Lens Distortions arguably solves the problems I've been having with photography for a while now: a clinically engineered lack of character into lenses that results in a sterile image which therefore doesn't make me want to purchase a product. That's a mouthful for sure, but it's true. While many photographers these days would prefer a clinically clean look where they can then add in their own modifications to the image in post, I'm not like that. There's a generation of photographers that truthfully don't like sitting down at computers because we do everything on a tablet or a phone instead. And for those photographers on both sides of the line, Lens Distortions makes a lot of sense.
Feature image is a frame grab from the featured video. Credit to Phlearn.
Photoshop, for all its power and precision, is more of a tool to be used on an individual basis from image to image. Sure, you can batch edit images with it, but let’s just say it’s less than ideal. Non-destructive image management programs like Lightroom are much better for this sort of task. In Lightroom you can do your color toning and processing on one image and then select other images to sync those settings with – commonly this is referred to batch editing (because you guessed it, you are editing a ‘batch’ of images). Continue reading…
There are very few things that captivate landscape photographers like the sunset; and Stefano Gardel has captured that pretty perfectly in his series “Neon Deserts.” The series, which is shot out in deserts in California, has a haunting look to it. It’s very easy for a photographer or a viewer to imagine that someone or something would be moving about. But instead, that isn’t really the case. What you see in the compositions are loneliness and a harsh life.
Stefano’s photos are masterfully composed not only according to the traditional rules of compositions but also in terms of color. Neon Deserts features layer upon layer of color and tonality building from smooth textures onto the rough surface of the terrain. Additionally, the lighting tends to change rather dramatically as you get closer to the surface. The scenes are cropped in a way to seem almost cinematic–which is part of the appeal of the entire series. In fact, I almost expect them to be cinemagraphs.
Cinemagraphs are one of the coolest marketing tools a photographer has at their disposal these days. This blend of stills and video seems like something out of Harry Potter, but in reality it is nothing more than some cleverly edited video. That is not to say they are easy to do without help, and that is what the Complete Guide To Cinemagraphs Tutorial is all about.
In this online learning course, Photographer Jason Teale takes you through the process of creating a cinemagraph. Everything from tips on gear you will need, to how to shoot your footage, all the way through how to edit and process the video into a cinemagraph in both Photoshop or Flixel Cinemagraph Pro (a software package specifically for cinemagraph creation). You could know absolutely nothing about cinemagraphs going into this video and come out of it knowing how to make them with no problem.
Today, Capture One is announcing the latest version of their software for professional photographers: Capture One Pro 10.1. With it includes a ton of new features including support for compressed Fujifilm RAW files. But there’s so much more, such as the ability to view PSD files within the program now. There are also new support implementations for how watermarks are used in addition to a new Styles workflow interface. The Styles workflow is a very welcome addition as they can be a great way to give extra inspiration for how you can make a final photo look.
More details and the press release are after the jump.
500px has been one of the biggest players in the photo sharing and photographer community spaces for many years now. The company has branched out, adding its own stock offering, and today it has announced some exciting new features starting with their development of a brand new photographer directory. Continue reading…
All images by Diego Salas. Used under Creative Commons License.
The art of photo retouching typically transforms and alters an ordinary looking photograph using various techniques to achieve desired results. Diego Salas’ commissioned work for Pedigree took photo retouching to a different level as he composited images of fish and pigs into the open mouths of cute dogs.
Looking at the “before” image, it was obvious that two completely different photographs were composited into the final output, undergoing a tonne of work in the process of photo retouching. The level of attention to detail by Diego is incredibly meticulous, even zooming into close up view the final image still looks completely realistic.
If you are a portrait photographer chances are you have had to break open photoshop at least a time or two to do a little reshaping here or there (whether it was really needed or not). Doing a good job reshaping a subject’s body can be time consuming, and the folks over at PortraitPro are looking to make the process much easier and more user friendly. Continue reading…