Vintage Camera Review: Mamiya RB67 Pro-S (6×7 Format)

A few years ago, I was told that a Hasselblad digital camera was going to kill the 120 format of film. At the time, I was absolutely astounded. For many years, I believed it to a certain point. 645 digital is good; in fact, it’s very good. But very few pieces of work out there have really delivered to me what I feel is that true medium format look. It’s what so many photographers strive for. But if you’re working with a camera like the Mamiya RB67 Pro-S, it’s impossible to not get that look you’re craving. A true workhorse camera for a portrait or landscape photographer, this camera has been in my arsenal for a fair amount of time now and I’ve often considered it to be my crown jewel.

If anything, it’s proven that 645 digital is close to the larger formats of 120 film, but it still isn’t totally there to me.

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The Phoblographer Explains: How TTL Flash Metering Works

One of the biggest things that makes no sense to me as a strobist photographer is why we don’t have any sort of universal TTL flash metering system. Instead of that, every single camera manufacturer has their own for the sake of being able to compete with one another while delivering flashes that essentially all do the same thing. It’s a hassle for photographers moving from one system to another. To understand this and my reasoning, you need to understand how TTL Flash metering works.

And trust me; it’s a whole lot simpler than you think.

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Review: Mint Camera InstantFlex TL70 2.0

Personally speaking, film camera reviews like those of the Mint Camera InstantFlex TL70 are the most fun for great reasons–there is no pixel peeping, no RAW file versatility, none of that stuff that people bitch and complain about in forums. Instead, it’s all about the moment and capturing or creating it. Then there are the lenses, the experience, and knowing that the photo you shoot is a one of a kind.

The Mint Camera InstantFlex TL70 2.0 camera’s biggest upgrade is its brighter viewfinder over the predecessor. This is a proper TLR (Twin Lens Reflex) camera with aperture priority control, exposure compensation, manual focusing, a flash, accessories, and an overall solid build quality. Most importantly for many of us, there are glass elements in the lens. Considering that Instax Mini basically covers a 645 area, this is important.

This can be a tough camera for many of us to learn; but at the same time you’re bound to have fun doing it.

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The Phoblographer Answers: What Metering Mode Should You Generally Use?

One of the most common questions that many photographers ask is what metering mode they should be in. It can be confusing to many people and generally, a lot of photographers tend to get their camera in evaluative mode and shoot it in that without batting an eye and adjusting it according to what the camera’s light meter states.

But here’s a little bit of information that can help you out even more.

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Why Don’t We Have a Universal TTL Flash Standard?

Lots of photographers who are in weddings, photojournalism or even just starting out prefer to use TTL flashes and metering over manual settings. But when they become more advanced, they start to do things manually. Why? Because just like automatic metering, they don’t always trust it. Automatic metering (which is essentially what TTL is) will give you what the flash system thinks you want based on a certain set of parameters.

But like normal exposure settings: metering is metering is metering. F2.8 at ISO 100 and 1/50th is going to soak up the same amount of light no matter what if all given situations are the same. So with that said, why isn’t there a universal standard for TTL flashes yet?

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The Ultimate Guide to the Sunny 16 Rule: Part 2

This blog post was syndicated by Emanuele Faja. It and the images here are being used with permission. Check out Part 1 here.

So, you read Part 1 of the Ultimate guide to the Sunny 16 Rule and you are hungry for more?
 
That was just the starter, now, onto the main course…

Btw, if you have just landed on this page, you probably want to read Part 1 of this guide first, or even my Exposure 101 Guide before you tackle this article.

You have pretty much all information you need to get started using the Sunny 16 Rule  in Part 1. Part 2 is the advanced course for those who types who want to know everything and want to nail their exposures every time, without using a light meter. This is probably complete overkill for most people, but here we go…

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Review: Fujifilm X Pro 2

I saw the Fujifilm X Pro 2 for the first time last December, and when I did, the camera took my breath away. There’s just something about Fujifilm’s attention to details, ergonomics, and the feel of them in your hands. Their cameras are incredible, and I’m shocked that they don’t have a larger market share. All of that came to an even greater forefront when the Fujifilm X Pro 2 was announced.

The camera, which is now holding joint flagship positions with the company’s X-T1, will appeal to those of who were trained on rangefinders. It’s also come a far way from the X Pro 1: with the addition of weather sealing, boosts in ISO performance, a 24MP APS-C sensor up from 16MP, an ISO dial, etc.

The answer to the question of whether or not you should upgrade is a sure enough yes, but it may not be a camera for everyone.

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Five Historic Moments Where Photography Became Easier for All

Chris Gampat The Phoblographer Lomo'Instant Wide image scan studio light (1 of 1)

Complaints about photography being easier and for everyone have always been present throughout the art form’s history. There is a theory that as we use technology, we become the technology. What that means is that we start to rely on it much more than our predecessors did. Photography has evolved over the years as technology became better. Today, it’s arguably to a point where everyone is a photographer even though the notion that a professional photographer is still one who makes the majority of their income from creating images.

Here are five big defining moments where photography changed and adapted to the needs of consumers to the point where major disruption happened.

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