Long Exposure

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Editor’s Note: Creating the Photograph is a series that we’re starting where we interview photographers all about how they created an image. Want to be featured? Email chrisgampat[at]thephoblographer[dot]com

Aaron Nace is one of the head honchos over at Phlearn: arguably one of the best photography learning website ever. Since seeing his video on how to do Terry Richardson’s lighting, I was hooked on the creative content they produce. It was by chance that I found his image, “Night Flight” on 500px. Knowing what the man is capable of, I was eager to know how he shot it.

Here’s his story. And if you’re interested check out more in our Creating the Photograph series.

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Night photography of old machinery at Bodie Ghost Town (stacked)

Editor’s Note: Creating the Photograph is a new series that we’re starting where we interview photographers all about the photo that they shot and talk to them about how it was achieved. The results are some knowledge passed onto you. Want to be featured? Email chrisgampat[at]thephoblographer[dot]com

I had the pleasure of meeting Heidger Marx on a photowalk with my former B&H Photo employees at night, and after seeing his work, I was amazed that a man so humble and soft-spoken has captured and created long exposure photos at some of the awesomest locations I’ve seen for something like this.Heidger is based in NYC and his passion is long exposures and night photography, but has also shot portraits. He currently leads workshops as well for people interested in learning more about the art. While going through his portfolio, we asked him about the photo above.

Here’s his story. And if you’re interested check out more in our Creating the Photograph series.

lens rental

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All images shot by and used with permission from Martin Stavars

Martin Stavars is a born in 1981 in Czestochowa, Poland and has always been fascinated with landscapes. Martin specializes in black-and-white cityscapes, landscapes, and night photography and he has travelled around the world photographing cities. The photographs have won him many awards and they are now published in his book, “Megalapolis.

Beautiful can’t begin to describe Martin’s work as the images hold elements of both simplicity and complexity due to the compositions. When you look at them, the words ghostly, beautiful, hypnotic, and dreamy come to mind. Take a look at the rest of his work after the jump. Also be sure to check out Neutral Density magazine, where Martin is the Managing Editor.

Martin uses a Canon 5D Mk II with Canon 17-40mm f4 L and 24-70mm f2.8 L lenses. Plus he totes around a Hasselblad 503cw with Hasselblad 40mm f/4 Distagon lens. Lastly he always uses ND and GND filters.  He also always needs a tripod. “My photographs are available in limited editions on Hahnemühle Fine Art Pearl paper, their sizes ranging from 12”x12” to 40”x40”. Printed with Epson 11880.” states Martin.

Via Photography Blogger

 

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Paul Schneggenburger has recently released a series of very beautiful photos that he shot of sleeping couples. Paul kept his lens wide open for six hours with no illumination besides candlelight while fully documenting the way that the couples turned and tussled throughout the night. The project is called, “The Sleep of the Beloved.” The images are currently part of the Anzenberger gallery and are totally worth a look.

Hit the jump for more.

Via Resource Magazine

 

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The above image was shot at ISO 6400. Not a bad view of San Francisco, huh? Hit the jump for one more image, but instead it is some long exposure goodness.

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On a Window Ledge of a Conference room Camera Nikon D90 Exposure 10 Aperture f/16.0 Focal Length 50 mm ISO Speed 320

In photography, sometimes it is impossible to capture a blur-free photograph without a tripod. When you need a longer exposure to get a properly lit shot, or you want to have a big depth of field like f/16 –f/22, keeping your camera as still as possible is important. However, you cannot always carry a tripod. If you look at your environment, though, you can find a place to put your camera and keep it still. This was inspired by a conversation I had with Chris Gampat. He got a great shot and when I asked him how, he told me the he had used the environment as his tripod.

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