kit lens that came with my Canon Rebel XTi. It’s a useful lens, but my reliance upon it has kept me from understanding just how valuable a prime lens with quality glass can be. Read the rest of this entry »
50mm F0.95 Micro Four Thirds Lens is Coming from Noktor
According to PhotoRumors.com via 43rumors, we should be expecting to see a new 50mm F0.95 lens for Micro Four Thirds. This will be the equivalent of a 100mm field of view. That means that the cameras will be able to shoot basically in the dark and shouldn’t have to suffer from the problems that plague the cameras at higher ISO settings. Noktor is a company that can be followed on Twitter, but when one goes to their website, there isn’t much. Either way, I’m excited to see what comes out. That means that cameras like the EP-2 and GF-1 will be able to shoot almost in the dark. Additionally, the GH1 will be able to shoot amazing video using native lenses.
Words cannot describe my excitement right now.
UPDATE: A commentor on PhotoRumor’s posting linked us to the possible origins of the lens. Here’s the Google Translation. Notice that the lens attached to the camera though says Schneider-Kreuznach.









