Panasonic has always embraced the philosophy of having small cameras with a very big sensor: and today’s announcement of the GM5 is no different. This camera is targeted at the photographer that wants something incredibly compact–dare we say pocketable. The camera, which is available in either black or red, sports a magnesium body with a 1,165K dot EVF, had a 921K 3 inch touch screen WiFi, 60p video, and allows for editing to be done in the camera.
At its heart is a 16MP Four Thirds size sensor–and that allows the camera to shoot 5fps. When it launches at the start of November, you’ll be able to pick it up at an $899 price point.
Also being announced today is the new Panasonic 14mm f2.5–which has six elements in five groups with 3 aspherical elements. Additionally, it sports seven aperture blades. More info and photos are after the jump.
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It’s been rumored for a very long time, and today Panasonic and the Micro Four Thirds world have launched their direct competitor to the large sensor point and shoots. The Panasonic LX100 is not only directly squared against the other high end point and shoots out there, but it is also the company’s dueling sword to Fujifilm’s X100T.
At its heart is a Micro Four Thirds size sensor (the same 12.8MP sensor in the GX7) with a lens that starts at f1.7 (24mm) and ends at f2.8 (75mm) in its zoom range. The lens has Power OIS too–which is very typical for Panasonic. The camera has has the same processing engine as the GH4–which makes is truly a composite camera.
We got to spend some time with the LX100 at Panasonic’s New Jersey headquarters earlier this month. And trust us, it’s a reason to get hyped.
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Before you even get into reading this piece, know that we’re talking about an actual lens focal length, not equivalent to field of view. Look at it this way: you like taking photos with a 50mm lens, right? Let’s say you’re working with Micro Four Thirds camera options. In order to get a 50mm field of view, you need to slap a 25mm lens on your camera. But guess what? That 25mm lens will still act like a 25mm lens. It will be just as distorted and even though you’re still using the center area of the lens more or less you’ll still get all the problems that a lens like that faces. To get rid of that distortion, you’ll need a longer focal length. I found this out the hard way when working with a subject of larger stature. Though I felt the images looked great, she didn’t–and the only thing that really could have helped would have been a longer lens.
To eliminate that distortion to begin with, you’ll need to work with longer focal lengths. The generally accepted portrait focal length is an 85mm or longer. Now again, I’m not talking about an 85mm equivalent field of view on Micro Four Thirds. I’m saying that I need at least an 85mm focal length. Yes, the M43 coalition does a great job with making sure that their lenses are superb, but if you’re going to do portraits then you should eliminate any sort of distortion problems from the start.
Moving up to larger formats like APS-C or Full Frame, we think that the 85mm to the 135mm range is a great area to start working. Remember, the main thing that you’ll need to do is keep the distortion down to begin with.
Olympus has announced the PEN E-PL7, the company’s latest Micro Four Thirds camera since unveiling the OMD EM10 way back in January. The new compact system camera not only follows the OMD EM10 it also borrows much of its internals including a 16.1MP Live MOS sensor, TruePic VII image processor, and three-axis VCM image stabilization system. It’s not the most original camera from Olympus, but if the E-PL7’s image quality is on par with the OMD EM10, users will be very happy with camera indeed.
The Olympus PEN E-PL7 also features a new 3-inch, 104K dot touchscreen LCD that flips down a full 180-degrees. When fully flipped the screen sits below the camera body much like the Sony A77 Mark II and faces user for (what else, but) selfies. The new PEN also boasts 8fps sequential shooting without autofocus or 3.5fps with Continuous Auto Focus with tracking modes turned on.
On the software side, Olympus has improved its OI.Share smartphone software allowing users to control even more features of the E-PL7 though a Wi-Fi connected device. New features include a new custom self-timer for setting up a timelapse and “selfie interval shooting.” Olympus has also has added Live Bulb mode to OI.Share allowing users to control and monitor and control bulb photography from a mobile device.
The Olympus PEN E-PL7 will be available in late September in black and silver colors for $599.99 body only or $699.99 when kitted with the M.Zuiko 14-42 mm f3.5-5.6 II R lens.
Lastly Olympus is introducing a black version of its M.Zuiko digital 12mm f2.0 lens, which should pair nicely with Olympus’ all black OMD and PEN cameras. As with the silver version the blacked out 12mm f2.0 lens will retail for $799.99. Check past the break for more images and specs. [click to continue…]
We’ve been hearing a lot of news hinting that Panasonic could introduce a new LX8 with a Micro Four Thirds sensor and now there’s word there will also be a new GM2 with a built-in EVF. 43 Rumors has received a tip suggesting as much and the camera could even come with native 4K recording like the GH4. We’re not sure if the EVF will interfere with the incredible pocketablity of the first GM1 but Panasonic could adopt a pop-up viewfinder as seen with the Sony RX100 Mark III
There aren’t any other details or specs to go on—but this is the second time we’ve heard Panasonic will release a new interchangeable MFT camera. If the rumors are true this would make the GM2 the world’s smallest compact system camera with a built-in EVF. Panasonic LX8 is also supposedly on the horizon that purportedly will also utilize a MFT senor.
It would make sense Panasonic would introduce new cameras soon. After all Photokina is just a month away. There have not been a lot of early reports outing what Olympus might have in store for us, but it seems like new tech will be making waves in the Micro Four Thirds world this year.
Via 43 Rumors
Editor’s Note: This is an OP-Ed. On the other hand, you can call it a rant. In fact, call it a rant.
Five years as an Editor in Chief, two years as a wedding photographer, a half a year at Magnum Photos, and two years as a working photojournalist taught me something: there is such a thing as a very bad photographer. Give them expensive gear, all the lights in the world and more and you’ll begin to see that if you don’t have the vision, creativity, and the know-how when it comes to working with a scene and creating something then there is a strong chance that you’re going to be creating useless garbage.
Trust us, we should know.
This year, the site is turning five years old–and we’ve been reviewing cameras since day one. The technology has become better and better and back then folks used to say that something is a good camera or a bad camera. To a certain point, this is still expressed in forums, in conversations amongst friends, and by people that have nothing better to do with their lives than be trolls. But I’m going to tell you the complete God’s honest truth right now about the world.
Are you ready?
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