Today, Olympus is announcing the brand new EP5 that has been highly rumored for a while. It’s been quite some time since the flagship Pen camera received an update but that update was well worth the wait. First off the camera has the same sensor as the OMD EM5 but boasts a couple of differences that in some ways make it better than the OMD. The focusing is faster, it sports focus peaking for manual focus users, and has Wifi built in for starters. But otherwise, it has an aluminum body, no weather sealing, a flip up LCD screen with barely any external screws to the entire build, and an interesting new design layout.
Tech Specs and more images are after the jump. But also be sure to check out our first impressions and our comparison to the Olympus OMD EM5.
Editor’s Note: The EP5 is available body only for $999.99 in black, silver and white or with the 17mm f1.8 and new VF-4 viewfinder for $1,449.00 in black or silver.
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Today, Olympus is announcing their EP5 Micro Four Thirds camera. It is now the top tier of the Pen family of cameras under the Olympus brand and in some ways challenges the flagship from Olympus–the OMD EM5. Everyday, we see and hear about new people purchasing the OMD EM5, but if you want to go with the Micro Four Thirds system you’ll be able to now take a look at another very good option within the Olympus world (though Panasonic does offer some good selections as well).
At the moment of publishing this article, we’ve reviewed the OMD EM5 and have tested it in the long run. Additionally, some of our former staffers have sold everything they own to convert over to it. The EP5 hasn’t been reviewed yet, but there is more than enough to compare the two.
Editor’s Note: The EP5 is available body only for $999.99 in black, silver and white or with the 17mm f1.8 and new VF-4 viewfinder for $1,449.00 in black or silver.
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It’s been rumored for a while now, and guess what–it appears that the rumors were true. When I walked into my meeting with Olympus and saw the fabled EP5, I immediately asked them to take my credit card away from me. Today’s announcement marks the upgrade to the top tier of the Olympus Pen line of cameras. And in some ways it is outdoing its bigger brother, the Olympus OMD EM5. This is very typical of Olympus, though, as they often tend to cannibalize their own products very quickly and in different ways.
With that said though, there are some differentiating factors between this and the current king: the OMD.
Editor’s Note: The EP5 is available body only for $999.99 in black, silver and white or with the 17mm f1.8 and new VF-4 viewfinder for $1,449.00 in black or silver.
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Just as of this week, Panasonic has come out with it’s hotly awaited Panasonic GH-3. A camera with a cult following in video making. We decided to pit it against a highly respected competitor in the micro 4/3s category, the Olympus OM-D E-M5. Which camera had the cleaner image? Please let us know in the comments.
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The Olympus EPL5 is the successor to the very successful EPL3. Though it was previously stated that the camera didn’t have an Anti Aliasing filter, it actually does but it is weaker than in previous cameras and so retains extra details in the images. The body is compact, sleek, and has an LCD screen that veteran photographers may actually take quite the liking to.
The Olympus EPL5 has a lot going for it and is designed for a multitude of users. But is it worthy of being in your hands?
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I’ve just returned from California after an extremely awesome trip, thanks to Sony. But there was and still is no rest for the weary. This is just a quick update to let people know that Comic Con 2012 is happening right now in NYC. Yesterday, I used to the Olympus OMD EM5, Voigtlander 17.5mm f0.95, PocketWizard Plus III triggers, and the Paul C Buff Einstein E640. In my opinion, the kit was excellent. The only major issues I had was that I forgot to turn off the IR triggering mode so that whenever someone else’s flash went off, mine would too. But eventually, I looked at the manual and figured it out. The color output from the Einstein is super consistent and all the images were shot bare bulb or bounced off of a ceiling of some sort. Accounting for the fact that the Javitz Center has 45 foot high ceilings, I was amazed at how just how much power the light could output. The Voigtlander was a bit tough to focus sometimes so what I often did was opened the lens up and then stopped it down; otherwise it created a super dark viewfinder.
And the results so far? Well, you tell me. A full report is yet to come, so stay tuned.
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